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Takamine GD93
Taylor 214ce
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Playability
77
Sound
83
Build
67
Value
81
Score
76
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Playability
73
Sound
85
Build
75
Value
78
Score
78
FIND IT ON:
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Side to side spec comparison >

Takamine GD93 vs Taylor 214ce

Reasons to Get
Takamine GD93 over Taylor 214ce

Release Year
2019 vs 2013
From a more recent year
Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Nut Width
1.685'' (42.8mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Dreadnought vs Grand Auditorium
Prominent low-end tones in a large body
Scale Length
25.4'' (645.2mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
More curved fretboard helpful to play chords without muting strings
Value Score
81 vs 78
Better price/quality relationship

Reasons to Get
Taylor 214ce over Takamine GD93

Country of Manufacturing
Mexico vs China
Built with higher quality standards
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Nut Width
1.688'' (42.9mm) vs 1.685'' (42.8mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Grand Auditorium vs Dreadnought
Wide and narrow body with a balanced tone
Scale Length
25.5'' (647.7mm) vs 25.4'' (645.2mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Takamine GD93 vs Taylor 214ce

Back Material
Quilted Maple vs Rosewood
Different Back Material
Sides Material
Walnut vs Rosewood
Different Sides Material
Bridge Material
Fixed vs West African Crelicam Ebony
Different Bridge Material
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood
Nut Material
Synthetic Bone vs NuBone
Different Nut Material

Shared Features
Takamine GD93 vs Taylor 214ce

Saddle Material
Synthetic Bone
Same Saddle Material
Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Solid Back Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Taylor 214ce is probably the better product overall with its final score of 78 compared to the Takamine GD93's 76 score, although not by a lot.

The Taylor 214ce wins when it comes to sound, build quality. On the other hand, the Takamine GD93 has the upper hand when it comes to playability, value for the money.

If you got small hands, you'll probably feel that the Takamine GD93 is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Takamine GD93 is the better choice.

The Takamine GD93 meets 4 out of our 8 criteria items for beginner friendliness, while the Taylor 214ce meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Takamine GD93
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Taylor 214ce
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine GD93 Overview

  • From Takamine's 2019 G series
  • Made in China
  • 6 strings
  • 25.4"'' scale
  • 12" Fretboard Radius
  • Solid Spruce top
  • Black Walnut/Quilt Maple back
  • Black Walnut sides
  • Mahogany neck
  • Laurel fretboard
  • Bridge pickup: (/)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine Die-cast tuners
  • Compare Specs >

Taylor 214ce Overview

  • From Taylor's 2013 200 series
  • Made in Mexico
  • 6 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Sitka Spruce top
  • Layered Rosewood back
  • Layered Rosewood sides
  • Tropical Mahogany neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: Expression System 2 Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Die-Cast Chrome tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Takamine GD93

Laurel wood pattern used for guitar building
Laurel
Quilted Maple wood pattern used for guitar building
Quilted Maple
Walnut wood pattern used for guitar building
Walnut

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

This wood has beautiful patterns only found in specific types of maple.

It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.

Woods Used in the Taylor 214ce

Ebony wood pattern used for guitar building
Ebony
Rosewood wood pattern used for guitar building
Rosewood

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Taylor 214ce.

Electronics

The Taylor 214ce comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.

Winner:Taylor 214ce.

Final Sound Quality Scores

Takamine GD93
Sustain 80
Versatility 80
Tuning Stability 70
Sound 83
Taylor 214ce
Sustain 85
Versatility 85
Tuning Stability 70
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GD93 compares to the Taylor 214ce.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine GD93 is built in China while the Taylor 214ce is made in Mexico.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

Winner: Taylor 214ce

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine GD93 has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

On the other hand, the Taylor 214ce comes with a NuBone nut. It's made by the same company that makes TUSQ nuts. It's slightly softer but hard enough to give you a brighter sound when playing open strings. It's also self-lubricating, so it's good for tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine GD93's are Takamine Die-cast while the Taylor 214ce's are Die-Cast Chrome

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine GD93
  • Expensive Wood
  • Synthetic Bone Nut
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Top Brand Pickups
  • No Electronics
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Taylor 214ce
  • Expensive Wood
  • NuBone Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Top Brand Pickups
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine GD93
Quality of materials 76
Features 65
Quality Control 60
Build Quality 67
Taylor 214ce
Quality of materials 76
Features 75
Quality Control 75
Build Quality 75

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine GD93 Nut Width
Takamine GD93 Nut Width
Taylor 214ce Nut Width
Taylor 214ce Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 214ce has the wider nut with 42.9mm (1.688'') vs 42.8mm (1.685''). This is a 0.1mm (0.0029999999999999'') difference

This means that it will be more difficult to do bar chords on the Taylor 214ce, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine GD93's Scale Length
Takamine GD93's Scale Length
Taylor 214ce's Scale Length
Taylor 214ce's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Taylor 214ce has the longest scale: 25.5". The Takamine GD93 is only 25.4" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine GD93 Neck Profile
Takamine GD93's neck profile
Taylor 214ce Neck Profile
Taylor 214ce's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine GD93 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Taylor 214ce, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine GD93 Fingerboard Radius
Takamine GD93's Fingerboard radius
Taylor 214ce Fingerboard Radius
Taylor 214ce's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine GD93's fingerboard radius is smaller, which means it's more curved than the Taylor 214ce's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor 214ce.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor 214ce favors large hands more than the Takamine GD93. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Takamine GD93:
Big Hands
Small Hands
Taylor 214ce:
Big Hands
Small Hands

Fret Size

Takamine GD93 and Taylor 214ce Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine GD93
Bending & Vibrato Ease 75
Chord Playability 85
Solo Playability 70
Playability 77
Taylor 214ce
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine GD93 vs Taylor 214ce
General Takamine GD93 Taylor 214ce
Brand: Takamine Taylor
Year: 2019 2013
Strings: 6 6
Made in: China Mexico
Series: G 200
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Spruce Solid Sitka Spruce
Sides Material: Walnut Rosewood
Back Material: Quilted Maple Rosewood
Bridge: Fixed West African Crelicam Ebony
Neck
Neck Joint: Set Set
Tuners: Takamine Die-cast Die-Cast Chrome
Fretboard: Laurel West African Crelicam Ebony
Neck Material: Mahogany Tropical Mahogany
Decoration: Abalone Dots 4mm Dot Italian Acrylic
Scale Size: 25.4" 25.5"
Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15"
Nut: Synthetic Bone NuBone
Nut Width: 42.8mm (1.685'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Expression System 2 Electronics (Preamp / Active)