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Takamine P7JC
Taylor 250ce-BLK DLX
VS
Playability
73
Sound
88
Build
89
Value
73
Score
83
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Playability
73
Sound
88
Build
80
Value
75
Score
80
FIND IT ON:
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Side to side spec comparison >

Takamine P7JC vs Taylor 250ce-BLK DLX

Reasons to Get
Takamine P7JC over Taylor 250ce-BLK DLX

Country of Manufacturing
Japan vs Mexico
Built with higher quality standards
Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Strings
6 vs 12
Narrower neck and fewer strings to change
Nut Width
1.77'' (45mm) vs 1.875'' (47.6mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Jumbo vs Dreadnought
Large body with a tight waist for more top-end
Scale Length
25.4'' (645.2mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
More curved fretboard helpful to play chords without muting strings

Reasons to Get
Taylor 250ce-BLK DLX over Takamine P7JC

Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Strings
12 vs 6
Allows you to play lower notes
Nut Width
1.875'' (47.6mm) vs 1.77'' (45mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Dreadnought vs Jumbo
Prominent low-end tones in a large body
Scale Length
25.5'' (647.7mm) vs 25.4'' (645.2mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
75 vs 73
Better price/quality relationship

Other Key Differences
Takamine P7JC vs Taylor 250ce-BLK DLX

Back Material
Rosewood vs Maple
Different Back Material
Sides Material
Rosewood vs Maple
Different Sides Material
Saddle Material
Bone vs Synthetic Bone
Different Saddle Material
Bridge Material
Rosewood vs West African Crelicam Ebony
Different Bridge Material
Neck Wood
Mahogany vs Maple
Different Neck Wood
Headstock
3-3 vs 6-6
Different Headstock
Nut Material
Bone vs Ivory Tusq
Different Nut Material

Shared Features
Takamine P7JC vs Taylor 250ce-BLK DLX

Body Wood
Spruce
Same Body Wood
Fretboard Wood
Ebony
Same Fretboard Wood
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Which One is Better Overall?

After going through our comparison algorithm, the results show that the Takamine P7JC is probably the better product overall with its final score of 83 compared to the Taylor 250ce-BLK DLX's 80 score, although not by a lot.

The Takamine P7JC wins when it comes to build quality. On the other hand, the Taylor 250ce-BLK DLX has the upper hand when it comes to value for the money.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Takamine P7JC
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Taylor 250ce-BLK DLX
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine P7JC Overview

  • From Takamine's 2019 Pro Series 7 series
  • Made in Japan
  • 6 strings
  • 25.4"'' scale
  • 12" Fretboard Radius
  • Solid Spruce top
  • Solid Rosewood back
  • Solid Rosewood sides
  • Mahogany neck
  • Ebony fretboard
  • Bridge pickup: CTP-3 CoolTube (Preamp/Active)
  • Rosewood bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine Gold tuners
  • Compare Specs >

Taylor 250ce-BLK DLX Overview

  • From Taylor's 2019 200 series
  • Made in Mexico
  • 12 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Lutz Spruce top
  • Solid Maple back
  • Solid Maple sides
  • Hard Rock Maple neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: Expression System 2 Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Satin Black tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Takamine P7JC

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Taylor 250ce-BLK DLX

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Winner: Takamine P7JC.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Takamine P7JC
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88
Taylor 250ce-BLK DLX
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine P7JC compares to the Taylor 250ce-BLK DLX.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine P7JC is built in Japan while the Taylor 250ce-BLK DLX is made in Mexico.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

Winner: Takamine P7JC

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine P7JC has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

On the other hand, the Taylor 250ce-BLK DLX comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine P7JC's are Takamine Gold while the Taylor 250ce-BLK DLX's are Satin Black

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine P7JC
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Taylor 250ce-BLK DLX
  • Expensive Wood
  • Ivory Tusq Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine P7JC
Quality of materials 86
Features 85
Quality Control 95
Build Quality 89
Taylor 250ce-BLK DLX
Quality of materials 86
Features 75
Quality Control 80
Build Quality 80

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine P7JC Nut Width
Takamine P7JC Nut Width
Taylor 250ce-BLK DLX Nut Width
Taylor 250ce-BLK DLX Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 250ce-BLK DLX has the wider nut with 47.6mm (1.875'') vs 45mm (1.77''). This is a 2.6mm (0.105'') difference

This means that it will be more difficult to do bar chords on the Taylor 250ce-BLK DLX, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine P7JC's Scale Length
Takamine P7JC's Scale Length
Taylor 250ce-BLK DLX's Scale Length
Taylor 250ce-BLK DLX's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Taylor 250ce-BLK DLX has the longest scale: 25.5". The Takamine P7JC is only 25.4" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine P7JC Neck Profile
Takamine P7JC's neck profile
Taylor 250ce-BLK DLX Neck Profile
Taylor 250ce-BLK DLX's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine P7JC has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Taylor 250ce-BLK DLX, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine P7JC Fingerboard Radius
Takamine P7JC's Fingerboard radius
Taylor 250ce-BLK DLX Fingerboard Radius
Taylor 250ce-BLK DLX's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine P7JC's fingerboard radius is smaller, which means it's more curved than the Taylor 250ce-BLK DLX's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor 250ce-BLK DLX.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Takamine P7JC:
Big Hands
Small Hands
Taylor 250ce-BLK DLX:
Big Hands
Small Hands

Fret Size

Takamine P7JC and Taylor 250ce-BLK DLX Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine P7JC
Bending & Vibrato Ease 75
Chord Playability 75
Solo Playability 70
Playability 73
Taylor 250ce-BLK DLX
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine P7JC vs Taylor 250ce-BLK DLX
General Takamine P7JC Taylor 250ce-BLK DLX
Brand: Takamine Taylor
Year: 2019 2019
Strings: 6 12
Made in: Japan Mexico
Series: Pro Series 7 200
Colors: Natural Natural
Left-Handed Version: No Yes
Body
Type: Hollowbody Hollowbody
Body Material: Solid Spruce Solid Lutz Spruce
Sides Material: Rosewood Maple
Back Material: Rosewood Maple
Bridge: Rosewood West African Crelicam Ebony
Neck
Neck Joint: Set Set
Tuners: Takamine Gold Satin Black
Fretboard: Ebony West African Crelicam Ebony
Neck Material: Mahogany Hard Rock Maple
Decoration: Abalone Snowflakes Small Diamonds
Scale Size: 25.4" 25.5"
Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15"
Nut: Bone Ivory Tusq
Nut Width: 45mm (1.77'') 47.6mm (1.875'')
Electronics
Bridge Pickup: CTP-3 CoolTube (Preamp / Active) Expression System 2 Electronics (Preamp / Active)