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Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
Fender Robert Cray Stratocaster
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Playability
72
Sound
72
Build
74
Value
58
Score
73
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Playability
68
Sound
74
Build
59
Value
67
Score
67
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Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged vs Fender Robert Cray Stratocaster

Reasons to Get
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged over Fender Robert Cray Stratocaster

Country of Manufacturing
United States vs Mexico
Built with higher quality standards
Release Year
2022 vs 2011
From a more recent year
Volume Knobs
2 vs 1
More volume control
Pickups
HH vs SSS
High output without hum
Number of Frets
22 vs 21
Allows to reach higher notes
Nut Width
1.688'' (42.9mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Paint Finish
Relic vs Poly
Looks like an old and slightly beaten up instrument
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 9.5'' (241.3mm)
Flatter fretboard makes it easier to play single notes and bend

Reasons to Get
Fender Robert Cray Stratocaster over Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged

Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Switch Positions
5 vs 3
More tone options
Pickups
SSS vs HH
Beautiful cleans and good tone versatility
Nut Width
1.654'' (42mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Paint Finish
Poly vs Relic
Resistant paint that ages well
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
9.5'' (241.3mm) vs 12'' (304.8mm)
More curved fretboard helpful to play chords without muting strings
Value Score
67 vs 58
Better price/quality relationship

Other Key Differences
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged vs Fender Robert Cray Stratocaster

Bridge Pickup
Custombucker Alnico III (Unpotted) vs Fender Vintage-Style Single-Coil Strat
Different Bridge Pickup
Neck Pickup
Custombucker Alnico III (Unpotted) vs Fender Vintage-Style Single-Coil Strat
Different Neck Pickup
Body Wood
Mahogany vs Alder
Different Body Wood
Neck Wood
Mahogany vs Maple
Different Neck Wood
Headstock
3-3 vs 6
Different Headstock
Nut Material
Nylon vs Synthetic Bone
Different Nut Material

Shared Features
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged vs Fender Robert Cray Stratocaster

Fretboard Wood
Rosewood
Same Fretboard Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Tone Knobs
2
Same tone control
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged is probably the better product overall with its final score of 73 compared to the Fender Robert Cray Stratocaster's 67 score, although not by a lot.

The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged wins when it comes to playability, build quality. On the other hand, the Fender Robert Cray Stratocaster has the upper hand when it comes to sound, value for the money.

If you got small hands, you'll probably feel more comfortable playing the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Fender Robert Cray Stratocaster is the better choice.

The Fender Robert Cray Stratocaster meets 6 out of our 8 criteria items for beginner friendliness, while the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Fender Robert Cray Stratocaster
  • Comfortable shape
  • Easy-to-use bridge
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Overview

  • From Gibson Custom's 2022 Murphy Lab series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Solid Mahogany body
  • Mahogany neck
  • Indian Rosewood fretboard
  • Bridge pickup: Custombucker Alnico III (Unpotted) (Humbucker/Passive)
  • Neck pickup: Custombucker Alnico III (Unpotted) (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • ABR-1 Maestro Short Vibrola bridge
  • Traditional 1960s SlimTaper C Profile Set neck
  • 22 Medium Jumbo frets
  • Kluson Single Line, Double Ring tuners
  • Compare Specs >

Fender Robert Cray Stratocaster Overview

  • From Fender's 2011 Artist series
  • Robert Cray Signature
  • Made in Mexico
  • 6 strings
  • 25.5"'' scale
  • 9.5" Fretboard Radius
  • Alder body
  • Maple neck
  • Rosewood fretboard
  • Bridge pickup: Fender Vintage-Style Single-Coil Strat (Single Coil/Passive)
  • Middle pickup: Fender Vintage-Style Single-Coil Strat (Single Coil/Passive)
  • Neck pickup: Fender Vintage-Style Single-Coil Strat (Single Coil/Passive)
  • 1 volume and 2 tone Bell knobs
  • 5-way Switch
  • 6-Saddle American Vintage Strings-Through-Body Strat Hardtail bridge
  • 60s C Bolt-On neck
  • 21 Medium Jumbo frets
  • Vintage-Style tuners
  • Weight between 6.95lbs (3.2kgs) and 7.6lbs (3.4kgs)
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Fender Robert Cray Stratocaster

Maple wood pattern used for guitar building
Maple
Alder wood pattern used for guitar building
Alder

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Winner: Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged.

Pickup Configuration

The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged has an HH configuration while the Fender Robert Cray Stratocaster has SSS pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, SSS is perfect for players who like to play clean. The definition you get between notes and the crispiness is unmatched by most other configurations. You can still use it for distortion, but you won't get the same kind of output and power compared to a humbucker, and the hum they produce also makes them less adequate for high gain.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Fender Robert Cray Stratocaster has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

We found the same or similar pickups to the Fender Robert Cray Stratocaster's online:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Fender Robert Cray Stratocaster.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Fender Robert Cray Stratocaster gives you 5 switch options while the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged gives you 3. This means that the Fender Robert Cray Stratocaster gives you more options to find the right pickup combination for the type of sound you want to achieve

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged pickups switch and push knobs diagram
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's switch options
Fender Robert Cray Stratocaster pickups switch selector and push knobs diagram
Fender Robert Cray Stratocaster's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged.

Final Sound Quality Scores

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
Pickups 90
Sustain 70
Versatility 63
Tuning Stability 65
Sound 72
Fender Robert Cray Stratocaster
Pickups 100
Sustain 65
Versatility 62
Tuning Stability 70
Sound 74

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged compares to the Fender Robert Cray Stratocaster.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged is built in United States while the Fender Robert Cray Stratocaster is made in Mexico.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

Winner: Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Fender Robert Cray Stratocaster comes with a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's brige is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

On the other hand, the Fender Robert Cray Stratocaster's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's are Kluson Single Line, Double Ring while the Fender Robert Cray Stratocaster's are Vintage-Style

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Fender Robert Cray Stratocaster comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Fender Robert Cray Stratocaster.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Fender Robert Cray Stratocaster
  • Expensive Wood
  • Synthetic Bone Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
Quality of materials 66
Features 55
Quality Control 100
Build Quality 74
Fender Robert Cray Stratocaster
Quality of materials 51
Features 50
Quality Control 75
Build Quality 59

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Nut Width
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Nut Width
Fender Robert Cray Stratocaster Nut Width
Fender Robert Cray Stratocaster Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged has the wider nut with 42.9mm (1.688'') vs 42mm (1.654''). This is a 0.9mm (0.034'') difference

This means that it will be more difficult to do bar chords on the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's Scale Length
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's Scale Length
Fender Robert Cray Stratocaster's Scale Length
Fender Robert Cray Stratocaster's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Fender Robert Cray Stratocaster has the longest scale: 25.5". The Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Neck Profile
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's neck profile
Fender Robert Cray Stratocaster Neck Profile
Fender Robert Cray Stratocaster's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged and the Fender Robert Cray Stratocaster have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Fingerboard Radius
Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's Fingerboard radius
Fender Robert Cray Stratocaster Fingerboard Radius
Fender Robert Cray Stratocaster's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Fender Robert Cray Stratocaster's fingerboard radius is smaller, which means it's more curved than the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Fender Robert Cray Stratocaster favors large hands more than the Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged.

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged:
Big Hands
Small Hands
Fender Robert Cray Stratocaster:
Big Hands
Small Hands

Fret Size

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged and Fender Robert Cray Stratocaster Frets Size
Both have a similar Medium Jumbo fret size

Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.

Final Playability Scores

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged
Bending & Vibrato Ease 80
Chord Playability 65
Solo Playability 70
Playability 72
Fender Robert Cray Stratocaster
Bending & Vibrato Ease 65
Chord Playability 80
Solo Playability 60
Playability 68

Specs Side-by-Side

Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged vs Fender Robert Cray Stratocaster
General Gibson Custom 1964 SG Standard With Maestro Vibrola Light Aged Fender Robert Cray Stratocaster
Brand: Gibson Custom Fender
Year: 2022 2011
Configuration: HH SSS
Strings: 6 6
Made in: United States Mexico
Series: Murphy Lab Artist
Colors: Blue Sunburst, Gray
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Solid Mahogany Alder
Bridge: ABR-1 Maestro Short Vibrola 6-Saddle American Vintage Strings-Through-Body Strat Hardtail
Neck
Neck Joint: Set Bolt-On
Tuners: Kluson Single Line, Double Ring Vintage-Style
Fretboard: Indian Rosewood Rosewood
Neck Material: Mahogany Maple
Decoration: Cellulose Nitrate Trapezoid White Dot
Scale Size: 24.75" 25.5"
Shape: Traditional 1960s SlimTaper C Profile 60s C
Frets: 22 Medium Jumbo Nickel Silver 21 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 9.5"
Nut: Nylon Synthetic Bone
Nut Width: 42.9mm (1.688'') 42mm (1.654'')
Electronics
Bridge Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive) Fender Vintage-Style Single-Coil Strat (Single Coil / Passive)
Middle Pickup: Fender Vintage-Style Single-Coil Strat (Single Coil / Passive)
Neck Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive) Fender Vintage-Style Single-Coil Strat (Single Coil / Passive)
Switch: 3 Way 5 Way
Knobs: Bell Bell
Pickup Mods: None None
Volume Controls: 2 1
Tone Controls: 2 2