Yamaha CG182S vs FSX5
Reasons to Get
Yamaha CG182S over FSX5
Reasons to Get
Yamaha FSX5 over CG182S
Other Key Differences
Yamaha CG182S vs FSX5
Shared Features
Yamaha CG182S vs FSX5
Common Strengths
- Solid Top Wood
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- Top Pickup Brand
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Yamaha FSX5 is probably the better product overall with its final score of 82 compared to the Yamaha CG182S's 71 score, which is a significant difference.
The Yamaha FSX5 wins when it comes to sound, playability, build quality. On the other hand, the Yamaha CG182S has the upper hand when it comes to value for the money.
If you got small hands, you'll probably feel more comfortable playing the Yamaha FSX5.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Yamaha CG182S is the better choice.
The Yamaha CG182S meets 5 out of our 8 criteria items for beginner friendliness, while the Yamaha FSX5 meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Yamaha CG182S- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Soft Strings
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
New Player Friendliness
Yamaha FSX5- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Yamaha CG182S Overview
- From Yamaha's 2013 CG & CGX Classical Guitars series
- Made in China
- 6 strings
- 25.6"'' scale
- Flat Fretboard Radius
- Solid Spruce top
- Rosewood back
- Rosewood sides
- Nato neck
- Ebony fretboard
- Bridge pickup: (/)
- Rosewood bridge
- Acoustic C Set neck
- 20 Medium frets
- Gold tuners
- Compare Specs >
Yamaha FSX5 Overview
- From Yamaha's 2019 FG/FS Red Label series
- Made in Japan
- 6 strings
- 25"'' scale
- 15.75" Fretboard Radius
- Solid Sitka Spruce top
- Solid Mahogany back
- Solid Mahogany sides
- African Mahogany neck
- Ebony fretboard
- Bridge pickup: Atmosfeel (Undersaddle Pickup + Contact Sensor + Mic) (Preamp/Active)
- Ebony bridge
- Acoustic C Set neck
- 20 Medium frets
- Open-Gear Chrome (Y1D) tuners
- Compare Specs >
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Woods Used in the Yamaha CG182S
Nato a hard and dense wood similar to Mahogany, but cheaper and not quite as hard. Tone-wise, it's also similar, but it doesn't have quite the same attack as Mahogany.
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Woods Used in the Yamaha FSX5
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Winner: Tie.
Electronics
The Yamaha FSX5 comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.
Winner:Yamaha FSX5.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha CG182S compares to the Yamaha FSX5.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Yamaha CG182S is built in China while the Yamaha FSX5 is made in Japan.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.
Winner: Yamaha FSX5
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Yamaha CG182S has a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.
On the other hand, the Yamaha FSX5 comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Winner: Yamaha FSX5.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Yamaha CG182S's are Gold while the Yamaha FSX5's are Open-Gear Chrome (Y1D)
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Yamaha CG182S
- Expensive Wood
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No High-Quality Nut
- No Top Brand Pickups
- No Electronics
- Low-Quality Material Saddle
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Yamaha FSX5
- Made in Japan
- Expensive Wood
- Bone Nut
- Electronics
- Bone Saddle
- Solid Top Wood
- Solid Side Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Top Brand Pickups
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha CG182S has the wider nut with 52mm (2.047'') vs 44mm (1.732''). This is a 8mm (0.315'') difference
This means that it will be more difficult to do bar chords on the Yamaha CG182S, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Yamaha CG182S has the longest scale: 25.6". The Yamaha FSX5 is only 25" long. This is a 0.6'' (15.2mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Yamaha CG182S and the Yamaha FSX5 have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Yamaha FSX5's fingerboard radius is smaller, which means it's more curved than the Yamaha CG182S's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha CG182S.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Yamaha CG182S favors large hands more than the Yamaha FSX5.
Yamaha CG182S:
Yamaha FSX5:
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
