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Takamine GN11M
Yamaha GC82S
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Playability
77
Sound
79
Build
62
Value
83
Score
73
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Playability
73
Sound
84
Build
82
Value
65
Score
80
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Side to side spec comparison >

Takamine GN11M vs Yamaha GC82S

Reasons to Get
Takamine GN11M over Yamaha GC82S

Release Year
2019 vs 2014
From a more recent year
Neck Profile
Acoustic Asymmetrical C vs Acoustic C
Adapts to the natural shape of your hand
Nut Width
1.673'' (42.5mm) vs 2.062'' (52.4mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Medium Jumbo vs Classical
Smaller than a Jumbo guitar but larger than a Thinline
Scale Length
25.4'' (645.2mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs Flat
More curved fretboard helpful to play chords without muting strings
Value Score
83 vs 65
Better price/quality relationship

Reasons to Get
Yamaha GC82S over Takamine GN11M

Country of Manufacturing
Japan vs China
Built with higher quality standards
Neck Profile
Acoustic C vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Top Wood
Solid vs Laminated
Helps with richer tones and louder volume
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
2.062'' (52.4mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Classical vs Medium Jumbo
Compact body with soft nylon strings
Scale Length
25.6'' (650.2mm) vs 25.4'' (645.2mm)
Lower action and brighter natural tone
Fretboard Radius
Flat vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Takamine GN11M vs Yamaha GC82S

Back Material
Sapele vs Rosewood
Different Back Material
Sides Material
Sapele vs Rosewood
Different Sides Material
Saddle Material
Synthetic Bone vs Bone
Different Saddle Material
Bridge Material
Fixed vs Madagascar Rosewood
Different Bridge Material
Body Wood
Sapele vs Spruce
Different Body Wood
Neck Wood
Mahogany vs Cedar
Different Neck Wood
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood
Nut Material
Synthetic Bone vs Bone
Different Nut Material

Shared Features
Takamine GN11M vs Yamaha GC82S

Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT

Yamaha GC82S Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Yamaha GC82S is probably the better product overall with its final score of 80 compared to the Takamine GN11M's 73 score, although not by a lot.

The Yamaha GC82S wins when it comes to sound, build quality. On the other hand, the Takamine GN11M has the upper hand when it comes to playability, value for the money.

If you got small hands, you'll probably feel that the Takamine GN11M is easier to play.

Which One is Better for Beginners?

Both meet 5 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Takamine GN11M
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Yamaha GC82S
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine GN11M Overview

  • From Takamine's 2019 G11 series
  • Made in China
  • 6 strings
  • 25.4"'' scale
  • 12" Fretboard Radius
  • Sapele top
  • Sapele back
  • Sapele sides
  • Mahogany neck
  • Laurel fretboard
  • Bridge pickup: (/)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine tuners
  • Compare Specs >

Yamaha GC82S Overview

  • From Yamaha's 2014 GC / GCX series
  • Made in Japan
  • 6 strings
  • 25.6"'' scale
  • Flat Fretboard Radius
  • Solid European Spruce top
  • Solid Madagascar Rosewood back
  • Solid Madagascar Rosewood sides
  • Cedro neck
  • Ebony fretboard
  • Bridge pickup: (/)
  • Madagascar Rosewood bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Gold (35G510QC-M) tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in the Takamine GN11M

Mahogany wood pattern used for guitar building
Mahogany
Laurel wood pattern used for guitar building
Laurel
Sapele wood pattern used for guitar building
Sapele

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Yamaha GC82S

Cedar wood pattern used for guitar building
Cedar
Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce
Rosewood wood pattern used for guitar building
Rosewood

This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Yamaha GC82S.

Electronics

Neither of them come with electronics that allow you to connect them to an amp. This makes them completely acoustic, so you'll need to use an external mic to record with them or play live.

Winner:Tie.

Final Sound Quality Scores

Takamine GN11M
Sustain 65
Versatility 80
Tuning Stability 70
Sound 79
Yamaha GC82S
Sustain 85
Versatility 80
Tuning Stability 70
Sound 84

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GN11M compares to the Yamaha GC82S.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine GN11M is built in China while the Yamaha GC82S is made in Japan.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Yamaha GC82S

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine GN11M has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

On the other hand, the Yamaha GC82S comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine GN11M's are Takamine while the Yamaha GC82S's are Gold (35G510QC-M)

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine GN11M
  • Expensive Wood
  • Synthetic Bone Nut
  • Synthetic Bone Saddle
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Top Brand Pickups
  • No Electronics
  • Laminated Top Wood
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha GC82S
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Top Brand Pickups
  • No Electronics
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine GN11M
Quality of materials 66
Features 65
Quality Control 55
Build Quality 62
Yamaha GC82S
Quality of materials 81
Features 65
Quality Control 100
Build Quality 82

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine GN11M Nut Width
Takamine GN11M Nut Width
Yamaha GC82S Nut Width
Yamaha GC82S Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha GC82S has the wider nut with 52.4mm (2.062'') vs 42.5mm (1.673''). This is a 9.9mm (0.389'') difference

This means that it will be more difficult to do bar chords on the Yamaha GC82S, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine GN11M's Scale Length
Takamine GN11M's Scale Length
Yamaha GC82S's Scale Length
Yamaha GC82S's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha GC82S has the longest scale: 25.6". The Takamine GN11M is only 25.4" long. This is a 0.2'' (5.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine GN11M Neck Profile
Takamine GN11M's neck profile
Yamaha GC82S Neck Profile
Yamaha GC82S's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine GN11M has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Yamaha GC82S, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine GN11M Fingerboard Radius
Takamine GN11M's Fingerboard radius
Yamaha GC82S Fingerboard Radius
Yamaha GC82S's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine GN11M's fingerboard radius is smaller, which means it's more curved than the Yamaha GC82S's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha GC82S.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Yamaha GC82S favors large hands more than the Takamine GN11M.

Takamine GN11M:
Big Hands
Small Hands
Yamaha GC82S:
Big Hands
Small Hands

Fret Size

Takamine GN11M and Yamaha GC82S Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine GN11M
Bending & Vibrato Ease 75
Chord Playability 85
Solo Playability 70
Playability 77
Yamaha GC82S
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine GN11M vs Yamaha GC82S
General Takamine GN11M Yamaha GC82S
Brand: Takamine Yamaha
Year: 2019 2014
Strings: 6 6
Made in: China Japan
Series: G11 GC / GCX
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Sapele Solid European Spruce
Sides Material: Sapele Rosewood
Back Material: Sapele Rosewood
Bridge: Fixed Madagascar Rosewood
Neck
Neck Joint: Set Set
Tuners: Takamine Gold (35G510QC-M)
Fretboard: Laurel Ebony
Neck Material: Mahogany Cedro
Decoration: Dots
Scale Size: 25.4" 25.6"
Shape: Acoustic Asymmetrical C Acoustic C
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" Flat
Nut: Synthetic Bone Bone
Nut Width: 42.5mm (1.673'') 52.4mm (2.062'')
Electronics
Bridge Pickup: