Swap
Swap
Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Jackson USA Signature Chris Broderick Soloist 6
VS
Playability
73
Sound
72
Build
72
Value
57
Score
72
FIND IT ON:
Sweetwater logo
Playability
77
Sound
85
Build
82
Value
66
Score
81
FIND IT ON:
Sweetwater logoReverb logo
Add to Compare
Add to Compare
Side to side spec comparison >

Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs Jackson USA Signature Chris Broderick Soloist 6

Reasons to Get
Gibson Custom 1968 Les Paul Standard Goldtop Reissue over Jackson USA Signature Chris Broderick Soloist 6

Release Year
2022 vs 2016
From a more recent year
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Medium C vs Jackson Standard
Comfortable neck that works for most people
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
P90P90 vs HH
Vintage tone with decent versatility
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster
Bridge
Fixed vs Floyd Rose
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone

Reasons to Get
Jackson USA Signature Chris Broderick Soloist 6 over Gibson Custom 1968 Les Paul Standard Goldtop Reissue

Decorative Top
1/8 Plain Maple vs None
Finished with beautiful natural wood patterns
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Profile
Jackson Standard vs Medium C
Thin and flat neck for playing fast
Pickup Mods
Multiple vs None
Neck Joint
Neck-Through vs Set
Stronger neck and easier access to upper frets
Pickups
HH vs P90P90
High output without hum
Number of Frets
24 vs 22
Allows to reach higher notes
Locking Tuners
Yes vs None
Easier to change strings
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Bridge
Floyd Rose vs Fixed
Allows intense vibratos and techniques like Dive Bombs
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Value Score
66 vs 57
Better price/quality relationship

Other Key Differences
Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs Jackson USA Signature Chris Broderick Soloist 6

Bridge Pickup
Custom Soapbar P90 vs Direct Mount Chris Broderick Designed Custom DiMarzio
Different Bridge Pickup
Neck Pickup
Custom Soapbar P90 vs Direct Mount Chris Broderick Designed Custom DiMarzio
Different Neck Pickup
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Nut Material
Nylon vs Locking
Different Nut Material

Shared Features
Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs Jackson USA Signature Chris Broderick Soloist 6

Body Wood
Mahogany
Same Body Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Nut Width
1.688'' (42.9mm)
Same string separation at the nut
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Prices

SET PRICE ALERT

Jackson USA Signature Chris Broderick Soloist 6 Prices

SET PRICE ALERT

These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

Which One is Better Overall?

After going through our comparison algorithm, the results show that the Jackson USA Signature Chris Broderick Soloist 6 is probably the better product overall with its final score of 81 compared to the Gibson Custom 1968 Les Paul Standard Goldtop Reissue's 72 score, although not by a lot.

The Jackson USA Signature Chris Broderick Soloist 6 wins when it comes to sound, playability, build quality, value for the money. This means that it wins over the Gibson Custom 1968 Les Paul Standard Goldtop Reissue in every aspect.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 4 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Jackson USA Signature Chris Broderick Soloist 6
  • Comfortable shape
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Easy-to-use bridge

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 1-Piece Solid Mahogany body
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: Custom Soapbar P90 (Single Coil/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • Stop Bar bridge
  • Medium C Set neck
  • 22 Medium Jumbo frets
  • Gibson Deluxe Double Line, Double Ring tuners
  • Compare Specs >

Jackson USA Signature Chris Broderick Soloist 6 Overview

  • From Jackson's 2016 Artist Signature series
  • Chris Broderick Signature
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 12" Fretboard Radius
  • 1/8 Plain Maple top
  • Mahogany body
  • Quartersawn Maple neck
  • Ebony fretboard
  • Bridge pickup: Direct Mount Chris Broderick Designed Custom DiMarzio (Humbucker/Passive)
  • Neck pickup: Direct Mount Chris Broderick Designed Custom DiMarzio (Humbucker/Passive)
  • 1 volume and 1 tone Dome knobs
  • 3-way Switch
  • Floyd Rose Pro (Recessed) bridge
  • Jackson Standard Neck-Through neck
  • 24 Jumbo frets
  • Planet Waves Auto-Trim tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Gibson Custom 1968 Les Paul Standard Goldtop Reissue

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Jackson USA Signature Chris Broderick Soloist 6

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Tie.

Pickup Configuration

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has an P90P90 configuration while the Jackson USA Signature Chris Broderick Soloist 6 has HH pickups.

P90P90 gives you two P90s for a crunchy vintage tone. The tone sits somewhere in the middle between typical single-coils and humbuckers. They also produce less hum than single-coils, but they don't cancel it completely like humbuckers.

On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Gibson Custom 1968 Les Paul Standard Goldtop Reissue.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Only the Jackson USA Signature Chris Broderick Soloist 6 comes with some kind of pickup modification: Coil Split, Killswitch.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

A Killswitch lets you disengage the pickups instantly. It can be useful when playing live, and it allows you to create some cool sound effects by using the switch rapidly.

Gibson Custom 1968 Les Paul Standard Goldtop Reissue pickups switch and push knobs diagram
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's switch options
Jackson USA Signature Chris Broderick Soloist 6 pickups switch and push knobs diagram
Jackson USA Signature Chris Broderick Soloist 6's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Jackson USA Signature Chris Broderick Soloist 6.

Final Sound Quality Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Pickups 100
Sustain 65
Versatility 53
Tuning Stability 70
Sound 72
Jackson USA Signature Chris Broderick Soloist 6
Pickups 85
Sustain 80
Versatility 79
Tuning Stability 95
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1968 Les Paul Standard Goldtop Reissue compares to the Jackson USA Signature Chris Broderick Soloist 6.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Jackson USA Signature Chris Broderick Soloist 6 comes with a Locking nut. Instead of a regular nut, this guitar has a locking system that will lock down the strings at the nut, preventing it from getting out of tune. It removes one of the disadvantages of tremolo bridges, tune stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

On the other hand, the Jackson USA Signature Chris Broderick Soloist 6's is a Floyd Rose. This is a double-locking bridge system that allows you to perform techniques like dive bombs and pinch harmonics. The locking nut allows your guitar to stay in tune even after the most intense tremolo usage. The disadvantage is that it takes more work to change the strings and set up everything correctly.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Jackson USA Signature Chris Broderick Soloist 6.

Tuners

The Jackson USA Signature Chris Broderick Soloist 6 has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Nevertheless, the Jackson USA Signature Chris Broderick Soloist 6 has a locking nut, so it should have even better tune stability and doesn't need locking tuners.

Winner: Jackson USA Signature Chris Broderick Soloist 6.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Jackson USA Signature Chris Broderick Soloist 6 comes with Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

Winner: Jackson USA Signature Chris Broderick Soloist 6.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1968 Les Paul Standard Goldtop Reissue
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Jackson USA Signature Chris Broderick Soloist 6
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Locking Nut
  • Top Brand Pickups
  • Neck-Through Build
  • Coil Split, Killswitch Pickups
  • Tremolo
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Retainer Bar

Final Build Quality Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
Jackson USA Signature Chris Broderick Soloist 6
Quality of materials 55
Features 90
Quality Control 100
Build Quality 82

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 42.9mm (1.688'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Scale Length
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Scale Length
Jackson USA Signature Chris Broderick Soloist 6's Scale Length
Jackson USA Signature Chris Broderick Soloist 6's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Jackson USA Signature Chris Broderick Soloist 6 has the longest scale: 25.5". The Gibson Custom 1968 Les Paul Standard Goldtop Reissue is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Neck Profile
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's neck profile
Jackson USA Signature Chris Broderick Soloist 6 Neck Profile
Jackson USA Signature Chris Broderick Soloist 6's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Jackson USA Signature Chris Broderick Soloist 6, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1968 Les Paul Standard Goldtop Reissue and the Jackson USA Signature Chris Broderick Soloist 6 have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Gibson Custom 1968 Les Paul Standard Goldtop Reissue:
Big Hands
Small Hands
Jackson USA Signature Chris Broderick Soloist 6:
Big Hands
Small Hands

Fret Size

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Frets Size
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Frets Size
Jackson USA Signature Chris Broderick Soloist 6 Frets Size
Jackson USA Signature Chris Broderick Soloist 6's Frets Size

The Jackson USA Signature Chris Broderick Soloist 6 has Jumbo frets, which should be taller than the Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
Jackson USA Signature Chris Broderick Soloist 6
Bending & Vibrato Ease 80
Chord Playability 50
Solo Playability 100
Playability 77

Specs Side-by-Side

Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs Jackson USA Signature Chris Broderick Soloist 6
General Gibson Custom 1968 Les Paul Standard Goldtop Reissue Jackson USA Signature Chris Broderick Soloist 6
Brand: Gibson Custom Jackson
Year: 2022 2016
Configuration: P90P90 HH
Strings: 6 6
Made in: United States United States
Series: Historic Collection Artist Signature
Colors: Gold White, Black, Red
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: 1-Piece Solid Mahogany Mahogany
Bridge: Stop Bar Floyd Rose Pro (Recessed)
Neck
Neck Joint: Set Neck-Through
Tuners: Gibson Deluxe Double Line, Double Ring Planet Waves Auto-Trim
Fretboard: Rosewood Ebony
Neck Material: Mahogany Quartersawn Maple
Decoration: Celluloid Trapezoid
Scale Size: 24.75" 25.5"
Shape: Medium C Jackson Standard
Frets: 22 Medium Jumbo Nickel Silver 24 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Locking
Nut Width: 42.9mm (1.688'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Custom Soapbar P90 (Single Coil / Passive) Direct Mount Chris Broderick Designed Custom DiMarzio (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Custom Soapbar P90 (Single Coil / Passive) Direct Mount Chris Broderick Designed Custom DiMarzio (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Bell Dome
Pickup Mods: None Coil Split, Killswitch
Volume Controls: 2 1
Tone Controls: 2 1