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Harley Benton DC-Junior
Gibson Slash Les Paul Standard
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Playability
73
Sound
67
Build
54
Value
75
Score
65
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Playability
73
Sound
72
Build
72
Value
57
Score
72
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Harley Benton DC-Junior vs Gibson Slash Les Paul Standard

Reasons to Get
Harley Benton DC-Junior over Gibson Slash Les Paul Standard

Neck Profile
Harley Benton C vs 50s Vintage
Comfortable neck that works for most people
Pickups
P90 vs HH
Vintage tone with good sustain
Neck Thickness at 1st Fret
0.898'' (22.8mm) vs 0.92'' (23.4mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.931'' (23.6mm) vs 1.02'' (25.9mm)
More comfortable at higher frets for small hands
Value Score
75 vs 57
Better price/quality relationship

Reasons to Get
Gibson Slash Les Paul Standard over Harley Benton DC-Junior

Country of Manufacturing
United States vs Indonesia
Built with higher quality standards
Decorative Top
AAA Flamed Maple vs None
Finished with beautiful natural wood patterns
Release Year
2020 vs 2019
From a more recent year
Neck Profile
50s Vintage vs Harley Benton C
Great if you like to hang your thumb over the fretboard
Nut Material
Ivory Tusq vs Graphite
Resistant, good tuning stability and rich tone
Switch Positions
3 vs 0
More tone options
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
HH vs P90
High output without hum
Neck Thickness at 1st Fret
0.92'' (23.4mm) vs 0.898'' (22.8mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
1.02'' (25.9mm) vs 0.931'' (23.6mm)
More comfortable at higher frets for big hands
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap

Other Key Differences
Harley Benton DC-Junior vs Gibson Slash Les Paul Standard

Bridge Pickup
Roswell P90D Alnico-5 Dog Ear vs Gibson Custom Burstbucker Alnico II (Reverse Zebra-AP) & (Dbl Black-NV)
Different Bridge Pickup
Fretboard Wood
Purpleheart vs Rosewood
Different Fretboard Wood
Nut Material
Graphite vs Ivory Tusq
Different Nut Material

Shared Features
Harley Benton DC-Junior vs Gibson Slash Les Paul Standard

Body Wood
Mahogany
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Number of Frets
22
Same maximum octave
Nut Width
1.693'' (43mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Set
Neck is glued to the body
Type of Frets
Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT
SET PRICE ALERT

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Which One is Better for Beginners?

The Harley Benton DC-Junior meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson Slash Les Paul Standard meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Harley Benton DC-Junior
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Gibson Slash Les Paul Standard
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Comfortable neck
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Harley Benton DC-Junior

Purpleheart wood pattern used for guitar building
Purpleheart

Purpleheart (also known as Amaranth) is a hard, dense wood with a brilliant tone. As its name suggests, the purple color makes this wood look exotic.

Woods Used in the Gibson Slash Les Paul Standard

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Gibson Slash Les Paul Standard.

Pickup Configuration

The Harley Benton DC-Junior has an P90 configuration while the Gibson Slash Les Paul Standard has HH pickups.

P90s are vintage pickups that are somewhere in the middle between a Humbucker and a single coil. They have decent output, and the tone is not too warm. It's a very particular type of sound that is used in many genres, but it was more popular decades ago.

Like any other single-pickup guitars, it should give you a bit more sustain since there will be less interference with the vibration of the strings. However, you're stuck to one single tone, unless you use effect pedals.

On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Harley Benton DC-Junior has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Harley Benton DC-Junior.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Gibson Slash Les Paul Standard gives you 3 switch options while the Harley Benton DC-Junior gives you 0. This means that the Gibson Slash Les Paul Standard gives you more options to find the right pickup combination for the type of sound you want to achieve

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

The Harley Benton DC-Junior doesn't come with pickup switching options.

Gibson Slash Les Paul Standard pickups switch and push knobs diagram
Gibson Slash Les Paul Standard's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Gibson Slash Les Paul Standard.

Final Sound Quality Scores

Harley Benton DC-Junior
Pickups 100
Sustain 60
Versatility 39
Tuning Stability 70
Sound 67
Gibson Slash Les Paul Standard
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 70
Sound 72

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Harley Benton DC-Junior compares to the Gibson Slash Les Paul Standard.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Harley Benton DC-Junior is built in Indonesia while the Gibson Slash Les Paul Standard is made in United States.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Gibson Slash Les Paul Standard

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Harley Benton DC-Junior has a Graphite nut. It's a self-lubricating material that will allow the strings to slide over the nut without a lot of friction. It's a good type of nut if you want to have better tuning stability than with plastic, although it's not as resistant as Bone or Tusq.

On the other hand, the Gibson Slash Les Paul Standard comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Winner: Gibson Slash Les Paul Standard.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Harley Benton DC-Junior's are Wilkinson Vintage-Style Machine Heads With 15:1 Gear Ratio while the Gibson Slash Les Paul Standard's are Vintage Keystone

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Harley Benton DC-Junior
  • Expensive Wood
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Indonesia
  • No High-Quality Nut
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Gibson Slash Les Paul Standard
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio

Final Build Quality Scores

Harley Benton DC-Junior
Quality of materials 46
Features 50
Quality Control 65
Build Quality 54
Gibson Slash Les Paul Standard
Quality of materials 60
Features 55
Quality Control 100
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Harley Benton DC-Junior Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Harley Benton DC-Junior and Gibson Slash Les Paul Standard's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 24.75".

This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Harley Benton DC-Junior Neck Profile
Harley Benton DC-Junior's neck profile
Gibson Slash Les Paul Standard Neck Profile
Gibson Slash Les Paul Standard's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Harley Benton DC-Junior has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Gibson Slash Les Paul Standard, on the other hand, has a V neck. This neck shape was more common during Fender's early years. Some people like it because they use their thumb over the edge of the fretboard to press the lower strings. It's rather thicker than most modern necks, so it's not usually used for playing fast solos.

Fretboard Radius

Harley Benton DC-Junior Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Harley Benton DC-Junior and the Gibson Slash Les Paul Standard have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson Slash Les Paul Standard favors large hands more than the Harley Benton DC-Junior.

Harley Benton DC-Junior:
Big Hands
Small Hands
Gibson Slash Les Paul Standard:
Big Hands
Small Hands

Fret Size

Harley Benton DC-Junior and Gibson Slash Les Paul Standard Frets Size
Both have a similar Medium Jumbo fret size

Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.

Final Playability Scores

Harley Benton DC-Junior
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
Gibson Slash Les Paul Standard
Bending & Vibrato Ease 85
Chord Playability 75
Solo Playability 60
Playability 73

Specs Side-by-Side

Harley Benton DC-Junior vs Gibson Slash Les Paul Standard
General Harley Benton DC-Junior Gibson Slash Les Paul Standard
Brand: Harley Benton Gibson
Year: 2019 2020
Configuration: P90 HH
Strings: 6 6
Made in: Indonesia United States
Series: Vintage Artist Collection
Colors: Black, Blue, Red, Natural Yellow Burst, Sunburst Burst
Left-Handed Version: Yes Yes
Body
Type: Solid Body Solid Body
Body Material: Mahogany Mahogany
Bridge: Wrap Around ABR-1 Tune-O-Matic
Neck
Neck Joint: Set Set
Tuners: Wilkinson Vintage-Style Machine Heads With 15:1 Gear Ratio Vintage Keystone
Fretboard: Purpleheart Rosewood
Neck Material: Mahogany Mahogany
Decoration: Dots Acrylic Traps
Scale Size: 24.75" 24.75"
Shape: Harley Benton C 50s Vintage
Thickness: 1st Fret: 0.898'' (22.8mm) - 12th Fret: 0.931'' (23.6mm) 1st Fret: 0.92'' (23.4mm) - 12th Fret: 1.02'' (25.9mm)
Frets: 22 Medium Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Graphite Ivory Tusq
Nut Width: 43mm (1.693'') 43mm (1.693'')
Electronics
Bridge Pickup: Roswell P90D Alnico-5 Dog Ear (Single Coil / Passive) Gibson Custom Burstbucker Alnico II (Reverse Zebra-AP) & (Dbl Black-NV) (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Gibson Custom Burstbucker Alnico II (Zebra-AP) & (Dbl Black-NV) (Humbucker / Passive)
Switch: 0 Way 3 Way
Knobs: Speed Bell
Pickup Mods: None None
Volume Controls: 1 2
Tone Controls: 1 2