Sterling Cutlass Short Scale vs Yamaha PAC612VIIFM
Reasons to Get
Sterling Cutlass Short Scale over Yamaha PAC612VIIFM
Reasons to Get
Yamaha PAC612VIIFM over Sterling Cutlass Short Scale
Other Key Differences
Sterling Cutlass Short Scale vs Yamaha PAC612VIIFM
Shared Features
Sterling Cutlass Short Scale vs Yamaha PAC612VIIFM
Common Strengths
- High-Quality Nut
Common Weaknesses
- Neck-Through Build
- Weight Relief
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- From a High-Quality-Standards Country
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Yamaha PAC612VIIFM is probably the better product overall with its final score of 73 compared to the Sterling Cutlass Short Scale's 68 score, although not by a lot.
The Yamaha PAC612VIIFM wins when it comes to sound, build quality. On the other hand, the Sterling Cutlass Short Scale has the upper hand when it comes to playability.
If you got small hands, none of these instruments will make a big difference when it comes to comfortability.
Which One is Better for Beginners?
Both meet 6 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.
New Player Friendliness
Sterling Cutlass Short Scale- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Short scale
- Comfortable neck
- Comfortable fretboard
- Locking tuners
New Player Friendliness
Yamaha PAC612VIIFM- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Sterling Cutlass Short Scale Overview
- From Sterling's 2020 Cutlass series
- Made in Indonesia
- 6 strings
- 24"'' scale
- 12" Fretboard Radius
- Poplar body
- Hard Maple neck
- Maple fretboard
- Bridge pickup: Sterling Humbucker (Humbucker/Passive)
- Neck pickup: Sterling Single Coil (Single Coil/Passive)
- 1 volume and 1 tone Bell knobs
- 3-way Switch
- Fulcrum Tremolo bridge
- Cutlass Bolt-On neck
- 22 Narrow Tall frets
- Diecast tuners
- Compare Specs >
Yamaha PAC612VIIFM Overview
- From Yamaha's 2018 Pacifica series
- Made in Indonesia
- 6 strings
- 25.5"'' scale
- 13.78" Fretboard Radius
- Flame Maple top
- Maple/Alder/Flame Maple Laminated body
- Maple neck
- Rosewood fretboard
- Bridge pickup: Seymour Duncan TB-14 (Humbucker/Passive)
- Middle pickup: Seymour Duncan SSL-1 RwRp (Single Coil/Passive)
- Neck pickup: Seymour Duncan SSL-1 (Single Coil/Passive)
- 1 volume and 1 tone Dome knobs
- 5-way Switch
- Wilkinson VS50 6 bridge
- Pacifica C Bolt-On neck
- 22 Medium frets
- Grover locking tuners
- Compare Specs >
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Woods Used in the Sterling Cutlass Short Scale
Poplar is a cheaper and heavier alternative to Alder wood. It terms of tone, it emphasizes the low-end and has cutting mids. It's relatively soft compared to most body woods. Find out more about Poplar.
Woods Used in the Yamaha PAC612VIIFM
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Winner: Yamaha PAC612VIIFM.
Pickup Configuration
The Sterling Cutlass Short Scale has an HS configuration while the Yamaha PAC612VIIFM has HSS pickups.
An HS configuration gives you a bridge pickup with a lot of output for playing distortion parts, but you'll also have the bright sound of a Tele or Strat neck pickup for your clean tones.
On the other hand, HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.
Pickups Quality
The Yamaha PAC612VIIFM pickups from a more specialized brand than the Sterling Cutlass Short Scale. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.
We found the same or similar pickups to the Yamaha PAC612VIIFM's online:
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Yamaha PAC612VIIFM.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
The Yamaha PAC612VIIFM gives you 5 switch options while the Sterling Cutlass Short Scale gives you 3. This means that the Yamaha PAC612VIIFM gives you more options to find the right pickup combination for the type of sound you want to achieve
Only the Yamaha PAC612VIIFM comes with some kind of pickup modification: Coil Split.
Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Yamaha PAC612VIIFM.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Sterling Cutlass Short Scale compares to the Yamaha PAC612VIIFM.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Indonesia.
Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Sterling Cutlass Short Scale has a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.
On the other hand, the Yamaha PAC612VIIFM comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
The Yamaha PAC612VIIFM has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: Yamaha PAC612VIIFM.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Sterling Cutlass Short Scale
- Compensated Nut
- Tremolo
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in Indonesia
- No Expensive Woods
- No Top Brand Pickups
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Yamaha PAC612VIIFM
- Locking Tuners
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Coil Split Pickups
- Tremolo
- Cheap Fret Wire (NS)
- Made in Indonesia
- No Neck-Through Build
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Sterling Cutlass Short Scale has the wider nut with 41.9mm (1.65'') vs 41mm (1.614''). This is a 0.9mm (0.036'') difference
This means that it will be more difficult to do bar chords on the Sterling Cutlass Short Scale, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Yamaha PAC612VIIFM has the longest scale: 25.5". The Sterling Cutlass Short Scale is only 24" long. This is a 1.5'' (38.1mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Sterling Cutlass Short Scale and the Yamaha PAC612VIIFM have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Sterling Cutlass Short Scale's fingerboard radius is smaller, which means it's more curved than the Yamaha PAC612VIIFM's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha PAC612VIIFM.
Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .
Sterling Cutlass Short Scale:
Yamaha PAC612VIIFM:
Fret Size
The Sterling Cutlass Short Scale has Narrow Tall frets, which should be taller than the Yamaha PAC612VIIFM's Medium frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
