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Yamaha LL16M ARE
Yamaha LL16D ARE
VS
Playability
73
Sound
85
Build
72
Value
82
Score
77
FIND IT ON:
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Playability
73
Sound
85
Build
72
Value
82
Score
77
FIND IT ON:
Amazon logoSweetwater logoMusician's Friend logo
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Yamaha LL16M ARE vs LL16D ARE Specs Comparison
Yamaha LL16M ARE LL16D ARE
General
Brand: Yamaha Yamaha
Year: 2014 2014
Strings: 6 6
Made in: China China
Series: L L
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Engelmann Spruce with A.R.E. Solid Engelmann Spruce with A.R.E.
Sides Material: Mahogany Rosewood
Back Material: Mahogany Rosewood
Bridge: Ebony Ebony
Neck
Neck Joint: Set Set
Tuners: Die-Cast Gold (TM29G) Die-Cast Gold (TM29G)
Fretboard: Ebony Ebony
Neck Material: Mahogany + Rosewood (5-Ply) Mahogany + Rosewood (5-Ply)
Decoration: Dots Dots
Scale Size: 25.6" 25.6"
Shape: Acoustic C Acoustic C
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 15.75" 15.75"
Nut: Plastic Plastic
Nut Width: 44mm (1.732'') 44mm (1.732'')
Electronics
Pickups: Passive System + SRT Piezo Pickup (Preamp / Passive) Passive System + SRT Piezo Pickup (Preamp / Passive)
Hardware
Strap Lock: No No
Hardware Color: Gold Gold

Reasons to Get
Yamaha LL16M ARE over LL16D ARE

Reasons to Get
Yamaha LL16D ARE over LL16M ARE

Other Key Differences
Yamaha LL16M ARE vs LL16D ARE

Back Material
Mahogany vs Rosewood
Different Back Material
Sides Material
Mahogany vs Rosewood
Different Sides Material

Shared Features
Yamaha LL16M ARE vs LL16D ARE

Saddle Material
Plastic
Same Saddle Material
Bridge Material
Ebony
Same Bridge Material
Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
3-3
Same Headstock
Nut Material
Plastic
Same Nut Material
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Nut Width
1.732'' (44mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
25.6'' (650.2mm)
Same string tension and fret separation
Fretboard Radius
15.75'' (400.1mm)
Same fretboard comfortability
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Pickup Alter Switch/Knob
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Yamaha LL16M ARE Prices

SET PRICE ALERT
SET PRICE ALERT

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Hand Size Comfortability

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .

Yamaha LL16M ARE:
Big Hands
Small Hands
Yamaha LL16D ARE:
Big Hands
Small Hands

Beginner Friendliness

Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Yamaha LL16M ARE
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Yamaha LL16D ARE
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Yamaha LL16D ARE

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Yamaha LL16D ARE.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Yamaha LL16M ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85
Yamaha LL16D ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha LL16M ARE compares to the Yamaha LL16D ARE.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in China.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Plastic nuts. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. Both come with Die-Cast Gold (TM29G).

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha LL16M ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha LL16D ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha LL16M ARE
Quality of materials 76
Features 80
Quality Control 60
Build Quality 72
Yamaha LL16D ARE
Quality of materials 76
Features 80
Quality Control 60
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha LL16M ARE Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 44mm (1.732'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Yamaha LL16M ARE and Yamaha LL16D ARE's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 25.6".

It's very similar to a typical long 25.5" guitar scale, but with an extra inch probably to compensate the saddle position in acoustic guitars. It should be pretty much the same as a 25.5" scale guitar.

It will allow you to strum hard without hearing so much fret buzz, even with lower tunings.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha LL16M ARE Neck Profile
Both guitars have the same neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Yamaha LL16M ARE and the Yamaha LL16D ARE have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Yamaha LL16M ARE Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Yamaha LL16M ARE and the Yamaha LL16D ARE have the same fretboard radius of 15.75". It's a radius that makes playing single notes (and bending, vibrato, sliding, etc) easier than on a classic Les Paul guitar. However, it's still more curved than some baritone and 7+ strings guitars.

Fret Size

Yamaha LL16M ARE and Yamaha LL16D ARE Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Yamaha LL16M ARE
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Yamaha LL16D ARE
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73