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Taylor 250ce-BLK DLX
Yamaha LL16-12 ARE
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Playability
73
Sound
88
Build
80
Value
75
Score
80
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Playability
80
Sound
85
Build
74
Value
80
Score
80
FIND IT ON:
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Taylor 250ce-BLK DLX vs Yamaha LL16-12 ARE

Reasons to Get
Taylor 250ce-BLK DLX over Yamaha LL16-12 ARE

Country of Manufacturing
Mexico vs China
Built with higher quality standards
Release Year
2019 vs 2014
From a more recent year
Nut Material
Ivory Tusq vs Plastic
Resistant, good tuning stability and rich tone
Nut Width
1.875'' (47.6mm) vs 1.811'' (46mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Dreadnought vs Jumbo
Prominent low-end tones in a large body
Scale Length
25.5'' (647.7mm) vs 25'' (635mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings

Reasons to Get
Yamaha LL16-12 ARE over Taylor 250ce-BLK DLX

Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Nut Width
1.811'' (46mm) vs 1.875'' (47.6mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Jumbo vs Dreadnought
Large body with a tight waist for more top-end
Scale Length
25'' (635mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15.75'' (400.1mm) vs 15'' (381mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
80 vs 75
Better price/quality relationship

Other Key Differences
Taylor 250ce-BLK DLX vs Yamaha LL16-12 ARE

Back Material
Maple vs Rosewood
Different Back Material
Sides Material
Maple vs Rosewood
Different Sides Material
Saddle Material
Synthetic Bone vs Plastic
Different Saddle Material
Bridge Material
West African Crelicam Ebony vs Ebony
Different Bridge Material
Neck Wood
Maple vs Mahogany
Different Neck Wood
Nut Material
Ivory Tusq vs Plastic
Different Nut Material

Shared Features
Taylor 250ce-BLK DLX vs Yamaha LL16-12 ARE

Body Wood
Spruce
Same Body Wood
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
6-6
Same Headstock
Strings
12
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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Which One is Better Overall?

After going through our comparison algorithm, the results show that both instruments scored 80 out of 100, which makes them similar in terms of quality.

The Yamaha LL16-12 ARE wins when it comes to playability, value for the money. On the other hand, the Taylor 250ce-BLK DLX has the upper hand when it comes to sound, build quality.

If you got small hands, you'll probably feel more comfortable playing the Yamaha LL16-12 ARE.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Yamaha LL16-12 ARE is the better choice.

The Yamaha LL16-12 ARE meets 4 out of our 8 criteria items for beginner friendliness, while the Taylor 250ce-BLK DLX meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Taylor 250ce-BLK DLX
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Yamaha LL16-12 ARE
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Taylor 250ce-BLK DLX Overview

  • From Taylor's 2019 200 series
  • Made in Mexico
  • 12 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Lutz Spruce top
  • Solid Maple back
  • Solid Maple sides
  • Hard Rock Maple neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: Expression System 2 Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Satin Black tuners
  • Compare Specs >

Yamaha LL16-12 ARE Overview

  • From Yamaha's 2014 L series
  • Made in China
  • 12 strings
  • 25"'' scale
  • 15.75" Fretboard Radius
  • Solid Engelmann Spruce with A.R.E. top
  • Solid Rosewood back
  • Solid Rosewood sides
  • Mahogany + Rosewood (5-Ply) neck
  • Ebony fretboard
  • Bridge pickup: Passive System + SRT Piezo Pickup (Preamp/Passive)
  • Ebony bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Die-Cast Gold (TM29G) tuners
  • Weight between 5.3lbs (2.4kgs) and 5.4lbs (2.4kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Taylor 250ce-BLK DLX

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Woods Used in the Yamaha LL16-12 ARE

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Yamaha LL16-12 ARE.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Taylor 250ce-BLK DLX
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88
Yamaha LL16-12 ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Taylor 250ce-BLK DLX compares to the Yamaha LL16-12 ARE.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Taylor 250ce-BLK DLX is built in Mexico while the Yamaha LL16-12 ARE is made in China.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Taylor 250ce-BLK DLX

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Taylor 250ce-BLK DLX has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Yamaha LL16-12 ARE comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Winner: Taylor 250ce-BLK DLX.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Taylor 250ce-BLK DLX's are Satin Black while the Yamaha LL16-12 ARE's are Die-Cast Gold (TM29G)

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Taylor 250ce-BLK DLX
  • Expensive Wood
  • Ivory Tusq Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha LL16-12 ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Taylor 250ce-BLK DLX
Quality of materials 86
Features 75
Quality Control 80
Build Quality 80
Yamaha LL16-12 ARE
Quality of materials 76
Features 80
Quality Control 65
Build Quality 74

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Taylor 250ce-BLK DLX Nut Width
Taylor 250ce-BLK DLX Nut Width
Yamaha LL16-12 ARE Nut Width
Yamaha LL16-12 ARE Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 250ce-BLK DLX has the wider nut with 47.6mm (1.875'') vs 46mm (1.811''). This is a 1.6mm (0.064'') difference

This means that it will be more difficult to do bar chords on the Taylor 250ce-BLK DLX, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Taylor 250ce-BLK DLX's Scale Length
Taylor 250ce-BLK DLX's Scale Length
Yamaha LL16-12 ARE's Scale Length
Yamaha LL16-12 ARE's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Taylor 250ce-BLK DLX has the longest scale: 25.5". The Yamaha LL16-12 ARE is only 25" long. This is a 0.5'' (12.7mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Taylor 250ce-BLK DLX Neck Profile
Taylor 250ce-BLK DLX's neck profile
Yamaha LL16-12 ARE Neck Profile
Yamaha LL16-12 ARE's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Taylor 250ce-BLK DLX and the Yamaha LL16-12 ARE have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Taylor 250ce-BLK DLX Fingerboard Radius
Taylor 250ce-BLK DLX's Fingerboard radius
Yamaha LL16-12 ARE Fingerboard Radius
Yamaha LL16-12 ARE's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Taylor 250ce-BLK DLX's fingerboard radius is smaller, which means it's more curved than the Yamaha LL16-12 ARE's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha LL16-12 ARE.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor 250ce-BLK DLX favors large hands more than the Yamaha LL16-12 ARE. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Taylor 250ce-BLK DLX:
Big Hands
Small Hands
Yamaha LL16-12 ARE:
Big Hands
Small Hands

Fret Size

Taylor 250ce-BLK DLX and Yamaha LL16-12 ARE Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Taylor 250ce-BLK DLX
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Yamaha LL16-12 ARE
Bending & Vibrato Ease 80
Chord Playability 80
Solo Playability 80
Playability 80

Specs Side-by-Side

Taylor 250ce-BLK DLX vs Yamaha LL16-12 ARE
General Taylor 250ce-BLK DLX Yamaha LL16-12 ARE
Brand: Taylor Yamaha
Year: 2019 2014
Strings: 12 12
Made in: Mexico China
Series: 200 L
Colors: Natural Natural
Left-Handed Version: Yes No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Lutz Spruce Solid Engelmann Spruce with A.R.E.
Sides Material: Maple Rosewood
Back Material: Maple Rosewood
Bridge: West African Crelicam Ebony Ebony
Neck
Neck Joint: Set Set
Tuners: Satin Black Die-Cast Gold (TM29G)
Fretboard: West African Crelicam Ebony Ebony
Neck Material: Hard Rock Maple Mahogany + Rosewood (5-Ply)
Decoration: Small Diamonds Dots
Scale Size: 25.5" 25"
Shape: Acoustic Taylor Standard Acoustic C
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 15" 15.75"
Nut: Ivory Tusq Plastic
Nut Width: 47.6mm (1.875'') 46mm (1.811'')
Electronics
Bridge Pickup: Expression System 2 Electronics (Preamp / Active) Passive System + SRT Piezo Pickup (Preamp / Passive)