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Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
Ibanez JIVAX2
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Playability
77
Sound
75
Build
72
Value
60
Score
75
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Playability
73
Sound
81
Build
73
Value
61
Score
76
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Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged vs Ibanez JIVAX2

Reasons to Get
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged over Ibanez JIVAX2

Neck Profile
50s Rounded Medium C vs JIVA
Comfortable neck that works for most people
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
HH vs HSH
High output without hum
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Paint Finish
Heavy Relic vs Poly
Looks like an old and heavily beaten up instrument
Bridge
Fixed vs Edge Zero
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 17'' (431.8mm)
Easier to play chords without muting strings

Reasons to Get
Ibanez JIVAX2 over Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged

Decorative Top
Quilted Maple vs None
Finished with beautiful natural wood patterns
Neck Profile
JIVA vs 50s Rounded Medium C
Thin and flat neck for playing fast
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Switch Positions
5 vs 3
More tone options
Pickups
HSH vs HH
High output, round sound with a single-coil for cleans
Number of Frets
24 vs 22
Allows to reach higher notes
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Paint Finish
Poly vs Heavy Relic
Resistant paint that ages well
Bridge
Edge Zero vs Fixed
Intense vibratos like Floyd Rose but easier to setup
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
17'' (431.8mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
61 vs 60
Better price/quality relationship

Other Key Differences
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged vs Ibanez JIVAX2

Bridge Pickup
Custombucker Alnico III (Unpotted) vs DiMarzio Pandemonium
Different Bridge Pickup
Neck Pickup
Custombucker Alnico III (Unpotted) vs DiMarzio Pandemonium
Different Neck Pickup
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Headstock
3-3 vs 6
Different Headstock
Nut Material
Nylon vs Locking
Different Nut Material

Shared Features
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged vs Ibanez JIVAX2

Body Wood
Mahogany
Same Body Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Pickups Power
Passive
Cleaner sound and no battery needed
Type of Frets
Narrow Tall vs Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT
SET PRICE ALERT

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Which One is Better for Beginners?

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged meets 4 out of our 8 criteria items for beginner friendliness, while the Ibanez JIVAX2 meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Ibanez JIVAX2
  • Comfortable shape
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners
  • Easy-to-use bridge

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Ibanez JIVAX2

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Tie.

Pickup Configuration

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged has an HH configuration while the Ibanez JIVAX2 has HSH pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, HSH is a versatile pickup configuration that will give you the high output, full tone, and quiet sound of humbucker pickups, but with the possibility of using a single coil for cleaner tones. The disadvantage is that the middle single-coil pickup will have a noticeable lower volume, so you might want to adjust the height of the pickups. Another problem is that if you set the middle pickup too high, it might interfere with your picking hand.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

We found the same or similar pickups to the Ibanez JIVAX2's online:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Ibanez JIVAX2 gives you 5 switch options while the Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged gives you 3. This means that the Ibanez JIVAX2 gives you more options to find the right pickup combination for the type of sound you want to achieve

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged pickups switch and push knobs diagram
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's switch options
Ibanez JIVAX2 pickups switch selector and push knobs diagram
Ibanez JIVAX2's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Ibanez JIVAX2.

Final Sound Quality Scores

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
Pickups 90
Sustain 85
Versatility 53
Tuning Stability 70
Sound 75
Ibanez JIVAX2
Pickups 85
Sustain 80
Versatility 75
Tuning Stability 85
Sound 81

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged compares to the Ibanez JIVAX2.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged is built in United States while the Ibanez JIVAX2 is made in Japan.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Ibanez JIVAX2 comes with a Locking nut. Instead of a regular nut, this guitar has a locking system that will lock down the strings at the nut, preventing it from getting out of tune. It removes one of the disadvantages of tremolo bridges, tune stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

On the other hand, the Ibanez JIVAX2's is a Edge Zero. This is a different version of Ibanez's Edge bridges. It comes with locking stud bolts that lock down into the body and provide better stabilization, and with easier adjustment of the springs without having to remove the backplate thanks to a thumb-screw .

Edge Zeros that come with ZPS3 Zero Point system come with two extra springs that help return the tremolo to the neutral position quicker, helping with tune stability. These bridges offer tons of versatility, but they also require more work than simpler tremolos to set up.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Ibanez JIVAX2.

Tuners

Both come with regular tuners. The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's are Kluson Single Line, Single Ring while the Ibanez JIVAX2's are Gotoh machine heads

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Ibanez JIVAX2 comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Ibanez JIVAX2.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Ibanez JIVAX2
  • Made in Japan
  • Expensive Wood
  • Locking Nut
  • Top Brand Pickups
  • Luminescent Inlay
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Retainer Bar
  • No Strap Lock

Final Build Quality Scores

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
Ibanez JIVAX2
Quality of materials 55
Features 65
Quality Control 100
Build Quality 73

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged Nut Width
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged Nut Width
Ibanez JIVAX2 Nut Width
Ibanez JIVAX2 Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Ibanez JIVAX2 has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Ibanez JIVAX2, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's Scale Length
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's Scale Length
Ibanez JIVAX2's Scale Length
Ibanez JIVAX2's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Ibanez JIVAX2 has the longest scale: 25.5". The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged Neck Profile
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's neck profile
Ibanez JIVAX2 Neck Profile
Ibanez JIVAX2's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Ibanez JIVAX2, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged Fingerboard Radius
Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's Fingerboard radius
Ibanez JIVAX2 Fingerboard Radius
Ibanez JIVAX2's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged's fingerboard radius is smaller, which means it's more curved than the Ibanez JIVAX2's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Ibanez JIVAX2.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged:
Big Hands
Small Hands
Ibanez JIVAX2:
Big Hands
Small Hands

Fret Size

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged and Ibanez JIVAX2 Frets Size
Both have a similar Narrow Tall fret size

Both have a Narrow Tall fret size. Their height is very similar to Jumbo frets, but they have a narrower crown. They won't let you feel the fretboard when playing, which will make it easier to get clean notes. However, if you press down too hard you might get the notes out of pitch.

Final Playability Scores

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged
Bending & Vibrato Ease 95
Chord Playability 55
Solo Playability 80
Playability 77
Ibanez JIVAX2
Bending & Vibrato Ease 80
Chord Playability 50
Solo Playability 90
Playability 73

Specs Side-by-Side

Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged vs Ibanez JIVAX2
General Gibson Custom 1957 Les Paul Goldtop Ultra Heavy Aged Ibanez JIVAX2
Brand: Gibson Custom Ibanez
Year: 2022 2022
Configuration: HH HSH
Strings: 6 6
Made in: United States Japan
Series: Murphy Lab JIVA
Colors: Gold White
Left-Handed Version: Yes No
Body
Type: Solid Body Solid Body
Body Material: 1-Piece Lightweight Mahogany African Mahogany
Bridge: No-Wire ABR-1 Edge-Zero tremolo w/ZPS3
Neck
Neck Joint: Set Bolt-On
Tuners: Kluson Single Line, Single Ring Gotoh machine heads
Fretboard: Indian Rosewood Bound Ebony
Neck Material: Mahogany Maple/Wenge
Decoration: Aged Cellulose Nitrate Trapezoid Beaten Path
Scale Size: 24.75" 25.5"
Shape: 50s Rounded Medium C JIVA
Frets: 22 Narrow Tall Nickel Silver 24 Jumbo Nickel Silver
Fretboard Radius: 12" 17"
Nut: Nylon Locking
Nut Width: 42.9mm (1.688'') 43mm (1.693'')
Electronics
Bridge Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive) DiMarzio Pandemonium (Humbucker / Passive)
Middle Pickup: DiMarzio True Velvet (Single Coil / Passive)
Neck Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive) DiMarzio Pandemonium (Humbucker / Passive)
Switch: 3 Way 5 Way
Knobs: Bell Dome
Pickup Mods: None None
Volume Controls: 2 1
Tone Controls: 2 1