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Gibson Custom 1968 Les Paul Standard Goldtop Reissue
ESP E-II M-I Thru NT
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Playability
73
Sound
72
Build
72
Value
57
Score
72
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Playability
82
Sound
73
Build
75
Value
72
Score
77
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Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs E-II M-I Thru NT

Reasons to Get
Gibson Custom 1968 Les Paul Standard Goldtop Reissue over E-II M-I Thru NT

Release Year
2022 vs 2021
From a more recent year
Type of Frets
Medium Jumbo vs XL Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Medium C vs Thin U
Comfortable neck that works for most people
Switch Positions
3 vs 0
More tone options
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 0
More tone control
Pickups
P90P90 vs H
Vintage tone with decent versatility
Nut Width
1.688'' (42.9mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Pickups Power
Passive vs Active
Cleaner sound and no battery needed

Reasons to Get
ESP E-II M-I Thru NT over Gibson Custom 1968 Les Paul Standard Goldtop Reissue

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
XL Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Profile
Thin U vs Medium C
Comfortable neck with more grip
Neck Joint
Neck-Through vs Set
Stronger neck and easier access to upper frets
Pickups
H vs P90P90
Hum-free with more right hand freedom and sustain
Number of Frets
24 vs 22
Allows to reach higher notes
Locking Tuners
Yes vs None
Easier to change strings
Nut Width
1.654'' (42mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Pickups Power
Active vs Passive
More output
Value Score
72 vs 57
Better price/quality relationship

Other Key Differences
Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs E-II M-I Thru NT

Bridge Pickup
Custom Soapbar P90 vs EMG 81
Different Bridge Pickup
Body Wood
Mahogany vs Alder
Different Body Wood
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Headstock
3-3 vs R6
Different Headstock
Nut Material
Nylon vs Bone
Different Nut Material

Shared Features
Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs E-II M-I Thru NT

Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Bridge
Fixed
Good sustain and needs no set-up
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the ESP E-II M-I Thru NT is probably the better product overall with its final score of 77 compared to the Gibson Custom 1968 Les Paul Standard Goldtop Reissue's 72 score, although not by a lot.

The ESP E-II M-I Thru NT wins when it comes to sound, playability, build quality, value for the money. This means that it wins over the Gibson Custom 1968 Les Paul Standard Goldtop Reissue in every aspect.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the ESP E-II M-I Thru NT is the better choice.

The ESP E-II M-I Thru NT meets 6 out of our 8 criteria items for beginner friendliness, while the Gibson Custom 1968 Les Paul Standard Goldtop Reissue meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

ESP E-II M-I Thru NT
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 1-Piece Solid Mahogany body
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: Custom Soapbar P90 (Single Coil/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • Stop Bar bridge
  • Medium C Set neck
  • 22 Medium Jumbo frets
  • Gibson Deluxe Double Line, Double Ring tuners
  • Compare Specs >

ESP E-II M-I Thru NT Overview

  • From ESP E-II's 2021 M series
  • Made in Japan
  • 6 strings
  • 25.5"'' scale
  • 12" Fretboard Radius
  • Alder body
  • 3pc Maple neck
  • Ebony fretboard
  • Bridge pickup: EMG 81 (Humbucker/Active)
  • 1 volume and 0 tone Dome knobs
  • Gotoh TOM bridge
  • Thin U Neck-Through neck
  • 24 XL Jumbo frets
  • Gotoh Locking tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Gibson Custom 1968 Les Paul Standard Goldtop Reissue

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the ESP E-II M-I Thru NT

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony
Alder wood pattern used for guitar building
Alder

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Winner: Gibson Custom 1968 Les Paul Standard Goldtop Reissue.

Pickup Configuration

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has an P90P90 configuration while the ESP E-II M-I Thru NT has H pickups.

P90P90 gives you two P90s for a crunchy vintage tone. The tone sits somewhere in the middle between typical single-coils and humbuckers. They also produce less hum than single-coils, but they don't cancel it completely like humbuckers.

On the other hand, A single H pickup gives you the advantage of having a little longer sustain (all other things being equal) because there will be less magnetic fields from other pickups affecting the strings' vibration. However, they also give you the least versatility because you won't have other pickups at different distances from the bridge to create different tones. A single humbucking pickup is used for noiseless high output, which is used mainly for Hard Rock genres.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

We found the same or similar pickups to the ESP E-II M-I Thru NT's online:

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue's pickups are Passive while the ESP E-II M-I Thru NT's are Active.

Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

Winner: Gibson Custom 1968 Les Paul Standard Goldtop Reissue.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue gives you 3 switch options while the ESP E-II M-I Thru NT gives you 0. This means that the Gibson Custom 1968 Les Paul Standard Goldtop Reissue gives you more options to find the right pickup combination for the type of sound you want to achieve

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

Gibson Custom 1968 Les Paul Standard Goldtop Reissue pickups switch and push knobs diagram
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's switch options

The ESP E-II M-I Thru NT doesn't come with pickup switching options.

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Gibson Custom 1968 Les Paul Standard Goldtop Reissue.

Final Sound Quality Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Pickups 100
Sustain 65
Versatility 53
Tuning Stability 70
Sound 72
ESP E-II M-I Thru NT
Pickups 85
Sustain 90
Versatility 37
Tuning Stability 80
Sound 73

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1968 Les Paul Standard Goldtop Reissue compares to the ESP E-II M-I Thru NT.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1968 Les Paul Standard Goldtop Reissue is built in United States while the ESP E-II M-I Thru NT is made in Japan.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the ESP E-II M-I Thru NT comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The ESP E-II M-I Thru NT has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: ESP E-II M-I Thru NT.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the ESP E-II M-I Thru NT comes with Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

Winner: ESP E-II M-I Thru NT.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1968 Les Paul Standard Goldtop Reissue
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
ESP E-II M-I Thru NT
  • Locking Tuners
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Neck-Through Build
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio

Final Build Quality Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
ESP E-II M-I Thru NT
Quality of materials 61
Features 75
Quality Control 90
Build Quality 75

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Nut Width
Gibson Custom 1968 Les Paul Standard Goldtop Reissue Nut Width
ESP E-II M-I Thru NT Nut Width
ESP E-II M-I Thru NT Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Custom 1968 Les Paul Standard Goldtop Reissue has the wider nut with 42.9mm (1.688'') vs 42mm (1.654''). This is a 0.9mm (0.034'') difference

This means that it will be more difficult to do bar chords on the Gibson Custom 1968 Les Paul Standard Goldtop Reissue, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Scale Length
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Scale Length
ESP E-II M-I Thru NT's Scale Length
ESP E-II M-I Thru NT's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The ESP E-II M-I Thru NT has the longest scale: 25.5". The Gibson Custom 1968 Les Paul Standard Goldtop Reissue is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Neck Profile
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's neck profile
ESP E-II M-I Thru NT Neck Profile
ESP E-II M-I Thru NT's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1968 Les Paul Standard Goldtop Reissue has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The ESP E-II M-I Thru NT, on the other hand, has a U neck. This is also referred to as ''baseball neck'' because of its shape. It's usually thick, which is why some people with big hands like it. However, they can also be thin, similar to a C shape, but with more shoulders for a better grip.

Fretboard Radius

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1968 Les Paul Standard Goldtop Reissue and the ESP E-II M-I Thru NT have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Gibson Custom 1968 Les Paul Standard Goldtop Reissue:
Big Hands
Small Hands
ESP E-II M-I Thru NT:
Big Hands
Small Hands

Fret Size

Gibson Custom 1968 Les Paul Standard Goldtop Reissue Frets Size
Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Frets Size
ESP E-II M-I Thru NT Frets Size
ESP E-II M-I Thru NT's Frets Size

The ESP E-II M-I Thru NT has XL Jumbo frets, which should be taller than the Gibson Custom 1968 Les Paul Standard Goldtop Reissue's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Gibson Custom 1968 Les Paul Standard Goldtop Reissue
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
ESP E-II M-I Thru NT
Bending & Vibrato Ease 85
Chord Playability 70
Solo Playability 90
Playability 82

Specs Side-by-Side

Gibson Custom 1968 Les Paul Standard Goldtop Reissue vs E-II M-I Thru NT
General Gibson Custom 1968 Les Paul Standard Goldtop Reissue E-II M-I Thru NT
Brand: Gibson Custom ESP E-II
Year: 2022 2021
Configuration: P90P90 H
Strings: 6 6
Made in: United States Japan
Series: Historic Collection M
Colors: Gold Red
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: 1-Piece Solid Mahogany Alder
Bridge: Stop Bar Gotoh TOM
Neck
Neck Joint: Set Neck-Through
Tuners: Gibson Deluxe Double Line, Double Ring Gotoh Locking
Fretboard: Rosewood Ebony
Neck Material: Mahogany 3pc Maple
Decoration: Celluloid Trapezoid Dots
Scale Size: 24.75" 25.5"
Shape: Medium C Thin U
Frets: 22 Medium Jumbo Nickel Silver 24 XL Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Bone
Nut Width: 42.9mm (1.688'') 42mm (1.654'')
Electronics
Bridge Pickup: Custom Soapbar P90 (Single Coil / Passive) EMG 81 (Humbucker / Active)
Middle Pickup:
Neck Pickup: Custom Soapbar P90 (Single Coil / Passive)
Switch: 3 Way 0 Way
Knobs: Bell Dome
Pickup Mods: None None
Volume Controls: 2 1
Tone Controls: 2 0