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Cort G290 FAT II
Sterling Cutlass CT50HSS
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Playability
70
Sound
68
Build
68
Value
74
Score
69
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Playability
70
Sound
68
Build
60
Value
76
Score
66
FIND IT ON:
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Side to side spec comparison >

Cort G290 FAT II vs Sterling Cutlass CT50HSS

Reasons to Get
Cort G290 FAT II over Sterling Cutlass CT50HSS

Decorative Top
Flamed Maple vs None
Finished with beautiful natural wood patterns
Release Year
2022 vs 2021
From a more recent year
Compound Radius
12" to 15.75" vs 12"
Balanced playability for chords and single-notes
Neck Profile
Ergo-V vs Cutlass
Great if you like to hang your thumb over the fretboard
Pickups
HH vs HSS
High output without hum
Nut Width
1.656'' (42.1mm) vs 1.65'' (41.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments

Reasons to Get
Sterling Cutlass CT50HSS over Cort G290 FAT II

Neck Profile
Cutlass vs Ergo-V
Comfortable neck that works for most people
Pickups
HSS vs HH
High output with beautiful cleans and tone versatility
Nut Width
1.65'' (41.9mm) vs 1.656'' (42.1mm)
Favors small hands, easier bar chords and other shapes
Value Score
76 vs 74
Better price/quality relationship

Other Key Differences
Cort G290 FAT II vs Sterling Cutlass CT50HSS

Bridge Pickup
Cort Voiced Tone VTH77 Humbucker vs Sterling Humbucker
Different Bridge Pickup
Neck Pickup
Cort Voiced Tone VTH77 Humbucker vs Sterling Single Coil
Different Neck Pickup
Body Wood
Alder vs Poplar
Different Body Wood
Fretboard Wood
Roasted Maple vs Rosewood
Different Fretboard Wood
Headstock
6 vs 4-2
Different Headstock
Nut Material
Black Tusq XL vs Compensated
Different Nut Material

Shared Features
Cort G290 FAT II vs Sterling Cutlass CT50HSS

Neck Wood
Roasted Maple
Same Neck Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
5
Same pickups versatility
Volume Knobs
1
Same volume control
Tone Knobs
1
Same tone control
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Tremolo
Simple vibratos without too much maintenance
Scale Length
25.5'' (647.7mm)
Same string tension and fret separation
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Bolt-On
Allows you to detach and swap the neck
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Locking Tuners
  • High-Quality Nut

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

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SET PRICE ALERT

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Which One is Better for Beginners?

The Cort G290 FAT II meets 7 out of our 8 criteria items for beginner friendliness, while the Sterling Cutlass CT50HSS meets only 6. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Cort G290 FAT II
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

New Player Friendliness

Sterling Cutlass CT50HSS
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Roasted Maple wood pattern used for guitar building
Roasted Maple

Roasted Maple is just maple without a finish. It's technically cheaper than regular maple, but it doesn't have any extra disadvantages because of this. The color is darker, and it's lighter weight and very stable even when there's a lot of humidity.

Woods Used in the Cort G290 FAT II

Alder wood pattern used for guitar building
Alder

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Woods Used in the Sterling Cutlass CT50HSS

Rosewood wood pattern used for guitar building
Rosewood
Poplar wood pattern used for guitar building
Poplar

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Poplar is a cheaper and heavier alternative to Alder wood. It terms of tone, it emphasizes the low-end and has cutting mids. It's relatively soft compared to most body woods. Find out more about Poplar.

Winner: Sterling Cutlass CT50HSS.

Pickup Configuration

The Cort G290 FAT II has an HH configuration while the Sterling Cutlass CT50HSS has HSS pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.

Pickups Quality

None of these use a specialized pickup brand for their pickups. Some of the best guitars on the market come with pickups from brands like EMG, Seymour Duncan, DiMarzio, etc. You might want to replace your pickups eventually if you want to get the best sound out of any of these instruments.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

Cort G290 FAT II pickups switch selector and push knobs diagram
Cort G290 FAT II's switch options
Sterling Cutlass CT50HSS pickups switch selector and push knobs diagram
Sterling Cutlass CT50HSS's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Sterling Cutlass CT50HSS.

Final Sound Quality Scores

Cort G290 FAT II
Pickups 60
Sustain 70
Versatility 67
Tuning Stability 75
Sound 68
Sterling Cutlass CT50HSS
Pickups 60
Sustain 65
Versatility 70
Tuning Stability 75
Sound 68

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Cort G290 FAT II compares to the Sterling Cutlass CT50HSS.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Indonesia.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Cort G290 FAT II has a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

On the other hand, the Sterling Cutlass CT50HSS comes with a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Cort G290 FAT II
  • Locking Tuners
  • Black Tusq XL Nut
  • Luminescent Inlay
  • Tremolo
  • Compound Radius Fretboard
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Expensive Woods
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Sterling Cutlass CT50HSS
  • Locking Tuners
  • Expensive Wood
  • Compensated Nut
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Cort G290 FAT II
Quality of materials 55
Features 80
Quality Control 70
Build Quality 68
Sterling Cutlass CT50HSS
Quality of materials 51
Features 65
Quality Control 65
Build Quality 60

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Cort G290 FAT II Nut Width
Cort G290 FAT II Nut Width
Sterling Cutlass CT50HSS Nut Width
Sterling Cutlass CT50HSS Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Cort G290 FAT II has the wider nut with 42.1mm (1.656'') vs 41.9mm (1.65''). This is a 0.2mm (0.006'') difference

This means that it will be more difficult to do bar chords on the Cort G290 FAT II, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Cort G290 FAT II and Sterling Cutlass CT50HSS's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 25.5".

This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.

However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Cort G290 FAT II Neck Profile
Cort G290 FAT II's neck profile
Sterling Cutlass CT50HSS Neck Profile
Sterling Cutlass CT50HSS's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Cort G290 FAT II has a V type of neck. This neck shape was more common during Fender's early years. Some people like it because they use their thumb over the edge of the fretboard to press the lower strings. It's rather thicker than most modern necks, so it's not usually used for playing fast solos.

The Sterling Cutlass CT50HSS, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Cort G290 FAT II Fretboard Compound Radius
Cort G290 FAT II's Compound Fretboard Radius
Sterling Cutlass CT50HSS Fingerboard Radius
Sterling Cutlass CT50HSS's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Cort G290 FAT II is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Cort G290 FAT II:
Big Hands
Small Hands
Sterling Cutlass CT50HSS:
Big Hands
Small Hands

Fret Size

Cort G290 FAT II and Sterling Cutlass CT50HSS Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Cort G290 FAT II
Bending & Vibrato Ease 60
Chord Playability 90
Solo Playability 60
Playability 70
Sterling Cutlass CT50HSS
Bending & Vibrato Ease 70
Chord Playability 70
Solo Playability 70
Playability 70

Specs Side-by-Side

Cort G290 FAT II vs Sterling Cutlass CT50HSS
General Cort G290 FAT II Sterling Cutlass CT50HSS
Brand: Cort Sterling
Year: 2022 2021
Configuration: HH HSS
Strings: 6 6
Made in: Indonesia Indonesia
Series: G Cutlass
Colors: Black Burst, Blue Burst, Orange Burst Gold, White, Brown, Gray, Blue Satin, Pink Satin
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Alder Poplar
Bridge: Cort CFA-III Tremolo Vintage Tremolo
Neck
Neck Joint: Bolt-On Bolt-On
Tuners: Cort Staggered Locking Locking
Fretboard: Roasted Maple Rosewood
Neck Material: Roasted Maple Roasted Maple
Decoration: Black Dots Dot Markers
Scale Size: 25.5" 25.5"
Shape: Ergo-V Cutlass
Frets: 22 Medium Nickel Silver 22 Medium Nickel Silver
Fretboard Radius: 12" to 15.75" 12"
Nut: Black Tusq XL Compensated
Nut Width: 42.1mm (1.656'') 41.9mm (1.65'')
Electronics
Bridge Pickup: Cort Voiced Tone VTH77 Humbucker (Humbucker / Passive) Sterling Humbucker (Humbucker / Passive)
Middle Pickup: Sterling Single Coil (Single Coil / Passive)
Neck Pickup: Cort Voiced Tone VTH77 Humbucker (Humbucker / Passive) Sterling Single Coil (Single Coil / Passive)
Switch: 5 Way 5 Way
Knobs: Dome Bell
Pickup Mods: None None
Volume Controls: 1 1
Tone Controls: 1 1