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Takamine GD90CE-ZC
Taylor 110e
VS
Playability
77
Sound
85
Build
74
Value
84
Score
79
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Playability
73
Sound
85
Build
74
Value
82
Score
77
FIND IT ON:
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Side to side spec comparison >

Takamine GD90CE-ZC vs Taylor 110e

Reasons to Get
Takamine GD90CE-ZC over Taylor 110e

Release Year
2017 vs 2014
From a more recent year
Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Nut Width
1.673'' (42.5mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Scale Length
25.3'' (642.6mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
Easier to play chords without muting strings
Value Score
84 vs 82
Better price/quality relationship

Reasons to Get
Taylor 110e over Takamine GD90CE-ZC

Country of Manufacturing
Mexico vs China
Built with higher quality standards
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Nut Width
1.688'' (42.9mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
25.5'' (647.7mm) vs 25.3'' (642.6mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Takamine GD90CE-ZC vs Taylor 110e

Back Material
Ziricote vs Walnut
Different Back Material
Sides Material
Ziricote vs Walnut
Different Sides Material
Bridge Material
Fixed vs Ebony
Different Bridge Material
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood
Nut Material
Synthetic Bone vs Ivory Tusq
Different Nut Material

Shared Features
Takamine GD90CE-ZC vs Taylor 110e

Saddle Material
Synthetic Bone
Same Saddle Material
Body Wood
Spruce
Same Body Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Solid Back Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Takamine GD90CE-ZC Prices

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    SET PRICE ALERT

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    Which One is Better for Beginners?

    The Takamine GD90CE-ZC meets 4 out of our 8 criteria items for beginner friendliness, while the Taylor 110e meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

    New Player Friendliness

    Takamine GD90CE-ZC
    • Easy-to-use bridge
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Short scale
    • Soft Strings
    • Locking tuners

    New Player Friendliness

    Taylor 110e
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

    Sound Quality Comparison

    The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

    Woods Used in Both

    Spruce wood pattern used for guitar building
    Spruce

    Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

    Woods Used in the Takamine GD90CE-ZC

    Mahogany wood pattern used for guitar building
    Mahogany
    Laurel wood pattern used for guitar building
    Laurel
    Ziricote wood pattern used for guitar building
    Ziricote

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

    It's a rare and exotic wood native to Central America and the Caribbean with a unique appearance. It's commonly used for instruments as it produces a tone similar to Rosewood.

    Woods Used in the Taylor 110e

    Maple wood pattern used for guitar building
    Maple
    Ebony wood pattern used for guitar building
    Ebony
    Walnut wood pattern used for guitar building
    Walnut

    Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.

    Winner: Tie.

    Electronics

    Both come with electronics that allow you connect them to an amplifier or interface for recording.

    Winner:Tie.

    Final Sound Quality Scores

    Takamine GD90CE-ZC
    Sustain 85
    Versatility 85
    Tuning Stability 70
    Sound 85
    Taylor 110e
    Sustain 85
    Versatility 85
    Tuning Stability 70
    Sound 85

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GD90CE-ZC compares to the Taylor 110e.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Takamine GD90CE-ZC is built in China while the Taylor 110e is made in Mexico.

    China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

    Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

    Winner: Taylor 110e

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Takamine GD90CE-ZC has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

    On the other hand, the Taylor 110e comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Takamine GD90CE-ZC's are Takamine Butterbean while the Taylor 110e's are Chrome (100/200)

    Winner: Tie.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Takamine GD90CE-ZC
    • Expensive Wood
    • Synthetic Bone Nut
    • Top Brand Pickups
    • Electronics
    • Synthetic Bone Saddle
    • Solid Top Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in China
    • Laminated Side Wood
    • Laminated Back Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Taylor 110e
    • Expensive Wood
    • Ivory Tusq Nut
    • Electronics
    • Synthetic Bone Saddle
    • Solid Top Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in Mexico
    • No Top Brand Pickups
    • Laminated Side Wood
    • Laminated Back Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Takamine GD90CE-ZC
    Quality of materials 76
    Features 85
    Quality Control 60
    Build Quality 74
    Taylor 110e
    Quality of materials 76
    Features 75
    Quality Control 70
    Build Quality 74

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Takamine GD90CE-ZC Nut Width
    Takamine GD90CE-ZC Nut Width
    Taylor 110e Nut Width
    Taylor 110e Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 110e has the wider nut with 42.9mm (1.688'') vs 42.5mm (1.673''). This is a 0.4mm (0.015'') difference

    This means that it will be more difficult to do bar chords on the Taylor 110e, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Takamine GD90CE-ZC's Scale Length
    Takamine GD90CE-ZC's Scale Length
    Taylor 110e's Scale Length
    Taylor 110e's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Taylor 110e has the longest scale: 25.5". The Takamine GD90CE-ZC is only 25.3" long. This is a 0.2'' (5.1mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Takamine GD90CE-ZC Neck Profile
    Takamine GD90CE-ZC's neck profile
    Taylor 110e Neck Profile
    Taylor 110e's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The Takamine GD90CE-ZC has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

    The Taylor 110e, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Takamine GD90CE-ZC Fingerboard Radius
    Takamine GD90CE-ZC's Fingerboard radius
    Taylor 110e Fingerboard Radius
    Taylor 110e's Fingerboard radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    In this case, the Takamine GD90CE-ZC's fingerboard radius is smaller, which means it's more curved than the Taylor 110e's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor 110e.

    Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

    Hand Size Comfortability

    Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

    And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor 110e favors large hands more than the Takamine GD90CE-ZC. But it's still more comfortable for people with small hands, as you can see in the score meter below.

    Takamine GD90CE-ZC:
    Big Hands
    Small Hands
    Taylor 110e:
    Big Hands
    Small Hands

    Fret Size

    Takamine GD90CE-ZC and Taylor 110e Frets Size
    Both have a similar Medium fret size

    Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

    Final Playability Scores

    Takamine GD90CE-ZC
    Bending & Vibrato Ease 75
    Chord Playability 85
    Solo Playability 70
    Playability 77
    Taylor 110e
    Bending & Vibrato Ease 75
    Chord Playability 65
    Solo Playability 80
    Playability 73

    Specs Side-by-Side

    Takamine GD90CE-ZC vs Taylor 110e
    General Takamine GD90CE-ZC Taylor 110e
    Brand: Takamine Taylor
    Year: 2017 2014
    Strings: 6 6
    Made in: China Mexico
    Series: G 100
    Colors: Natural Natural
    Left-Handed Version: No Yes
    Body
    Type: Hollowbody Hollowbody
    Body Material: Solid Spruce Solid Sitka Spruce
    Sides Material: Ziricote Walnut
    Back Material: Ziricote Walnut
    Bridge: Fixed Ebony
    Neck
    Neck Joint: Set Set
    Tuners: Takamine Butterbean Chrome (100/200)
    Fretboard: Laurel Ebony
    Neck Material: Mahogany Maple
    Decoration: Abalone Dots 4mm Dot Italian Acrylic
    Scale Size: 25.3" 25.5"
    Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
    Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
    Fretboard Radius: 12" 15"
    Nut: Synthetic Bone Ivory Tusq
    Nut Width: 42.5mm (1.673'') 42.9mm (1.688'')
    Electronics
    Bridge Pickup: TP-4TD (Preamp / Active) Expression System 2 Electronics (Preamp / Active)