Schecter Keith Merrow KM7 MK-III PRO vs Ibanez AT100CL
Reasons to Get
Schecter Keith Merrow KM7 MK-III PRO over Ibanez AT100CL
Reasons to Get
Ibanez AT100CL over Schecter Keith Merrow KM7 MK-III PRO
Other Key Differences
Schecter Keith Merrow KM7 MK-III PRO vs Ibanez AT100CL
Shared Features
Schecter Keith Merrow KM7 MK-III PRO vs Ibanez AT100CL
Common Strengths
- Locking Tuners
- High-Quality Nut
- From a High-Quality-Standards Country
- Top Pickup Brand
Common Weaknesses
- Neck-Through Build
- Weight Relief
- Stays in Tune (Evertune)
- Compound Radius Fretboard
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Schecter Keith Merrow KM7 MK-III PRO is probably the better product overall with its final score of 80 compared to the Ibanez AT100CL's 76 score, although not by a lot.
The Schecter Keith Merrow KM7 MK-III PRO wins when it comes to playability, build quality. On the other hand, the Ibanez AT100CL has the upper hand when it comes to sound, value for the money.
If you got small hands, you'll probably feel that the Ibanez AT100CL is easier to play.
Which One is Better for Beginners?
Both meet 6 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.
New Player Friendliness
Schecter Keith Merrow KM7 MK-III PRO- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Comfortable fretboard
- Tall frets
- Comfortable neck
- Narrow nut
- Short scale
New Player Friendliness
Ibanez AT100CL- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Schecter Keith Merrow KM7 MK-III PRO Overview
- From Schecter's 2020 Artist series
- Keith Merrow Signature
- Made in United States
- 7 strings
- 26.5"'' scale
- 12" to 16" Fretboard Radius
- Flame Maple top
- Swamp Ash body
- Wenge 3-piece with purple heart and maple laminates neck
- Macassar Ebony fretboard
- Bridge pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
- Neck pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
- 1 volume and 0 tone Dome knobs
- 3-way Switch
- Hipshot Low Profile contoured 7 string fixed bridge bridge
- Thin fast C Bolt-On neck
- 24 XL Jumbo Stainless Steel frets
- Hipshot open gear locking with Knurled Barrel adjustment tuners
- Compare Specs >
Ibanez AT100CL Overview
- From Ibanez's 2009 AT series
- Andy Timmons Signature
- Made in Japan
- 6 strings
- 25.5"'' scale
- 12" Fretboard Radius
- Alder body
- Maple neck
- Maple fretboard
- Bridge pickup: DiMarzio AT-1 (Humbucker/Passive)
- Middle pickup: DiMarzio The Cruiser (Humbucker/Passive)
- Neck pickup: DiMarzio The Cruiser (Humbucker/Passive)
- 1 volume and 2 tone Bell knobs
- 5-way Switch
- Wilkinson-Gotoh VSVG tremolo bridge
- AT Bolt-On neck
- 22 Jumbo frets
- Gotoh Magnum Lock machine heads w/H.A.P. tuners
- Compare Specs >
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Woods Used in the Schecter Keith Merrow KM7 MK-III PRO
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.
Woods Used in the Ibanez AT100CL
Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.
Winner: Schecter Keith Merrow KM7 MK-III PRO.
Pickup Configuration
The Schecter Keith Merrow KM7 MK-III PRO has an HH configuration while the Ibanez AT100CL has HHH pickups.
Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
On the other hand, A triple Humbucker (HHH) can be intimidating at first, but it's one of the combinations that offer the most tone versatility. You'll be able to have from a lot of output for Hard Rock genres, to warm and clean sounds that are more common in Jazz.
Pickups Quality
Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.
However, the Ibanez AT100CL has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.
You can purchase similar pickups to the Schecter Keith Merrow KM7 MK-III PRO's and use them on any guitar:
We found the same or similar pickups to the Ibanez AT100CL's online:
The Schecter Keith Merrow KM7 MK-III PRO's pickups are Active while the Ibanez AT100CL's are Passive.
Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.
Winner: Ibanez AT100CL.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
The Ibanez AT100CL gives you 5 switch options while the Schecter Keith Merrow KM7 MK-III PRO gives you 3. This means that the Ibanez AT100CL gives you more options to find the right pickup combination for the type of sound you want to achieve
Only the Schecter Keith Merrow KM7 MK-III PRO comes with some kind of pickup modification: Multi-Voicing.
Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Ibanez AT100CL.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Schecter Keith Merrow KM7 MK-III PRO compares to the Ibanez AT100CL.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Schecter Keith Merrow KM7 MK-III PRO is built in United States while the Ibanez AT100CL is made in Japan.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Schecter Keith Merrow KM7 MK-III PRO has a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.
On the other hand, the Ibanez AT100CL comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
In this comparison, the Schecter Keith Merrow KM7 MK-III PRO is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.
Winner: Schecter Keith Merrow KM7 MK-III PRO.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
The Schecter Keith Merrow KM7 MK-III PRO's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
On the other hand, the Ibanez AT100CL's is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: Tie.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Schecter Keith Merrow KM7 MK-III PRO
- Stainless Steel Frets
- Locking Tuners
- Made in United States
- Expensive Wood
- Compensated Nut
- Top Brand Pickups
- Multi-Voicing Pickups
- Luminescent Inlay
- Compound Radius Fretboard
- No Neck-Through Build
- No Weight Relief
- No Tremolo
- No 21:1 Tuner Ratio
- No Strap Lock
Ibanez AT100CL
- Locking Tuners
- Made in Japan
- Bone Nut
- Top Brand Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Expensive Woods
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Schecter Keith Merrow KM7 MK-III PRO has the wider nut with 48mm (1.89'') vs 40.5mm (1.594''). This is a 7.5mm (0.296'') difference
This means that it will be more difficult to do bar chords on the Schecter Keith Merrow KM7 MK-III PRO, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Schecter Keith Merrow KM7 MK-III PRO has the longest scale: 26.5". The Ibanez AT100CL is only 25.5" long. This is a 1'' (25.4mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Schecter Keith Merrow KM7 MK-III PRO and the Ibanez AT100CL have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Schecter Keith Merrow KM7 MK-III PRO is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Schecter Keith Merrow KM7 MK-III PRO favors large hands more than the Ibanez AT100CL.
Schecter Keith Merrow KM7 MK-III PRO:
Ibanez AT100CL:
Fret Size
The Schecter Keith Merrow KM7 MK-III PRO has XL Jumbo frets, which should be taller than the Ibanez AT100CL's Jumbo frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
