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Takamine TH8SS
Yamaha GC82C
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Playability
70
Sound
84
Build
87
Value
70
Score
80
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Playability
73
Sound
84
Build
82
Value
65
Score
80
FIND IT ON:
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Side to side spec comparison >

Takamine TH8SS vs Yamaha GC82C

Reasons to Get
Takamine TH8SS over Yamaha GC82C

Number of Frets
19 vs 20
Warmer neck pickup
Neck Profile
Acoustic Asymmetrical C vs Acoustic C
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Nut Width
2.008'' (51mm) vs 2.062'' (52.4mm)
Favors small hands, easier bar chords and other shapes
Value Score
70 vs 65
Better price/quality relationship

Reasons to Get
Yamaha GC82C over Takamine TH8SS

Release Year
2014 vs 2013
From a more recent year
Neck Profile
Acoustic C vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Number of Frets
20 vs 19
Allows to reach higher notes
Nut Width
2.062'' (52.4mm) vs 2.008'' (51mm)
Less likely to mute strings by accident and more space for fingerstyle

Other Key Differences
Takamine TH8SS vs Yamaha GC82C

Bridge Material
Fixed vs Madagascar Rosewood
Different Bridge Material
Body Wood
Spruce vs Cedar
Different Body Wood
Neck Wood
Mahogany vs Cedar
Different Neck Wood

Shared Features
Takamine TH8SS vs Yamaha GC82C

Back Material
Rosewood
Same Back Material
Sides Material
Rosewood
Same Sides Material
Saddle Material
Bone
Same Saddle Material
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
3-3
Same Headstock
Nut Material
Bone
Same Nut Material
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
25.6'' (650.2mm)
Same string tension and fret separation
Fretboard Radius
Flat
Same fretboard comfortability
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Takamine TH8SS Prices

    SET PRICE ALERT
    SET PRICE ALERT

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    Which One is Better for Beginners?

    Both meet 5 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

    New Player Friendliness

    Takamine TH8SS
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Soft Strings
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Locking tuners

    New Player Friendliness

    Yamaha GC82C
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Soft Strings
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Locking tuners

    Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

    Sound Quality Comparison

    The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

    Woods Used in Both

    Ebony wood pattern used for guitar building
    Ebony
    Rosewood wood pattern used for guitar building
    Rosewood

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

    Woods Used in the Takamine TH8SS

    Mahogany wood pattern used for guitar building
    Mahogany
    Spruce wood pattern used for guitar building
    Spruce

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

    Woods Used in the Yamaha GC82C

    Cedar wood pattern used for guitar building
    Cedar

    This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.

    Winner: Takamine TH8SS.

    Electronics

    The Takamine TH8SS comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.

    Winner:Takamine TH8SS.

    Final Sound Quality Scores

    Takamine TH8SS
    Sustain 90
    Versatility 75
    Tuning Stability 70
    Sound 84
    Yamaha GC82C
    Sustain 85
    Versatility 80
    Tuning Stability 70
    Sound 84

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine TH8SS compares to the Yamaha GC82C.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Japan.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    Winner: Tie

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Takamine TH8SS's are Takamine while the Yamaha GC82C's are Gold (35G510QC-M)

    Winner: Tie.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Takamine TH8SS
    • Made in Japan
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Electronics
    • Bone Saddle
    • Solid Top Wood
    • Solid Side Wood
    • Solid Back Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Yamaha GC82C
    • Made in Japan
    • Expensive Wood
    • Bone Nut
    • Bone Saddle
    • Solid Top Wood
    • Solid Side Wood
    • Solid Back Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • No Top Brand Pickups
    • No Electronics
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Takamine TH8SS
    Quality of materials 81
    Features 85
    Quality Control 95
    Build Quality 87
    Yamaha GC82C
    Quality of materials 81
    Features 65
    Quality Control 100
    Build Quality 82

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Takamine TH8SS Nut Width
    Takamine TH8SS Nut Width
    Yamaha GC82C Nut Width
    Yamaha GC82C Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha GC82C has the wider nut with 52.4mm (2.062'') vs 51mm (2.008''). This is a 1.4mm (0.054'') difference

    This means that it will be more difficult to do bar chords on the Yamaha GC82C, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Takamine TH8SS and Yamaha GC82C's Scale Length
    Both have the same scale length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    In this case, both have a scale length of 25.6".

    It's very similar to a typical long 25.5" guitar scale, but with an extra inch probably to compensate the saddle position in acoustic guitars. It should be pretty much the same as a 25.5" scale guitar.

    It will allow you to strum hard without hearing so much fret buzz, even with lower tunings.

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Takamine TH8SS Neck Profile
    Takamine TH8SS's neck profile
    Yamaha GC82C Neck Profile
    Yamaha GC82C's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The Takamine TH8SS has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

    The Yamaha GC82C, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Takamine TH8SS Fingerboard Radius
    Both Guitars Have The Same Fretboard Radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    Both the Takamine TH8SS and the Yamaha GC82C have the same fretboard radius of Flat. This is common mostly in classical guitars since the strings are soft and have lower tension, so there's no need for a radius. Also, it's perfect for fingerstyle and more technical play.

    Hand Size Comfortability

    Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

    After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison are balanced for most hand sizes.

    Takamine TH8SS:
    Big Hands
    Small Hands
    Yamaha GC82C:
    Big Hands
    Small Hands

    Fret Size

    Takamine TH8SS and Yamaha GC82C Frets Size
    Both have a similar Medium fret size

    Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

    Final Playability Scores

    Takamine TH8SS
    Bending & Vibrato Ease 75
    Chord Playability 75
    Solo Playability 60
    Playability 70
    Yamaha GC82C
    Bending & Vibrato Ease 75
    Chord Playability 65
    Solo Playability 80
    Playability 73

    Specs Side-by-Side

    Takamine TH8SS vs Yamaha GC82C
    General Takamine TH8SS Yamaha GC82C
    Brand: Takamine Yamaha
    Year: 2013 2014
    Strings: 6 6
    Made in: Japan Japan
    Series: Hirade & Classical GC / GCX
    Colors: Natural Natural
    Left-Handed Version: No No
    Body
    Type: Hollowbody Hollowbody
    Body Material: Solid Spruce Solid American Redcedar
    Sides Material: Rosewood Rosewood
    Back Material: Rosewood Rosewood
    Bridge: Fixed Madagascar Rosewood
    Neck
    Neck Joint: Set Set
    Tuners: Takamine Gold (35G510QC-M)
    Fretboard: Ebony Ebony
    Neck Material: Mahogany Cedro
    Decoration:
    Scale Size: 25.6" 25.6"
    Shape: Acoustic Asymmetrical C Acoustic C
    Frets: 19 Medium Nickel Silver 20 Medium Nickel Silver
    Fretboard Radius: Flat Flat
    Nut: Bone Bone
    Nut Width: 51mm (2.008'') 52.4mm (2.062'')
    Electronics
    Bridge Pickup: CTP3 CoolTube (Preamp / Active)