Martin CEO-7 vs Yamaha CPX700II-12
Reasons to Get
Martin CEO-7 over Yamaha CPX700II-12
Reasons to Get
Yamaha CPX700II-12 over Martin CEO-7
Other Key Differences
Martin CEO-7 vs Yamaha CPX700II-12
Shared Features
Martin CEO-7 vs Yamaha CPX700II-12
Common Strengths
- Solid Top Wood
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Martin CEO-7 is probably the better product overall with its final score of 84 compared to the Yamaha CPX700II-12's 75 score, although not by a lot.
The Martin CEO-7 wins when it comes to sound, build quality. On the other hand, the Yamaha CPX700II-12 has the upper hand when it comes to playability, value for the money.
If you got small hands, you'll probably feel that the Yamaha CPX700II-12 is easier to play.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Yamaha CPX700II-12 is the better choice.
The Yamaha CPX700II-12 meets 5 out of our 8 criteria items for beginner friendliness, while the Martin CEO-7 meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Martin CEO-7- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Yamaha CPX700II-12- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Martin CEO-7 Overview
- From Martin's 2013 Custom & Special Editions series
- Made in United States
- 6 strings
- 24.9"'' scale
- 16" Fretboard Radius
- Solid Adirondack Spruce top
- Solid Mahogany back
- Solid Mahogany sides
- Select Hardwood neck
- Ebony fretboard
- Bridge pickup: Fishman Gold Plus Natural I (Preamp/Active)
- Ebony bridge
- Acoustic Modified V Set neck
- 20 Medium frets
- Golden Age Relic Nickel tuners
- Compare Specs >
Yamaha CPX700II-12 Overview
- From Yamaha's 2015 CPX series
- Made in China
- 12 strings
- 25"'' scale
- 15.75" Fretboard Radius
- Solid Spruce top
- Nato or Okoume back
- Nato or Okoume sides
- Nato neck
- Rosewood fretboard
- Bridge pickup: SYSTEM64 + ART 1-Way Pickup (Preamp/Active)
- Rosewood bridge
- Acoustic C Set neck
- 20 Medium frets
- Die-Cast Chrome (TMW28) tuners
- Compare Specs >
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Woods Used in the Martin CEO-7
Hardwood is just a generic wood that can come from many species. This type of wood is used to build guitars because it provides a rich, warm sound. The wood also has good structural properties, making it durable and long-lasting.
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Woods Used in the Yamaha CPX700II-12
Nato a hard and dense wood similar to Mahogany, but cheaper and not quite as hard. Tone-wise, it's also similar, but it doesn't have quite the same attack as Mahogany.
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Okoume is an affordable wood and one of the first to replace Mahogany when the prohibitions started. It's generally softer than Mahogany and the tone has warmer lows.
Winner: Martin CEO-7.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Martin CEO-7 compares to the Yamaha CPX700II-12.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Martin CEO-7 is built in United States while the Yamaha CPX700II-12 is made in China.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Winner: Martin CEO-7
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Martin CEO-7 has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
On the other hand, the Yamaha CPX700II-12 comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.
Winner: Martin CEO-7.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Martin CEO-7's are Golden Age Relic Nickel while the Yamaha CPX700II-12's are Die-Cast Chrome (TMW28)
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Martin CEO-7
- Made in United States
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Compensated Saddle
- Solid Top Wood
- Solid Side Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Yamaha CPX700II-12
- Expensive Wood
- Electronics
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No High-Quality Nut
- No Top Brand Pickups
- Low-Quality Material Saddle
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha CPX700II-12 has the wider nut with 46mm (1.811'') vs 44.5mm (1.75''). This is a 1.5mm (0.061'') difference
This means that it will be more difficult to do bar chords on the Yamaha CPX700II-12, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Yamaha CPX700II-12 has the longest scale: 25". The Martin CEO-7 is only 24.9" long. This is a 0.1'' (2.5mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Martin CEO-7 has a V type of neck. This neck shape was more common during Fender's early years. Some people like it because they use their thumb over the edge of the fretboard to press the lower strings. It's rather thicker than most modern necks, so it's not usually used for playing fast solos.
The Yamaha CPX700II-12, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Yamaha CPX700II-12's fingerboard radius is smaller, which means it's more curved than the Martin CEO-7's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Martin CEO-7.
Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Martin CEO-7 favors large hands more than the Yamaha CPX700II-12.
Martin CEO-7:
Yamaha CPX700II-12:
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
