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Schecter Keith Merrow KM-7 MK-III Stage
Jackson X Series Soloist SL1X
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Playability
75
Sound
78
Build
84
Value
69
Score
79
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Playability
77
Sound
73
Build
64
Value
76
Score
71
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Schecter Keith Merrow KM-7 MK-III Stage vs Jackson X Series Soloist SL1X

Reasons to Get
Schecter Keith Merrow KM-7 MK-III Stage over Jackson X Series Soloist SL1X

Country of Manufacturing
United States vs Indonesia
Built with higher quality standards
Fret Material
Stainless Steel vs Nickel Silver
Best fret material that will last forever
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
Thin fast C vs Jackson Standard
Comfortable neck that works for most people
Pickups Brand
Fishman vs None
Pickups from a renown brand
Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Strings
7 vs 6
Allows you to play lower notes
Pickups
HH vs HSS
High output without hum
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.765'' (19.4mm) vs 0.79'' (20.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.825'' (21mm) vs 0.85'' (21.6mm)
More comfortable at higher frets for small hands
Nut Width
1.89'' (48mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Bridge
Fixed vs Floyd Rose
Good sustain and needs no set-up
Scale Length
26.5'' (673.1mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Pickups Power
Active vs Passive
More output

Reasons to Get
Jackson X Series Soloist SL1X over Schecter Keith Merrow KM-7 MK-III Stage

Neck Profile
Jackson Standard vs Thin fast C
Thin and flat neck for playing fast
Neck Joint
Neck-Through vs Bolt-On
Stronger neck and easier access to upper frets
Strings
6 vs 7
Narrower neck and fewer strings to change
Switch Positions
5 vs 3
More tone options
Tone Knobs
1 vs 0
More tone control
Pickups
HSS vs HH
High output with beautiful cleans and tone versatility
Neck Thickness at 1st Fret
0.79'' (20.1mm) vs 0.765'' (19.4mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.85'' (21.6mm) vs 0.825'' (21mm)
More comfortable at higher frets for big hands
Nut Width
1.688'' (42.9mm) vs 1.89'' (48mm)
Favors small hands, easier bar chords and other shapes
Bridge
Floyd Rose vs Fixed
Allows intense vibratos and techniques like Dive Bombs
Scale Length
25.5'' (647.7mm) vs 26.5'' (673.1mm)
Easier bending, shorter fret separation and warmer natural tone
Pickups Power
Passive vs Active
Cleaner sound and no battery needed
Value Score
76 vs 69
Better price/quality relationship

Other Key Differences
Schecter Keith Merrow KM-7 MK-III Stage vs Jackson X Series Soloist SL1X

Bridge Pickup
Keith Merrow Custom Fishman Fluence vs Duncan Designed HB-103B
Different Bridge Pickup
Neck Pickup
Keith Merrow Custom Fishman Fluence vs Duncan Designed HR-101 Hot Rails
Different Neck Pickup
Body Wood
Alder vs Poplar
Different Body Wood
Fretboard Wood
Ebony vs Laurel
Different Fretboard Wood
Headstock
4-3 vs 6
Different Headstock
Nut Material
Compensated vs Locking
Different Nut Material

Shared Features
Schecter Keith Merrow KM-7 MK-III Stage vs Jackson X Series Soloist SL1X

Neck Wood
Maple
Same Neck Wood
Body Type
Solid Body
Feedback free
Volume Knobs
1
Same volume control
Number of Frets
24
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Compound Radius
12" to 16"
Balanced playability for chords and single-notes
Type of Frets
XL Jumbo vs Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Compound Radius Fretboard

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Schecter Keith Merrow KM-7 MK-III Stage Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Schecter Keith Merrow KM-7 MK-III Stage is probably the better product overall with its final score of 79 compared to the Jackson X Series Soloist SL1X's 71 score, although not by a lot.

The Schecter Keith Merrow KM-7 MK-III Stage wins when it comes to sound, build quality. On the other hand, the Jackson X Series Soloist SL1X has the upper hand when it comes to playability, value for the money.

If you got small hands, you'll probably feel that the Jackson X Series Soloist SL1X is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Schecter Keith Merrow KM-7 MK-III Stage is the better choice.

The Schecter Keith Merrow KM-7 MK-III Stage meets 6 out of our 8 criteria items for beginner friendliness, while the Jackson X Series Soloist SL1X meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Schecter Keith Merrow KM-7 MK-III Stage
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Comfortable neck
  • Narrow nut
  • Short scale

New Player Friendliness

Jackson X Series Soloist SL1X
  • Comfortable shape
  • Comfortable fretboard
  • Tall frets
  • Comfortable neck
  • Narrow nut
  • Short scale
  • Locking tuners
  • Easy-to-use bridge

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Schecter Keith Merrow KM-7 MK-III Stage Overview

  • From Schecter's 2021 Artist series
  • Keith Merrow Signature
  • Made in United States
  • 7 strings
  • 26.5"'' scale
  • 12" to 16" Fretboard Radius
  • Alder body
  • 5 Ply Maple/Walnut neck
  • Ebony fretboard
  • Bridge pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • Neck pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • 1 volume and 0 tone Dome knobs
  • 3-way Switch
  • Hipshot Low Profile Fixed Bridge bridge
  • Thin fast C Bolt-On neck
  • 24 XL Jumbo Stainless Steel frets
  • Hipshot open gear locking with Knurled Barrel adjustment tuners
  • Compare Specs >

Jackson X Series Soloist SL1X Overview

  • From Jackson's 2021 X series
  • Made in Indonesia
  • 6 strings
  • 25.5"'' scale
  • 12" to 16" Fretboard Radius
  • Poplar body
  • Maple neck
  • Laurel fretboard
  • Bridge pickup: Duncan Designed HB-103B (Humbucker/Passive)
  • Middle pickup: Duncan Designed HR-101 Hot Rails (Single Coil/Passive)
  • Neck pickup: Duncan Designed HR-101 Hot Rails (Single Coil/Passive)
  • 1 volume and 1 tone Dome knobs
  • 5-way Switch
  • Floyd Rose Special Double-Locking Tremolo (Non-Recessed) bridge
  • Jackson Standard Neck-Through neck
  • 24 Jumbo frets
  • Jackson Sealed Die-Cast tuners
  • Weight between 7.8lbs (3.5kgs) and 7.85lbs (3.6kgs)
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Woods Used in the Schecter Keith Merrow KM-7 MK-III Stage

Ebony wood pattern used for guitar building
Ebony
Alder wood pattern used for guitar building
Alder

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Woods Used in the Jackson X Series Soloist SL1X

Laurel wood pattern used for guitar building
Laurel
Poplar wood pattern used for guitar building
Poplar

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Poplar is a cheaper and heavier alternative to Alder wood. It terms of tone, it emphasizes the low-end and has cutting mids. It's relatively soft compared to most body woods. Find out more about Poplar.

Winner: Schecter Keith Merrow KM-7 MK-III Stage.

Pickup Configuration

The Schecter Keith Merrow KM-7 MK-III Stage has an HH configuration while the Jackson X Series Soloist SL1X has HSS pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.

Pickups Quality

The Schecter Keith Merrow KM-7 MK-III Stage has pickups from a more specialized brand than the Jackson X Series Soloist SL1X. Its pickups should simply give you a better, fuller sound, although it all depends on what type of music you're going to play. We recommend these pickups for Heavy Metal and similar genres.

You can purchase similar pickups to the Schecter Keith Merrow KM-7 MK-III Stage's and use them on any guitar:

The Schecter Keith Merrow KM-7 MK-III Stage's pickups are Active while the Jackson X Series Soloist SL1X's are Passive.

Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

Winner: Schecter Keith Merrow KM-7 MK-III Stage.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Jackson X Series Soloist SL1X gives you 5 switch options while the Schecter Keith Merrow KM-7 MK-III Stage gives you 3. This means that the Jackson X Series Soloist SL1X gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Schecter Keith Merrow KM-7 MK-III Stage comes with some kind of pickup modification: Multi-Voicing.

Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.

Schecter Keith Merrow KM-7 MK-III Stage pickups switch and push knobs diagram
Schecter Keith Merrow KM-7 MK-III Stage's switch options
Jackson X Series Soloist SL1X pickups switch selector and push knobs diagram
Jackson X Series Soloist SL1X's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Jackson X Series Soloist SL1X.

Final Sound Quality Scores

Schecter Keith Merrow KM-7 MK-III Stage
Pickups 85
Sustain 85
Versatility 62
Tuning Stability 80
Sound 78
Jackson X Series Soloist SL1X
Pickups 55
Sustain 80
Versatility 70
Tuning Stability 85
Sound 73

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Schecter Keith Merrow KM-7 MK-III Stage compares to the Jackson X Series Soloist SL1X.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Schecter Keith Merrow KM-7 MK-III Stage is built in United States while the Jackson X Series Soloist SL1X is made in Indonesia.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

Winner: Schecter Keith Merrow KM-7 MK-III Stage

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Schecter Keith Merrow KM-7 MK-III Stage has a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

On the other hand, the Jackson X Series Soloist SL1X comes with a Locking nut. Instead of a regular nut, this guitar has a locking system that will lock down the strings at the nut, preventing it from getting out of tune. It removes one of the disadvantages of tremolo bridges, tune stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

In this comparison, the Schecter Keith Merrow KM-7 MK-III Stage is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Schecter Keith Merrow KM-7 MK-III Stage.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Schecter Keith Merrow KM-7 MK-III Stage's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

On the other hand, the Jackson X Series Soloist SL1X's is a Floyd Rose. This is a double-locking bridge system that allows you to perform techniques like dive bombs and pinch harmonics. The locking nut allows your guitar to stay in tune even after the most intense tremolo usage. The disadvantage is that it takes more work to change the strings and set up everything correctly.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Jackson X Series Soloist SL1X.

Tuners

The Schecter Keith Merrow KM-7 MK-III Stage has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Nevertheless, the Jackson X Series Soloist SL1X has a locking nut, so it should have even better tune stability and doesn't need locking tuners.

Winner: Schecter Keith Merrow KM-7 MK-III Stage.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Schecter Keith Merrow KM-7 MK-III Stage has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

On the other hand, the Jackson X Series Soloist SL1X comes with Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

Winner: Jackson X Series Soloist SL1X.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Schecter Keith Merrow KM-7 MK-III Stage
  • Stainless Steel Frets
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Compensated Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Luminescent Inlay
  • Compound Radius Fretboard
  • No Neck-Through Build
  • No Weight Relief
  • No Tremolo
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Jackson X Series Soloist SL1X
  • Locking Nut
  • Neck-Through Build
  • Tremolo
  • Compound Radius Fretboard
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Indonesia
  • No Expensive Woods
  • No Top Brand Pickups
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No 21:1 Tuner Ratio
  • No Retainer Bar
  • No Strap Lock

Final Build Quality Scores

Schecter Keith Merrow KM-7 MK-III Stage
Quality of materials 76
Features 80
Quality Control 95
Build Quality 84
Jackson X Series Soloist SL1X
Quality of materials 41
Features 80
Quality Control 70
Build Quality 64

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Schecter Keith Merrow KM-7 MK-III Stage Nut Width
Schecter Keith Merrow KM-7 MK-III Stage Nut Width
Jackson X Series Soloist SL1X Nut Width
Jackson X Series Soloist SL1X Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Schecter Keith Merrow KM-7 MK-III Stage has the wider nut with 48mm (1.89'') vs 42.9mm (1.688''). This is a 5.1mm (0.202'') difference

This means that it will be more difficult to do bar chords on the Schecter Keith Merrow KM-7 MK-III Stage, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Schecter Keith Merrow KM-7 MK-III Stage's Scale Length
Schecter Keith Merrow KM-7 MK-III Stage's Scale Length
Jackson X Series Soloist SL1X's Scale Length
Jackson X Series Soloist SL1X's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Schecter Keith Merrow KM-7 MK-III Stage has the longest scale: 26.5". The Jackson X Series Soloist SL1X is only 25.5" long. This is a 1'' (25.4mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Schecter Keith Merrow KM-7 MK-III Stage Neck Profile
Schecter Keith Merrow KM-7 MK-III Stage's neck profile
Jackson X Series Soloist SL1X Neck Profile
Jackson X Series Soloist SL1X's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Schecter Keith Merrow KM-7 MK-III Stage has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Jackson X Series Soloist SL1X, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Schecter Keith Merrow KM-7 MK-III Stage Fretboard Compound Radius
Schecter Keith Merrow KM-7 MK-III Stage's Compound Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both have a compound radius. This means both offer you the best craftsmanship when it comes to fretboard design. You'll have an arc to help you play chords close to the nut, while also having a flat design at the higher frets for faster soloing and easier bends.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Schecter Keith Merrow KM-7 MK-III Stage favors large hands more than the Jackson X Series Soloist SL1X.

Schecter Keith Merrow KM-7 MK-III Stage:
Big Hands
Small Hands
Jackson X Series Soloist SL1X:
Big Hands
Small Hands

Fret Size

Schecter Keith Merrow KM-7 MK-III Stage Frets Size
Schecter Keith Merrow KM-7 MK-III Stage's Frets Size
Jackson X Series Soloist SL1X Frets Size
Jackson X Series Soloist SL1X's Frets Size

The Schecter Keith Merrow KM-7 MK-III Stage has XL Jumbo frets, which should be taller than the Jackson X Series Soloist SL1X's Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Schecter Keith Merrow KM-7 MK-III Stage
Bending & Vibrato Ease 75
Chord Playability 60
Solo Playability 90
Playability 75
Jackson X Series Soloist SL1X
Bending & Vibrato Ease 70
Chord Playability 60
Solo Playability 100
Playability 77

Specs Side-by-Side

Schecter Keith Merrow KM-7 MK-III Stage vs Jackson X Series Soloist SL1X
General Schecter Keith Merrow KM-7 MK-III Stage Jackson X Series Soloist SL1X
Brand: Schecter Jackson
Year: 2021 2021
Configuration: HH HSS
Strings: 7 6
Made in: United States Indonesia
Series: Artist X
Colors: White Pink, Yellow
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Alder Poplar
Bridge: Hipshot Low Profile Fixed Bridge Floyd Rose Special Double-Locking Tremolo (Non-Recessed)
Neck
Neck Joint: Bolt-On Neck-Through
Tuners: Hipshot open gear locking with Knurled Barrel adjustment Jackson Sealed Die-Cast
Fretboard: Ebony Laurel
Neck Material: 5 Ply Maple/Walnut Maple
Decoration: Custom offset silver metal rings White Dot
Scale Size: 26.5" 25.5"
Shape: Thin fast C Jackson Standard
Thickness: 1st Fret: 0.765'' (19.4mm) - 12th Fret: 0.825'' (21mm) 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.85'' (21.6mm)
Frets: 24 XL Jumbo Stainless Steel 24 Jumbo Nickel Silver
Fretboard Radius: 12" to 16" 12" to 16"
Nut: Compensated Locking
Nut Width: 48mm (1.89'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Keith Merrow Custom Fishman Fluence (Humbucker / Active) Duncan Designed HB-103B (Humbucker / Passive)
Middle Pickup: Duncan Designed HR-101 Hot Rails (Single Coil / Passive)
Neck Pickup: Keith Merrow Custom Fishman Fluence (Humbucker / Active) Duncan Designed HR-101 Hot Rails (Single Coil / Passive)
Switch: 3 Way 5 Way
Knobs: Dome Dome
Pickup Mods: Multi-Voicing None
Volume Controls: 1 1
Tone Controls: 0 1