Swap
Swap
Takamine JJ325SRC-12
Fender CC-60SCE Concert
VS
Playability
73
Sound
85
Build
84
Value
76
Score
81
FIND IT ON:
Sweetwater logo
Playability
73
Sound
79
Build
72
Value
85
Score
75
FIND IT ON:
Reverb logoAmazon logoMusician's Friend logoFender logoSweetwater logo
Add to Compare
Add to Compare
Side to side spec comparison >

Takamine JJ325SRC-12 vs Fender CC-60SCE Concert

Reasons to Get
Takamine JJ325SRC-12 over Fender CC-60SCE Concert

Country of Manufacturing
Japan vs Indonesia
Built with higher quality standards
Release Year
2019 vs 2017
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
Acoustic Asymmetrical C vs Acoustic Fender 'Easy-to-Play' shape with rolled fretboard edges
Adapts to the natural shape of your hand
Nut Material
Bone vs Plastic
Good quality nut with rich tone
Strings
12 vs 6
Allows you to play lower notes
Nut Width
1.875'' (47.6mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Dreadnought vs Concert
Prominent low-end tones in a large body
Scale Length
25.4'' (645.2mm) vs 25.3'' (642.6mm)
Lower action and brighter natural tone

Reasons to Get
Fender CC-60SCE Concert over Takamine JJ325SRC-12

Neck Profile
Acoustic Fender 'Easy-to-Play' shape with rolled fretboard edges vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Strings
6 vs 12
Narrower neck and fewer strings to change
Nut Width
1.693'' (43mm) vs 1.875'' (47.6mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Concert vs Dreadnought
Compact body with balanced tones
Scale Length
25.3'' (642.6mm) vs 25.4'' (645.2mm)
Easier bending, shorter fret separation and warmer natural tone
Value Score
85 vs 76
Better price/quality relationship

Other Key Differences
Takamine JJ325SRC-12 vs Fender CC-60SCE Concert

Back Material
Ovangkol vs Mahogany
Different Back Material
Sides Material
Ovangkol vs Mahogany
Different Sides Material
Saddle Material
Bone vs Plastic
Different Saddle Material
Bridge Material
Fixed vs Walnut
Different Bridge Material
Fretboard Wood
Rosewood vs Walnut
Different Fretboard Wood
Headstock
6-6 vs 3-3
Different Headstock
Nut Material
Bone vs Plastic
Different Nut Material

Shared Features
Takamine JJ325SRC-12 vs Fender CC-60SCE Concert

Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Type of Frets
Medium vs Vintage
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Solid Back Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Takamine JJ325SRC-12 Prices

    SET PRICE ALERT
    SET PRICE ALERT

    These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

    Which One is Better for Beginners?

    Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

    New Player Friendliness

    Takamine JJ325SRC-12
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    New Player Friendliness

    Fender CC-60SCE Concert
    • Comfortable shape
    • Easy-to-use bridge
    • Comfortable neck
    • Comfortable fretboard
    • Tall frets
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

    Sound Quality Comparison

    The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

    Woods Used in Both

    Mahogany wood pattern used for guitar building
    Mahogany
    Spruce wood pattern used for guitar building
    Spruce

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

    Woods Used in the Takamine JJ325SRC-12

    Rosewood wood pattern used for guitar building
    Rosewood
    Ovangkol wood pattern used for guitar building
    Ovangkol

    Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

    Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.

    Woods Used in the Fender CC-60SCE Concert

    Walnut wood pattern used for guitar building
    Walnut

    It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.

    Winner: Takamine JJ325SRC-12.

    Electronics

    Both come with electronics that allow you connect them to an amplifier or interface for recording.

    Winner:Tie.

    Final Sound Quality Scores

    Takamine JJ325SRC-12
    Sustain 85
    Versatility 85
    Tuning Stability 70
    Sound 85
    Fender CC-60SCE Concert
    Sustain 70
    Versatility 80
    Tuning Stability 65
    Sound 79

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine JJ325SRC-12 compares to the Fender CC-60SCE Concert.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Takamine JJ325SRC-12 is built in Japan while the Fender CC-60SCE Concert is made in Indonesia.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

    Winner: Takamine JJ325SRC-12

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Takamine JJ325SRC-12 has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

    On the other hand, the Fender CC-60SCE Concert comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

    Winner: Takamine JJ325SRC-12.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Takamine JJ325SRC-12's are Takamine Gold while the Fender CC-60SCE Concert's are Chrome Die-Cast

    Winner: Tie.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Takamine JJ325SRC-12
    • Made in Japan
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Electronics
    • Bone Saddle
    • Solid Top Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Laminated Side Wood
    • Laminated Back Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Fender CC-60SCE Concert
    • Expensive Wood
    • Top Brand Pickups
    • Electronics
    • Solid Top Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in Indonesia
    • No High-Quality Nut
    • Low-Quality Material Saddle
    • Laminated Side Wood
    • Laminated Back Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Takamine JJ325SRC-12
    Quality of materials 76
    Features 85
    Quality Control 90
    Build Quality 84
    Fender CC-60SCE Concert
    Quality of materials 66
    Features 85
    Quality Control 65
    Build Quality 72

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Takamine JJ325SRC-12 Nut Width
    Takamine JJ325SRC-12 Nut Width
    Fender CC-60SCE Concert Nut Width
    Fender CC-60SCE Concert Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Takamine JJ325SRC-12 has the wider nut with 47.6mm (1.875'') vs 43mm (1.693''). This is a 4.6mm (0.182'') difference

    This means that it will be more difficult to do bar chords on the Takamine JJ325SRC-12, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Takamine JJ325SRC-12's Scale Length
    Takamine JJ325SRC-12's Scale Length
    Fender CC-60SCE Concert's Scale Length
    Fender CC-60SCE Concert's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Takamine JJ325SRC-12 has the longest scale: 25.4". The Fender CC-60SCE Concert is only 25.3" long. This is a 0.099999999999998'' (2.5mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Takamine JJ325SRC-12 Neck Profile
    Takamine JJ325SRC-12's neck profile
    Fender CC-60SCE Concert Neck Profile
    Fender CC-60SCE Concert's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The Takamine JJ325SRC-12 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

    The Fender CC-60SCE Concert, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Takamine JJ325SRC-12 Fingerboard Radius
    Both Guitars Have The Same Fretboard Radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    Both the Takamine JJ325SRC-12 and the Fender CC-60SCE Concert have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

    Hand Size Comfortability

    Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

    After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

    Takamine JJ325SRC-12:
    Big Hands
    Small Hands
    Fender CC-60SCE Concert:
    Big Hands
    Small Hands

    Fret Size

    Takamine JJ325SRC-12 Frets Size
    Takamine JJ325SRC-12's Frets Size
    Fender CC-60SCE Concert Frets Size
    Fender CC-60SCE Concert's Frets Size

    The Takamine JJ325SRC-12 has Medium frets, which should be taller than the Fender CC-60SCE Concert's Vintage frets.

    Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

    Final Playability Scores

    Takamine JJ325SRC-12
    Bending & Vibrato Ease 75
    Chord Playability 75
    Solo Playability 70
    Playability 73
    Fender CC-60SCE Concert
    Bending & Vibrato Ease 75
    Chord Playability 65
    Solo Playability 80
    Playability 73

    Specs Side-by-Side

    Takamine JJ325SRC-12 vs Fender CC-60SCE Concert
    General Takamine JJ325SRC-12 Fender CC-60SCE Concert
    Brand: Takamine Fender
    Year: 2019 2017
    Strings: 12 6
    Made in: Japan Indonesia
    Series: Signature Classic Design
    Colors: Red Black
    Left-Handed Version: Yes No
    Body
    Type: Hollowbody Hollowbody
    Body Material: Solid Spruce Solid Spruce
    Sides Material: Ovangkol Mahogany
    Back Material: Ovangkol Mahogany
    Bridge: Fixed Walnut
    Neck
    Neck Joint: Set Set
    Tuners: Takamine Gold Chrome Die-Cast
    Fretboard: Rosewood Walnut
    Neck Material: Mahogany Mahogany
    Decoration: Dots with custom 12th 3mm Pearloid Dot
    Scale Size: 25.4" 25.3"
    Shape: Acoustic Asymmetrical C Acoustic Fender 'Easy-to-Play' shape with rolled fretboard edges
    Frets: 20 Medium Nickel Silver 20 Vintage Nickel Silver
    Fretboard Radius: 12" 12"
    Nut: Bone Plastic
    Nut Width: 47.6mm (1.875'') 43mm (1.693'')
    Electronics
    Bridge Pickup: CT4B II (Preamp / Active) Fishman CD Preamp (Preamp / Passive)