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Yamaha PAC612VII
Epiphone Les Paul Custom
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Playability
70
Sound
78
Build
69
Value
77
Score
72
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Playability
73
Sound
65
Build
57
Value
70
Score
65
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Side to side spec comparison >

Yamaha PAC612VII vs Epiphone Les Paul Custom

Reasons to Get
Yamaha PAC612VII over Epiphone Les Paul Custom

Country of Manufacturing
Indonesia vs China
Built with higher quality standards
Neck Profile
Pacifica C vs 60s Slim Taper
Comfortable neck that works for most people
Pickups Brand
Seymour Duncan vs None
Pickups from a renown brand
Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Switch Positions
5 vs 3
More tone options
Pickups
HS vs HH
High output with bright neck cleans
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.823'' (20.9mm) vs 0.82'' (20.8mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.902'' (22.9mm) vs 0.93'' (23.6mm)
More comfortable at higher frets for small hands
Nut Width
1.614'' (41mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
13.78'' (350mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
77 vs 70
Better price/quality relationship

Reasons to Get
Epiphone Les Paul Custom over Yamaha PAC612VII

Release Year
2020 vs 2016
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
60s Slim Taper vs Pacifica C
Thin and flat neck for playing fast
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
HH vs HS
High output without hum
Neck Thickness at 1st Fret
0.82'' (20.8mm) vs 0.823'' (20.9mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.93'' (23.6mm) vs 0.902'' (22.9mm)
More comfortable at higher frets for big hands
Nut Width
1.693'' (43mm) vs 1.614'' (41mm)
Less likely to mute strings by accident and more space for fingerstyle
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 13.78'' (350mm)
Easier to play chords without muting strings

Other Key Differences
Yamaha PAC612VII vs Epiphone Les Paul Custom

Bridge Pickup
Seymour Duncan TB-14 vs Epiphone ProBucker 3
Different Bridge Pickup
Neck Pickup
Seymour Duncan SSL-1 vs Epiphone ProBucker 2
Different Neck Pickup
Body Wood
Alder vs Mahogany
Different Body Wood
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Ivory Tusq vs NuBone
Different Nut Material

Shared Features
Yamaha PAC612VII vs Epiphone Les Paul Custom

Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Pickups Power
Passive
Cleaner sound and no battery needed
Type of Frets
Medium vs Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

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SET PRICE ALERT

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Which One is Better for Beginners?

The Yamaha PAC612VII meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone Les Paul Custom meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Yamaha PAC612VII
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

New Player Friendliness

Epiphone Les Paul Custom
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Yamaha PAC612VII

Maple wood pattern used for guitar building
Maple
Rosewood wood pattern used for guitar building
Rosewood
Alder wood pattern used for guitar building
Alder

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Woods Used in the Epiphone Les Paul Custom

Mahogany wood pattern used for guitar building
Mahogany
Ebony wood pattern used for guitar building
Ebony

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Epiphone Les Paul Custom.

Pickup Configuration

The Yamaha PAC612VII has an HS configuration while the Epiphone Les Paul Custom has HH pickups.

An HS configuration gives you a bridge pickup with a lot of output for playing distortion parts, but you'll also have the bright sound of a Tele or Strat neck pickup for your clean tones.

On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

The Yamaha PAC612VII has pickups from a more specialized brand than the Epiphone Les Paul Custom. Its pickups should simply give you a better, fuller sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.

You can purchase similar pickups to the Yamaha PAC612VII's and use them on any guitar:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Yamaha PAC612VII.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Yamaha PAC612VII gives you 5 switch options while the Epiphone Les Paul Custom gives you 3. This means that the Yamaha PAC612VII gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Yamaha PAC612VII comes with some kind of pickup modification: Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

Yamaha PAC612VII pickups switch selector and push knobs diagram
Yamaha PAC612VII's switch options
Epiphone Les Paul Custom pickups switch and push knobs diagram
Epiphone Les Paul Custom's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Yamaha PAC612VII.

Final Sound Quality Scores

Yamaha PAC612VII
Pickups 90
Sustain 70
Versatility 77
Tuning Stability 75
Sound 78
Epiphone Les Paul Custom
Pickups 60
Sustain 75
Versatility 53
Tuning Stability 70
Sound 65

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha PAC612VII compares to the Epiphone Les Paul Custom.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Yamaha PAC612VII is built in Indonesia while the Epiphone Les Paul Custom is made in China.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Yamaha PAC612VII

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Yamaha PAC612VII has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Epiphone Les Paul Custom comes with a NuBone nut. It's made by the same company that makes TUSQ nuts. It's slightly softer but hard enough to give you a brighter sound when playing open strings. It's also self-lubricating, so it's good for tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Yamaha PAC612VII's brige is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

On the other hand, the Epiphone Les Paul Custom's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Yamaha PAC612VII has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Yamaha PAC612VII.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Yamaha PAC612VII has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

On the other hand, the Epiphone Les Paul Custom comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Yamaha PAC612VII.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha PAC612VII
  • Locking Tuners
  • Expensive Wood
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Epiphone Les Paul Custom
  • Expensive Wood
  • NuBone Nut
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha PAC612VII
Quality of materials 66
Features 70
Quality Control 70
Build Quality 69
Epiphone Les Paul Custom
Quality of materials 61
Features 50
Quality Control 60
Build Quality 57

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha PAC612VII Nut Width
Yamaha PAC612VII Nut Width
Epiphone Les Paul Custom Nut Width
Epiphone Les Paul Custom Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone Les Paul Custom has the wider nut with 43mm (1.693'') vs 41mm (1.614''). This is a 2mm (0.079'') difference

This means that it will be more difficult to do bar chords on the Epiphone Les Paul Custom, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Yamaha PAC612VII's Scale Length
Yamaha PAC612VII's Scale Length
Epiphone Les Paul Custom's Scale Length
Epiphone Les Paul Custom's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha PAC612VII has the longest scale: 25.5". The Epiphone Les Paul Custom is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha PAC612VII Neck Profile
Yamaha PAC612VII's neck profile
Epiphone Les Paul Custom Neck Profile
Epiphone Les Paul Custom's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Yamaha PAC612VII has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Epiphone Les Paul Custom, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Yamaha PAC612VII Fingerboard Radius
Yamaha PAC612VII's Fingerboard radius
Epiphone Les Paul Custom Fingerboard Radius
Epiphone Les Paul Custom's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Epiphone Les Paul Custom's fingerboard radius is smaller, which means it's more curved than the Yamaha PAC612VII's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha PAC612VII.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Yamaha PAC612VII:
Big Hands
Small Hands
Epiphone Les Paul Custom:
Big Hands
Small Hands

Fret Size

Yamaha PAC612VII Frets Size
Yamaha PAC612VII's Frets Size
Epiphone Les Paul Custom Frets Size
Epiphone Les Paul Custom's Frets Size

The Epiphone Les Paul Custom has Medium Jumbo frets, which should be taller than the Yamaha PAC612VII's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Yamaha PAC612VII
Bending & Vibrato Ease 70
Chord Playability 70
Solo Playability 70
Playability 70
Epiphone Les Paul Custom
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73

Specs Side-by-Side

Yamaha PAC612VII vs Epiphone Les Paul Custom
General Yamaha PAC612VII Epiphone Les Paul Custom
Brand: Yamaha Epiphone
Year: 2016 2020
Configuration: HS HH
Strings: 6 6
Made in: Indonesia China
Series: Pacifica Epiphone Inspired by Gibson
Colors: Black White, Black
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Alder Mahogany
Bridge: Wilkinson VS50 6 Epiphone LockTone Tune-O-Matic
Neck
Neck Joint: Bolt-On Set
Tuners: Grover locking Grover Rotomatic 18:1
Fretboard: Rosewood Ebony
Neck Material: Maple Mahogany
Decoration: Dots Pearloid Block
Scale Size: 25.5" 24.75"
Shape: Pacifica C 60s Slim Taper
Thickness: 1st Fret: 0.823'' (20.9mm) - 12th Fret: 0.902'' (22.9mm) 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.93'' (23.6mm)
Frets: 22 Medium Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 13.78" 12"
Nut: Ivory Tusq NuBone
Nut Width: 41mm (1.614'') 43mm (1.693'')
Electronics
Bridge Pickup: Seymour Duncan TB-14 (Humbucker / Passive) Epiphone ProBucker 3 (Humbucker / Passive)
Middle Pickup: Seymour Duncan SSL-1 RwRp (Single Coil / Passive)
Neck Pickup: Seymour Duncan SSL-1 (Single Coil / Passive) Epiphone ProBucker 2 (Humbucker / Passive)
Switch: 5 Way 3 Way
Knobs: Dome Speed
Pickup Mods: Coil Split None
Volume Controls: 1 2
Tone Controls: 1 2