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Yamaha PACP12M
Ibanez LB1
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Playability
70
Sound
79
Build
87
Value
69
Score
79
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Playability
73
Sound
81
Build
87
Value
70
Score
80
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Side to side spec comparison >

Yamaha PACP12M vs Ibanez LB1

Reasons to Get
Yamaha PACP12M over Ibanez LB1

Release Year
2024 vs 2021
From a more recent year
Type of Frets
Medium vs Jumbo
You'll feel the fretboard when pressing down the strings
Pickup Mods
Coil Split vs Series Split
Splits humbuckers into single coil pickups
Neck Thickness at 1st Fret
0.787'' (20mm) vs 0.81'' (20.6mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.882'' (22.4mm) vs 0.89'' (22.6mm)
More comfortable at higher frets for small hands
Scale Length
25.512'' (648mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone

Reasons to Get
Ibanez LB1 over Yamaha PACP12M

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium
You won't feel the fretboard when pressing down the strings
Pickup Mods
Series Split vs Coil Split
Connects pickups in series to imitate a humbucker
Neck Thickness at 1st Fret
0.81'' (20.6mm) vs 0.787'' (20mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.89'' (22.6mm) vs 0.882'' (22.4mm)
More comfortable at higher frets for big hands
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Scale Length
25.5'' (647.7mm) vs 25.512'' (648mm)
Easier bending, shorter fret separation and warmer natural tone
Value Score
70 vs 69
Better price/quality relationship

Other Key Differences
Yamaha PACP12M vs Ibanez LB1

Bridge Pickup
Reflectone HH7b: Humbucker vs Seymour Duncan Lari Basilio
Different Bridge Pickup
Middle Pickup
Reflectone HS7m: Single Coil vs Seymour Duncan Lari Basilio
Different Middle Pickup
Neck Pickup
Reflectone HS7n: Single Coil vs Seymour Duncan Lari Basilio
Different Neck Pickup
Body Wood
Alder vs Ash
Different Body Wood
Neck Wood
Maple vs Birdseye Maple
Different Neck Wood
Fretboard Wood
Maple vs Birdseye Maple
Different Fretboard Wood
Nut Material
Ivory Tusq vs Bone
Different Nut Material

Shared Features
Yamaha PACP12M vs Ibanez LB1

Headstock
6
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
5
Same pickups versatility
Volume Knobs
1
Same volume control
Tone Knobs
1
Same tone control
Pickups
HSS
High output with beautiful cleans and tone versatility
Number of Frets
22
Same maximum octave
Nut Width
1.654'' (42mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Tremolo
Simple vibratos without too much maintenance
Pickups Power
Passive
Cleaner sound and no battery needed
Compound Radius
10" to 14" vs 9" to 12"
Balanced playability for chords and single-notes
Neck Profile Type
C
Comfortable neck that works for most people
Neck Joint
Bolt-On
Allows you to detach and swap the neck

Common Strengths

  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Top Pickup Brand

Common Weaknesses

  • Neck-Through Build
  • Weight Relief
  • Stays in Tune (Evertune)
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT
SET PRICE ALERT

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Which One is Better for Beginners?

Both meet 7 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Yamaha PACP12M
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

New Player Friendliness

Ibanez LB1
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Yamaha PACP12M

Maple wood pattern used for guitar building
Maple
Alder wood pattern used for guitar building
Alder

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Woods Used in the Ibanez LB1

Birdseye Maple wood pattern used for guitar building
Birdseye Maple
Ash wood pattern used for guitar building
Ash

This wood has beautiful patterns only found in specific types of maple.

Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.

Winner: Ibanez LB1.

Pickup Configuration

Both pickup configurations are HSS. HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Both give you different pickup mod options.

The Yamaha PACP12M offers Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

On the other hand, the Ibanez LB1 comes with the following: Series Split.

The Series Split feature allows it to split and connect some of the pickups in series. When wired in series, the resulting tone is similar to a Humbucker's. The pickups will work together and produce a fuller tone with more output than single-coils, but less than Humbuckers.

Yamaha PACP12M pickups switch selector and push knobs diagram
Yamaha PACP12M's switch options
Ibanez LB1 pickups switch selector and push knobs diagram
Ibanez LB1's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Tie.

Final Sound Quality Scores

Yamaha PACP12M
Pickups 90
Sustain 70
Versatility 80
Tuning Stability 75
Sound 79
Ibanez LB1
Pickups 90
Sustain 80
Versatility 80
Tuning Stability 75
Sound 81

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha PACP12M compares to the Ibanez LB1.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Japan.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Yamaha PACP12M has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Ibanez LB1 comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Both in this comparison come with stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha PACP12M
  • Stainless Steel Frets
  • Locking Tuners
  • Made in Japan
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Tremolo
  • Compound Radius Fretboard
  • No Expensive Woods
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Ibanez LB1
  • Stainless Steel Frets
  • Locking Tuners
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Series Split Pickups
  • Luminescent Inlay
  • Tremolo
  • Compound Radius Fretboard
  • No Neck-Through Build
  • No Weight Relief
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha PACP12M
Quality of materials 86
Features 80
Quality Control 95
Build Quality 87
Ibanez LB1
Quality of materials 81
Features 85
Quality Control 95
Build Quality 87

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha PACP12M Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 42mm (1.654'').

This is considered a narrow width for a 6-string guitar. This means that this guitar will have a narrower string separation at the nut, which will affect your fretting hand.

If you are a player with big hands, you might find it difficult to play chords without muting strings. However, this is good for players who have smaller hands, as it will allow them to reach each string more easily at the nut.

Scale Length

Yamaha PACP12M's Scale Length
Yamaha PACP12M's Scale Length
Ibanez LB1's Scale Length
Ibanez LB1's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha PACP12M has the longest scale: 25.512". The Ibanez LB1 is only 25.5" long. This is a 0.012'' (0.3mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha PACP12M Neck Profile
Yamaha PACP12M's neck profile
Ibanez LB1 Neck Profile
Ibanez LB1's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Yamaha PACP12M and the Ibanez LB1 have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Yamaha PACP12M Fretboard Compound Radius
Yamaha PACP12M's Compound Fretboard Radius
Ibanez LB1 Fretboard Compound Radius
Ibanez LB1's Compound Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both have a compound radius. This means both offer you the best craftsmanship when it comes to fretboard design. You'll have an arc to help you play chords close to the nut, while also having a flat design at the higher frets for faster soloing and easier bends.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Yamaha PACP12M:
Big Hands
Small Hands
Ibanez LB1:
Big Hands
Small Hands

Fret Size

Yamaha PACP12M Frets Size
Yamaha PACP12M's Frets Size
Ibanez LB1 Frets Size
Ibanez LB1's Frets Size

The Ibanez LB1 has Jumbo frets, which should be taller than the Yamaha PACP12M's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Yamaha PACP12M
Bending & Vibrato Ease 60
Chord Playability 80
Solo Playability 70
Playability 70
Ibanez LB1
Bending & Vibrato Ease 70
Chord Playability 70
Solo Playability 80
Playability 73

Specs Side-by-Side

Yamaha PACP12M vs Ibanez LB1
General Yamaha PACP12M Ibanez LB1
Brand: Yamaha Ibanez
Year: 2024 2021
Configuration: HSS HSS
Strings: 6 6
Made in: Japan Japan
Series: Pacifica Professional LB
Colors: Black, Blue Purple
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Alder Ash
Bridge: Gotoh 510T FE-1 Gotoh T1702B
Neck
Neck Joint: Bolt-On Bolt-On
Tuners: Gotoh Locking Gotoh Magnum Lock machine heads w/H.A.P.
Fretboard: Maple Roasted Birdseye Maple
Neck Material: Maple 1pc Roasted Birdseye Maple
Decoration: Custom Mother of Pearl dot
Scale Size: 25.512" 25.5"
Shape: Slim C AZ Oval C
Thickness: 1st Fret: 0.787'' (20mm) - 12th Fret: 0.882'' (22.4mm) 1st Fret: 0.81'' (20.6mm) - 12th Fret: 0.89'' (22.6mm)
Frets: 22 Medium Stainless Steel 22 Jumbo Stainless Steel
Fretboard Radius: 10" to 14" 9" to 12"
Nut: Ivory Tusq Bone
Nut Width: 42mm (1.654'') 42mm (1.654'')
Electronics
Bridge Pickup: Reflectone HH7b: Humbucker (Humbucker / Passive) Seymour Duncan Lari Basilio (Humbucker / Passive)
Middle Pickup: Reflectone HS7m: Single Coil (Single Coil / Passive) Seymour Duncan Lari Basilio (Humbucker / Passive)
Neck Pickup: Reflectone HS7n: Single Coil (Single Coil / Passive) Seymour Duncan Lari Basilio (Humbucker / Passive)
Switch: 5 Way 5 Way
Knobs: Dome Dome
Pickup Mods: Coil Split Series Split
Volume Controls: 1 1
Tone Controls: 1 1