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Jackson Pro Series Soloist SL2A MAH
Schecter Ultra-III
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Playability
77
Sound
79
Build
68
Value
75
Score
75
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Playability
73
Sound
69
Build
65
Value
74
Score
69
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Jackson Pro Series Soloist SL2A MAH vs Schecter Ultra-III

Reasons to Get
Jackson Pro Series Soloist SL2A MAH over Schecter Ultra-III

Decorative Top
Ash vs None
Finished with beautiful natural wood patterns
Release Year
2021 vs 2009
From a more recent year
Compound Radius
12" to 16" vs 14"
Balanced playability for chords and single-notes
Neck Profile
Jackson Standard vs Thin C
Thin and flat neck for playing fast
Pickups Brand
Seymour Duncan vs None
Pickups from a renown brand
Neck Joint
Neck-Through vs Set
Stronger neck and easier access to upper frets
Pickups
HH vs HHH
High output without hum
Number of Frets
24 vs 22
Allows to reach higher notes
Neck Thickness at 12th Fret
0.85'' (21.6mm) vs 0.87'' (22.1mm)
More comfortable at higher frets for small hands
Nut Width
1.688'' (42.9mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Bridge
Floyd Rose vs Bigsby Tremolo
Allows intense vibratos and techniques like Dive Bombs
Value Score
75 vs 74
Better price/quality relationship

Reasons to Get
Schecter Ultra-III over Jackson Pro Series Soloist SL2A MAH

Number of Frets
22 vs 24
Warmer neck pickup
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
Thin C vs Jackson Standard
Comfortable neck that works for most people
Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Switch Positions
5 vs 3
More tone options
Pickups
HHH vs HH
High output without hum and tons of tone versatility
Neck Thickness at 12th Fret
0.87'' (22.1mm) vs 0.85'' (21.6mm)
More comfortable at higher frets for big hands
Nut Width
1.654'' (42mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Bridge
Bigsby Tremolo vs Floyd Rose
Intense vibrato with a solid arm

Other Key Differences
Jackson Pro Series Soloist SL2A MAH vs Schecter Ultra-III

Bridge Pickup
Seymour Duncan Distortion TB-6 vs Schecter Diamond Mini FilterTron
Different Bridge Pickup
Neck Pickup
Seymour Duncan Distortion SH-6 vs Schecter Diamond Mini FilterTron
Different Neck Pickup
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Locking vs Black Tusq XL
Different Nut Material

Shared Features
Jackson Pro Series Soloist SL2A MAH vs Schecter Ultra-III

Body Wood
Mahogany
Same Body Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Volume Knobs
1
Same volume control
Tone Knobs
1
Same tone control
Neck Thickness at 1st Fret
0.79'' (20.1mm)
Same neck comfortability
Paint Finish
Poly
Resistant paint that ages well
Scale Length
25.5'' (647.7mm)
Same string tension and fret separation
Pickups Power
Passive
Cleaner sound and no battery needed
Type of Frets
Jumbo vs XL Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Jackson Pro Series Soloist SL2A MAH Prices

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SET PRICE ALERT

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Which One is Better for Beginners?

The Jackson Pro Series Soloist SL2A MAH meets 4 out of our 8 criteria items for beginner friendliness, while the Schecter Ultra-III meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Jackson Pro Series Soloist SL2A MAH
  • Comfortable shape
  • Comfortable fretboard
  • Tall frets
  • Comfortable neck
  • Narrow nut
  • Short scale
  • Locking tuners
  • Easy-to-use bridge

New Player Friendliness

Schecter Ultra-III
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Short scale
  • Locking tuners
  • Easy-to-use bridge

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Jackson Pro Series Soloist SL2A MAH

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Woods Used in the Schecter Ultra-III

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Pickup Configuration

The Jackson Pro Series Soloist SL2A MAH has an HH configuration while the Schecter Ultra-III has HHH pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, A triple Humbucker (HHH) can be intimidating at first, but it's one of the combinations that offer the most tone versatility. You'll be able to have from a lot of output for Hard Rock genres, to warm and clean sounds that are more common in Jazz.

Pickups Quality

The Jackson Pro Series Soloist SL2A MAH has pickups from a more specialized brand than the Schecter Ultra-III. Its pickups should simply give you a better, fuller sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.

You can purchase similar pickups to the Jackson Pro Series Soloist SL2A MAH's and use them on any guitar:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Jackson Pro Series Soloist SL2A MAH.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Schecter Ultra-III gives you 5 switch options while the Jackson Pro Series Soloist SL2A MAH gives you 3. This means that the Schecter Ultra-III gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Schecter Ultra-III comes with some kind of pickup modification: Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

Jackson Pro Series Soloist SL2A MAH pickups switch and push knobs diagram
Jackson Pro Series Soloist SL2A MAH's switch options
Schecter Ultra-III pickups switch selector and push knobs diagram
Schecter Ultra-III's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Schecter Ultra-III.

Final Sound Quality Scores

Jackson Pro Series Soloist SL2A MAH
Pickups 85
Sustain 80
Versatility 64
Tuning Stability 85
Sound 79
Schecter Ultra-III
Pickups 60
Sustain 80
Versatility 70
Tuning Stability 65
Sound 69

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson Pro Series Soloist SL2A MAH compares to the Schecter Ultra-III.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Jackson Pro Series Soloist SL2A MAH is built in Indonesia while the Schecter Ultra-III is made in South Korea.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Jackson Pro Series Soloist SL2A MAH has a Locking nut. Instead of a regular nut, this guitar has a locking system that will lock down the strings at the nut, preventing it from getting out of tune. It removes one of the disadvantages of tremolo bridges, tune stability.

On the other hand, the Schecter Ultra-III comes with a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Jackson Pro Series Soloist SL2A MAH's brige is a Floyd Rose. This is a double-locking bridge system that allows you to perform techniques like dive bombs and pinch harmonics. The locking nut allows your guitar to stay in tune even after the most intense tremolo usage. The disadvantage is that it takes more work to change the strings and set up everything correctly.

On the other hand, the Schecter Ultra-III's is a Bigsby Tremolo. Bigsby tremolos are built differently than regular tremolos. They have a stiffer arm, which is something a lot of people like because the arm won't wiggle around a lot. On the other hand, this type of tremolo is more complicated to restring and it might not be as newbie-friendly as other simpler tremolos.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Jackson Pro Series Soloist SL2A MAH's are Jackson Sealed Die-Cast while the Schecter Ultra-III's are Grover

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Jackson Pro Series Soloist SL2A MAH has a Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

On the other hand, the Schecter Ultra-III comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Jackson Pro Series Soloist SL2A MAH.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Jackson Pro Series Soloist SL2A MAH
  • Expensive Wood
  • Locking Nut
  • Top Brand Pickups
  • Neck-Through Build
  • Tremolo
  • Compound Radius Fretboard
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Indonesia
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No 21:1 Tuner Ratio
  • No Retainer Bar
Strengths & Weaknesses
Schecter Ultra-III
  • Expensive Wood
  • Black Tusq XL Nut
  • Coil Split Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in South Korea
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Jackson Pro Series Soloist SL2A MAH
Quality of materials 45
Features 85
Quality Control 75
Build Quality 68
Schecter Ultra-III
Quality of materials 66
Features 60
Quality Control 70
Build Quality 65

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Jackson Pro Series Soloist SL2A MAH Nut Width
Jackson Pro Series Soloist SL2A MAH Nut Width
Schecter Ultra-III Nut Width
Schecter Ultra-III Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Jackson Pro Series Soloist SL2A MAH has the wider nut with 42.9mm (1.688'') vs 42mm (1.654''). This is a 0.9mm (0.034'') difference

This means that it will be more difficult to do bar chords on the Jackson Pro Series Soloist SL2A MAH, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Jackson Pro Series Soloist SL2A MAH and Schecter Ultra-III's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 25.5".

This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.

However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Jackson Pro Series Soloist SL2A MAH Neck Profile
Jackson Pro Series Soloist SL2A MAH's neck profile
Schecter Ultra-III Neck Profile
Schecter Ultra-III's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Jackson Pro Series Soloist SL2A MAH has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Schecter Ultra-III, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Jackson Pro Series Soloist SL2A MAH Fretboard Compound Radius
Jackson Pro Series Soloist SL2A MAH's Compound Fretboard Radius
Schecter Ultra-III Fingerboard Radius
Schecter Ultra-III's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Jackson Pro Series Soloist SL2A MAH is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Jackson Pro Series Soloist SL2A MAH favors large hands more than the Schecter Ultra-III. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Jackson Pro Series Soloist SL2A MAH:
Big Hands
Small Hands
Schecter Ultra-III:
Big Hands
Small Hands

Fret Size

Jackson Pro Series Soloist SL2A MAH Frets Size
Jackson Pro Series Soloist SL2A MAH's Frets Size
Schecter Ultra-III Frets Size
Schecter Ultra-III's Frets Size

The Schecter Ultra-III has XL Jumbo frets, which should be taller than the Jackson Pro Series Soloist SL2A MAH's Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Jackson Pro Series Soloist SL2A MAH
Bending & Vibrato Ease 70
Chord Playability 60
Solo Playability 100
Playability 77
Schecter Ultra-III
Bending & Vibrato Ease 80
Chord Playability 60
Solo Playability 80
Playability 73

Specs Side-by-Side

Jackson Pro Series Soloist SL2A MAH vs Schecter Ultra-III
General Jackson Pro Series Soloist SL2A MAH Schecter Ultra-III
Brand: Jackson Schecter
Year: 2021 2009
Configuration: HH HHH
Strings: 6 6
Made in: Indonesia South Korea
Series: Pro Retro
Colors: White Blue, Red, Yellow
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Mahogany
Bridge: Floyd Rose 1000 Series Double-Locking Tremolo (Recessed) Bigsby Flat Top B50 w/ Roller TOM
Neck
Neck Joint: Neck-Through Set
Tuners: Jackson Sealed Die-Cast Grover
Fretboard: Ebony Rosewood
Neck Material: Maple Mahogany 3-pc
Decoration: Pearloid Piranha Tooth (Small Sharkfin) Pearl Blocks
Scale Size: 25.5" 25.5"
Shape: Jackson Standard Thin C
Thickness: 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.85'' (21.6mm) 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.87'' (22.1mm)
Frets: 24 Jumbo Nickel Silver 22 XL Jumbo Nickel Silver
Fretboard Radius: 12" to 16" 14"
Nut: Locking Black Tusq XL
Nut Width: 42.9mm (1.688'') 42mm (1.654'')
Electronics
Bridge Pickup: Seymour Duncan Distortion TB-6 (Humbucker / Passive) Schecter Diamond Mini FilterTron (Humbucker / Passive)
Middle Pickup: Schecter Diamond Mini FilterTron (Humbucker / Passive)
Neck Pickup: Seymour Duncan Distortion SH-6 (Humbucker / Passive) Schecter Diamond Mini FilterTron (Humbucker / Passive)
Switch: 3 Way 5 Way
Knobs: Dome Bell
Pickup Mods: None Coil Split
Volume Controls: 1 1
Tone Controls: 1 1