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Sterling Cutlass CT50HSS
Sire Larry Carlton S7 Vintage
VS
Playability
70
Sound
68
Build
60
Value
76
Score
66
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Playability
67
Sound
69
Build
64
Value
72
Score
67
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Sterling Cutlass CT50HSS vs Sire Larry Carlton S7 Vintage

Reasons to Get
Sterling Cutlass CT50HSS over Sire Larry Carlton S7 Vintage

Release Year
2021 vs 2020
From a more recent year
Pickups
HSS vs SSS
High output with beautiful cleans and tone versatility
Neck Thickness at 1st Fret
0.827'' (21mm) vs 0.9'' (22.9mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.965'' (24.5mm) vs 0.94'' (23.9mm)
More comfortable at higher frets for big hands
Nut Width
1.65'' (41.9mm) vs 1.654'' (42mm)
Favors small hands, easier bar chords and other shapes
Fretboard Radius
12'' (304.8mm) vs 9.5'' (241.3mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
76 vs 72
Better price/quality relationship

Reasons to Get
Sire Larry Carlton S7 Vintage over Sterling Cutlass CT50HSS

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Pickups
SSS vs HSS
Beautiful cleans and good tone versatility
Neck Thickness at 1st Fret
0.9'' (22.9mm) vs 0.827'' (21mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.94'' (23.9mm) vs 0.965'' (24.5mm)
More comfortable at higher frets for small hands
Nut Width
1.654'' (42mm) vs 1.65'' (41.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Fretboard Radius
9.5'' (241.3mm) vs 12'' (304.8mm)
Easier to play chords without muting strings

Other Key Differences
Sterling Cutlass CT50HSS vs Sire Larry Carlton S7 Vintage

Bridge Pickup
Sterling Humbucker vs Sire LC Super-V
Different Bridge Pickup
Middle Pickup
Sterling Single Coil vs Sire LC Super-V
Different Middle Pickup
Neck Pickup
Sterling Single Coil vs Sire LC Super-V
Different Neck Pickup
Body Wood
Poplar vs Alder
Different Body Wood
Fretboard Wood
Rosewood vs Roasted Maple
Different Fretboard Wood
Headstock
4-2 vs 6
Different Headstock
Nut Material
Compensated vs Bone
Different Nut Material

Shared Features
Sterling Cutlass CT50HSS vs Sire Larry Carlton S7 Vintage

Neck Wood
Roasted Maple
Same Neck Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
5
Same pickups versatility
Volume Knobs
1
Same volume control
Tone Knobs
1
Same tone control
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Tremolo
Simple vibratos without too much maintenance
Scale Length
25.5'' (647.7mm)
Same string tension and fret separation
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people
Neck Joint
Bolt-On
Allows you to detach and swap the neck
Type of Frets
Medium vs Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Locking Tuners
  • High-Quality Nut

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT

Sire Larry Carlton S7 Vintage Prices

SET PRICE ALERT

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Which One is Better for Beginners?

The Sire Larry Carlton S7 Vintage meets 7 out of our 8 criteria items for beginner friendliness, while the Sterling Cutlass CT50HSS meets only 6. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Sterling Cutlass CT50HSS
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

New Player Friendliness

Sire Larry Carlton S7 Vintage
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Roasted Maple wood pattern used for guitar building
Roasted Maple

Roasted Maple is just maple without a finish. It's technically cheaper than regular maple, but it doesn't have any extra disadvantages because of this. The color is darker, and it's lighter weight and very stable even when there's a lot of humidity.

Woods Used in the Sterling Cutlass CT50HSS

Rosewood wood pattern used for guitar building
Rosewood
Poplar wood pattern used for guitar building
Poplar

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Poplar is a cheaper and heavier alternative to Alder wood. It terms of tone, it emphasizes the low-end and has cutting mids. It's relatively soft compared to most body woods. Find out more about Poplar.

Woods Used in the Sire Larry Carlton S7 Vintage

Alder wood pattern used for guitar building
Alder

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Winner: Sterling Cutlass CT50HSS.

Pickup Configuration

The Sterling Cutlass CT50HSS has an HSS configuration while the Sire Larry Carlton S7 Vintage has SSS pickups.

HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.

On the other hand, SSS is perfect for players who like to play clean. The definition you get between notes and the crispiness is unmatched by most other configurations. You can still use it for distortion, but you won't get the same kind of output and power compared to a humbucker, and the hum they produce also makes them less adequate for high gain.

Pickups Quality

The Sire Larry Carlton S7 Vintage pickups from a more specialized brand than the Sterling Cutlass CT50HSS. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Funk and similar genres.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Sire Larry Carlton S7 Vintage.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

Sterling Cutlass CT50HSS pickups switch selector and push knobs diagram
Sterling Cutlass CT50HSS's switch options
Sire Larry Carlton S7 Vintage pickups switch selector and push knobs diagram
Sire Larry Carlton S7 Vintage's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Tie.

Final Sound Quality Scores

Sterling Cutlass CT50HSS
Pickups 60
Sustain 65
Versatility 70
Tuning Stability 75
Sound 68
Sire Larry Carlton S7 Vintage
Pickups 70
Sustain 60
Versatility 70
Tuning Stability 75
Sound 69

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Sterling Cutlass CT50HSS compares to the Sire Larry Carlton S7 Vintage.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Indonesia.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Sterling Cutlass CT50HSS has a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

On the other hand, the Sire Larry Carlton S7 Vintage comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Sterling Cutlass CT50HSS
  • Locking Tuners
  • Expensive Wood
  • Compensated Nut
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Sire Larry Carlton S7 Vintage
  • Locking Tuners
  • Bone Nut
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Expensive Woods
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Sterling Cutlass CT50HSS
Quality of materials 51
Features 65
Quality Control 65
Build Quality 60
Sire Larry Carlton S7 Vintage
Quality of materials 56
Features 65
Quality Control 70
Build Quality 64

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Sterling Cutlass CT50HSS Nut Width
Sterling Cutlass CT50HSS Nut Width
Sire Larry Carlton S7 Vintage Nut Width
Sire Larry Carlton S7 Vintage Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Sire Larry Carlton S7 Vintage has the wider nut with 42mm (1.654'') vs 41.9mm (1.65''). This is a 0.1mm (0.004'') difference

This means that it will be more difficult to do bar chords on the Sire Larry Carlton S7 Vintage, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Sterling Cutlass CT50HSS and Sire Larry Carlton S7 Vintage's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 25.5".

This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.

However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Sterling Cutlass CT50HSS Neck Profile
Sterling Cutlass CT50HSS's neck profile
Sire Larry Carlton S7 Vintage Neck Profile
Sire Larry Carlton S7 Vintage's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Sterling Cutlass CT50HSS and the Sire Larry Carlton S7 Vintage have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Sterling Cutlass CT50HSS Fingerboard Radius
Sterling Cutlass CT50HSS's Fingerboard radius
Sire Larry Carlton S7 Vintage Fingerboard Radius
Sire Larry Carlton S7 Vintage's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Sire Larry Carlton S7 Vintage's fingerboard radius is smaller, which means it's more curved than the Sterling Cutlass CT50HSS's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Sterling Cutlass CT50HSS.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Sire Larry Carlton S7 Vintage favors large hands more than the Sterling Cutlass CT50HSS.

Sterling Cutlass CT50HSS:
Big Hands
Small Hands
Sire Larry Carlton S7 Vintage:
Big Hands
Small Hands

Fret Size

Sterling Cutlass CT50HSS Frets Size
Sterling Cutlass CT50HSS's Frets Size
Sire Larry Carlton S7 Vintage Frets Size
Sire Larry Carlton S7 Vintage's Frets Size

The Sire Larry Carlton S7 Vintage has Medium Jumbo frets, which should be taller than the Sterling Cutlass CT50HSS's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Sterling Cutlass CT50HSS
Bending & Vibrato Ease 70
Chord Playability 70
Solo Playability 70
Playability 70
Sire Larry Carlton S7 Vintage
Bending & Vibrato Ease 60
Chord Playability 80
Solo Playability 60
Playability 67

Specs Side-by-Side

Sterling Cutlass CT50HSS vs Sire Larry Carlton S7 Vintage
General Sterling Cutlass CT50HSS Sire Larry Carlton S7 Vintage
Brand: Sterling Sire
Year: 2021 2020
Configuration: HSS SSS
Strings: 6 6
Made in: Indonesia Indonesia
Series: Cutlass S7
Colors: Gold, White, Brown, Gray, Blue Satin, Pink Satin White, Sunburst, Black
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Poplar Alder
Bridge: Vintage Tremolo S7V 2-post Bridge(Steel Block and Steel Bent Saddle)
Neck
Neck Joint: Bolt-On Bolt-On
Tuners: Locking Sire Premium Locking Tuner
Fretboard: Rosewood Roasted Hard Maple(Rolled Edges)
Neck Material: Roasted Maple Roasted Hard Maple
Decoration: Dot Markers Abalone dot
Scale Size: 25.5" 25.5"
Shape: Cutlass C-Shape
Thickness: 1st Fret: 0.827'' (21mm) - 12th Fret: 0.965'' (24.5mm) 1st Fret: 0.9'' (22.9mm) - 12th Fret: 0.94'' (23.9mm)
Frets: 22 Medium Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 9.5"
Nut: Compensated Bone
Nut Width: 41.9mm (1.65'') 42mm (1.654'')
Electronics
Bridge Pickup: Sterling Humbucker (Humbucker / Passive) Sire LC Super-V (Single Coil / Passive)
Middle Pickup: Sterling Single Coil (Single Coil / Passive) Sire LC Super-V (Single Coil / Passive)
Neck Pickup: Sterling Single Coil (Single Coil / Passive) Sire LC Super-V (Single Coil / Passive)
Switch: 5 Way 5 Way
Knobs: Bell Bell
Pickup Mods: None None
Volume Controls: 1 1
Tone Controls: 1 1