Yamaha CPX700II-12 - Overview and Best Prices
- From Yamaha's 2015 CPX series
- Made in China
- 12 strings
- 25"'' scale
- 15.75" Fretboard Radius
- Solid Spruce top
- Nato or Okoume back
- Nato or Okoume sides
- Nato neck
- Rosewood fretboard
- Bridge pickup: SYSTEM64 + ART 1-Way Pickup (Preamp/Active)
- Rosewood bridge
- Acoustic C Set neck
- 20 Medium frets
- Die-Cast Chrome (TMW28) tuners
- Side-By-Side Comparison
Show Specs
Yamaha CPX700II-12 | ||
---|---|---|
General | ||
Brand: | Yamaha | |
Year: | 2015 | |
Configuration: | N/A | |
Strings: | 12 | |
Made in: | China | |
Series: | CPX | |
Colors: | Natural | |
Left-Handed Version: | No | |
Body | ||
Type: | Hollowbody | |
Body Material: | Solid Spruce | |
Sides Material: | Okoume | |
Back Material: | Okoume | |
Bridge: | Rosewood | |
Neck | ||
Neck Joint: | Set | |
Tuners: | Die-Cast Chrome (TMW28) | |
Fretboard: | Rosewood | |
Neck Material: | Nato | |
Decoration: | Pearloid Dots | |
Scale Size: | 25" | |
Shape: | Acoustic C | |
Frets: | 20 Medium | |
Fretboard Radius: | 15.75" | |
Nut: | Plastic | |
Nut Width: | 46mm (1.811'') | |
Electronics | ||
Pickups: | SYSTEM64 + ART 1-Way Pickup (Preamp / Active) | |
Hardware | ||
Strap Lock: | No | |
Hardware Color: | Chrome |
Our Scores and Tone Evaluation
- Heavy Metal
- Hard Rock
- Jazz
- Blues
- Funk
- Country
Yamaha CPX700II-12
- Expensive Wood
- Electronics
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No High-Quality Nut
- No Top Brand Pickups
- Low-Quality Material Saddle
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Price Overview
Its average competitor's price is $590, which means that the Yamaha CPX700II-12 costs around 53% more than the competition. It might be due to it having additional features, but know that you can find cheaper similar alternatives. This takes into account all instruments of the same category in our database with 12 strings and Fixed bridge that are made in China.
User Reviews & Feedback
Not all instruments are created equally. That's why it's important to have different opinions. Here's what our users who have played this instrument say. If you've played it before, help others by voting below!
Weight
VoteTuning stability
VoteNeck speed (thickness)
VoteNeck access to high frets
VoteNeck profile shape
VoteFret edges
VotePickups noise
VotePickups power
VoteOften Compared With
Hand Size Comfortability
After taking into account the neck profile, scale size, fretboard radius, and nut width, we can conclude that the Yamaha CPX700II-12's construction favors people with relatively small hands.
Nevertheless, this comes down in the end to personal preference. Make sure you test this guitar—or another one with similar characteristics—before buying.
Beginner Friendliness
The Yamaha CPX700II-12 meets 5 out of our 8 criteria items for beginner friendliness, which means that it's a good guitar to start with as a complete beginner. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players to get used to.
New Player Friendliness
Yamaha CPX700II-12- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
- Soft Strings
- Locking tuners
Videos





Playability
Scale Length
Scale length is the distance the strings will span between the bridge and the nut. It can tell you a lot about the overall playability and tone of the instrument. A longer scale length means longer distance between frets, brighter tone and more string tension—which means lower action, but more difficult bending of the strings.
Here's the Yamaha CPX700II-12's 25" scale length compared to other common sizes:

This is the scale found in most PRS guitars, and it's right between the length of most Stratocasters and Les Pauls.
The scale length will affect the separation of the frets, the string tension, and even the tone of the guitar. The longer the scale, the more separated the frets are, which makes it a bit harder to move fast on the fretboard. Also, the higher tension of the strings will make them feel stiffer, so bending will require more strength. However, a longer scale also allows you to lower the action of the strings and make them closer to the fretboard, which makes them easier to press. Finally, the tone will also sound brighter with a longer scale.
A 25'' scale makes all of this feel right between a Stratocaster (longer scale) and a Les Paul (shorter scale).
Don't forget that you can also affect the tension of the strings by changing your string gauge.
Neck Profile

The neck profile tells you the thickness (neck depth) and shape in cross section. Every difference will completely change the feeling and comfortability of the neck. This is a highly subjective thing, but most players indeed prefer certain types of necks (like Cs and Ds) because they feel nice in most hands.
It has a C type neck. C-shaped necks like this have been the most popular for the last years. The reason is that they feel good in most hands. It's generally a thin neck that doesn't get in your way when playing fast, but that also has enough mass to give your hands a comfortable grip for chords if they aren't too big.
Thin necks like this make it easier to move your hand across the neck and it helps when playing fast solos, especially if you like to leave your thumb free while playing high on the fretboard. However, thinner necks are also weaker and will need adjustment more often than a thicker neck.
Fretboard Radius
When it comes to fingerboard radius, personal preference will dictate which one is better for you. However, most people seem to agree that a more curved (lower) radius will make it easier to play chords while a less curved (higher) radius is better for soloing and bending.
The Yamaha CPX700II-12 has a 15.75" fingerboard radius.
Here's an image comparing this fretboard radius to other popular choices:

It's a radius that makes playing single notes (and bending, vibrato, sliding, etc) easier than on a classic Les Paul guitar. However, it's still more curved than some baritone and 7+ strings guitars.
Compound radius fingerboards give the best of both worlds. Unfortunately, the Yamaha CPX700II-12 has the same radius across the board.
Nut Width

The Yamaha CPX700II-12 has a nut width of 46mm (1.811''). This is considered a narrow width for a 12-string guitar. This means that this guitar will have a narrower string separation at the nut, which will affect your fretting hand.
If you are a player with big hands, you might find it difficult to play chords without muting strings. However, this is good for players who have smaller hands, as it will allow them to reach each string more easily at the nut.
Frets
It comes with nickel silver frets, so they won't last as long as stainless steel frets. If you use your instrument a lot, you might need to replace the frets after a few years. But this is unlikely as most people change instruments before this happens.
Fret Size

Finally, let's talk about fret size. Some people prefer tall frets because it's easier to press the strings and perform bends since there's less friction against the fretboard. On the other hand, some people like shorter frets because they like to touch the fretboard when playing, or because they got heavy hands and tend to press too much on the string and alter the of the note pitch accidently.
The Yamaha CPX700II-12's frets are Medium size. With medium frets, you can feel the fretboard more than with jumbo frets, but it's still easier to press the strings cleanly than with small frets; notes might change their pitch just slightly if you press hard on the fret. Also, if you need to do some fret leveling after years of playing, you'll have some room to sand them down without having to replace them.
Playability Score
Tone
The type of wood and even the shape of the body will have a lot of influence in the final tone of an acoustic guitar. Here's we'll talk about what kind of tone you can expect from its specs.
Wood




Spruce Top: This wood has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range.
Okoume Back and Sides: It's an affordable wood and it was one of the first to replace Mahogany when prohibitions started. It's generally softer than Mahogany and the tone has warmer lows.
Nato Neck: This wood is also known as Eastern Mahogany because it's very similar to Mahogany, although it is cheaper.
Rosewood Fretboard: Since the ban of Brazillian Rosewood, this has become a rare and expensive wood. It's not usually used for guitar bodies because of this, and also because it's heavy. Instead, it's used mainly for fretboards. Sometimes it's also used for necks because it's an extremely hard wood (even harder than maple). Its tonality tends to favor warm tones.
Pickups
This guitar comes with preamp pickups that will allow you to connect it directly to an amplifier and record with it, or use it live.
Sound Score
Build Quality
Country of Origin
Knowing where the instrument is produced is a good way to know how well it's built. Some manufacturing countries are known for having higher quality standards. For example, most expensive instruments are made in the US or Japan, but there are some exceptionally great countries—like South Korea—that are building a good reputation.
The Yamaha CPX700II-12 is made in China. So you can expect lower build quality when compared to others made in Korea, Japan or the United States. Guitars made in this country are meant for mass production, which translates into less attention to detail and quality control. This doesn't mean the product is made poorly at all. Chinese products have a bad reputation since long ago, but they've definitely improved a lot the last few years.
Bridge
Rosewood: The advantage of fixed bridges is that they don't require any kind of set-up. This makes it extremely easy when changing strings because you don't need to adjust anything besides tuning the guitar. Also, the fact that the bridge is directly attached to the body will help to increase sustain. The disadvantage is the lack of versatility since you can't create the same vibrato effects as with tremolo bridges.
Nut Material
Another important thing to analyze is the nut material, as it's one of the most important aspects that can affect the sound and playability of your guitar. A well-cut nut will make sure it stays in tune and will make it more comfortable to play.
In this case, the Yamaha CPX700II-12 has a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.