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Takamine GN51CE
Taylor AD27e Flametop
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Playability
77
Sound
84
Build
74
Value
83
Score
78
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Playability
73
Sound
88
Build
84
Value
77
Score
82
FIND IT ON:
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Side to side spec comparison >

Takamine GN51CE vs Taylor AD27e Flametop

Reasons to Get
Takamine GN51CE over Taylor AD27e Flametop

Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Nut Width
1.685'' (42.8mm) vs 1.75'' (44.5mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Medium Jumbo vs Dreadnought
Smaller than a Jumbo guitar but larger than a Thinline
Scale Length
25.4'' (645.2mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
Easier to play chords without muting strings
Value Score
83 vs 77
Better price/quality relationship

Reasons to Get
Taylor AD27e Flametop over Takamine GN51CE

Country of Manufacturing
United States vs China
Built with higher quality standards
Release Year
2022 vs 2014
From a more recent year
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.75'' (44.5mm) vs 1.685'' (42.8mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Dreadnought vs Medium Jumbo
Prominent low-end tones in a large body
Scale Length
25.5'' (647.7mm) vs 25.4'' (645.2mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend
Avg. Weight
4.55lbs (2.1kgs) vs 4.725lbs (2.1kgs)
Tends to be lighter

Other Key Differences
Takamine GN51CE vs Taylor AD27e Flametop

Back Material
Walnut vs Maple
Different Back Material
Sides Material
Walnut vs Maple
Different Sides Material
Saddle Material
Synthetic Bone vs Ivory Tusq
Different Saddle Material
Bridge Material
Fixed vs Eucalyptus
Different Bridge Material
Body Wood
Spruce vs Maple
Different Body Wood
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Laurel vs Eucalyptus
Different Fretboard Wood
Nut Material
Synthetic Bone vs Ivory Tusq
Different Nut Material

Shared Features
Takamine GN51CE vs Taylor AD27e Flametop

Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • High-Quality Nut

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

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SET PRICE ALERT

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Which One is Better for Beginners?

The Takamine GN51CE meets 5 out of our 8 criteria items for beginner friendliness, while the Taylor AD27e Flametop meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Takamine GN51CE
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Taylor AD27e Flametop
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in the Takamine GN51CE

Mahogany wood pattern used for guitar building
Mahogany
Laurel wood pattern used for guitar building
Laurel
Spruce wood pattern used for guitar building
Spruce
Walnut wood pattern used for guitar building
Walnut

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.

Woods Used in the Taylor AD27e Flametop

Maple wood pattern used for guitar building
Maple
Eucalyptus wood pattern used for guitar building
Eucalyptus

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Eucalyptus is not a common tonewood, but it's becoming more popular recently. There are many species around the world, each with its own characteristic, so it's hard to describe the tone it produces without knowing the exact species.

Winner: Takamine GN51CE.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Takamine GN51CE
Sustain 80
Versatility 85
Tuning Stability 70
Sound 84
Taylor AD27e Flametop
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GN51CE compares to the Taylor AD27e Flametop.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine GN51CE is built in China while the Taylor AD27e Flametop is made in United States.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Taylor AD27e Flametop

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine GN51CE has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

On the other hand, the Taylor AD27e Flametop comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine GN51CE's are Takamine Die-cast while the Taylor AD27e Flametop's are Taylor Nickel

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine GN51CE
  • Expensive Wood
  • Synthetic Bone Nut
  • Top Brand Pickups
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Taylor AD27e Flametop
  • Made in United States
  • Ivory Tusq Nut
  • Electronics
  • Ivory Tusq Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Expensive Woods
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine GN51CE
Quality of materials 76
Features 85
Quality Control 60
Build Quality 74
Taylor AD27e Flametop
Quality of materials 86
Features 75
Quality Control 90
Build Quality 84

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine GN51CE Nut Width
Takamine GN51CE Nut Width
Taylor AD27e Flametop Nut Width
Taylor AD27e Flametop Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Taylor AD27e Flametop has the wider nut with 44.5mm (1.75'') vs 42.8mm (1.685''). This is a 1.7mm (0.065'') difference

This means that it will be more difficult to do bar chords on the Taylor AD27e Flametop, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine GN51CE's Scale Length
Takamine GN51CE's Scale Length
Taylor AD27e Flametop's Scale Length
Taylor AD27e Flametop's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Taylor AD27e Flametop has the longest scale: 25.5". The Takamine GN51CE is only 25.4" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine GN51CE Neck Profile
Takamine GN51CE's neck profile
Taylor AD27e Flametop Neck Profile
Taylor AD27e Flametop's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine GN51CE has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Taylor AD27e Flametop, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine GN51CE Fingerboard Radius
Takamine GN51CE's Fingerboard radius
Taylor AD27e Flametop Fingerboard Radius
Taylor AD27e Flametop's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine GN51CE's fingerboard radius is smaller, which means it's more curved than the Taylor AD27e Flametop's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor AD27e Flametop.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor AD27e Flametop favors large hands more than the Takamine GN51CE. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Takamine GN51CE:
Big Hands
Small Hands
Taylor AD27e Flametop:
Big Hands
Small Hands

Fret Size

Takamine GN51CE and Taylor AD27e Flametop Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine GN51CE
Bending & Vibrato Ease 75
Chord Playability 85
Solo Playability 70
Playability 77
Taylor AD27e Flametop
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine GN51CE vs Taylor AD27e Flametop
General Takamine GN51CE Taylor AD27e Flametop
Brand: Takamine Taylor
Year: 2014 2022
Strings: 6 6
Made in: China United States
Series: G The American Dream
Colors: Sunburst Natural
Left-Handed Version: No Yes
Body
Type: Hollowbody Hollowbody
Body Material: Solid Spruce Solid Big Leaf Maple
Sides Material: Walnut Maple
Back Material: Walnut Maple
Bridge: Fixed Eucalyptus
Neck
Neck Joint: Set Set
Tuners: Takamine Die-cast Taylor Nickel
Fretboard: Laurel Eucalyptus
Neck Material: Mahogany Hard Rock Maple
Decoration: Dots 4mm Dot Italian Acrylic
Scale Size: 25.4" 25.5"
Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15"
Nut: Synthetic Bone Ivory Tusq
Nut Width: 42.8mm (1.685'') 44.5mm (1.75'')
Electronics
Bridge Pickup: TP-4TD (Preamp / Active) Expression System 2 Electronics (Preamp / Active)