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Takamine GC1
Taylor 314ce-N
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Playability
70
Sound
76
Build
60
Value
79
Score
69
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Playability
73
Sound
88
Build
84
Value
72
Score
82
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Side to side spec comparison >

Takamine GC1 vs Taylor 314ce-N

Reasons to Get
Takamine GC1 over Taylor 314ce-N

Release Year
2014 vs 2012
From a more recent year
Number of Frets
19 vs 20
Warmer neck pickup
Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Nut Width
2'' (50.8mm) vs 1.875'' (47.6mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Classical vs Grand Auditorium
Compact body with soft nylon strings
Scale Length
25.6'' (650.2mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Fretboard Radius
Flat vs 15'' (381mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
79 vs 72
Better price/quality relationship

Reasons to Get
Taylor 314ce-N over Takamine GC1

Country of Manufacturing
United States vs China
Built with higher quality standards
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Top Wood
Solid vs Laminated
Helps with richer tones and louder volume
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Number of Frets
20 vs 19
Allows to reach higher notes
Nut Width
1.875'' (47.6mm) vs 2'' (50.8mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Grand Auditorium vs Classical
Wide and narrow body with a balanced tone
Scale Length
25.5'' (647.7mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15'' (381mm) vs Flat
More curved fretboard helpful to play chords without muting strings

Other Key Differences
Takamine GC1 vs Taylor 314ce-N

Bridge Material
Fixed vs West African Crelicam Ebony
Different Bridge Material
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood
Nut Material
Synthetic Bone vs Ivory Tusq
Different Nut Material

Shared Features
Takamine GC1 vs Taylor 314ce-N

Back Material
Sapele
Same Back Material
Sides Material
Sapele
Same Sides Material
Saddle Material
Synthetic Bone
Same Saddle Material
Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT

Taylor 314ce-N Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Taylor 314ce-N is probably the better product overall with its final score of 82 compared to the Takamine GC1's 69 score, which is a significant difference.

The Taylor 314ce-N wins when it comes to sound, playability, build quality. On the other hand, the Takamine GC1 has the upper hand when it comes to value for the money.

If you got small hands, you'll probably feel more comfortable playing the Taylor 314ce-N.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Takamine GC1 is the better choice.

The Takamine GC1 meets 5 out of our 8 criteria items for beginner friendliness, while the Taylor 314ce-N meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Takamine GC1
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Taylor 314ce-N
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine GC1 Overview

  • From Takamine's 2014 G series
  • Made in China
  • 6 strings
  • 25.6"'' scale
  • Flat Fretboard Radius
  • Spruce top
  • Sapele back
  • Sapele sides
  • Mahogany neck
  • Laurel fretboard
  • Bridge pickup: (/)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 19 Medium frets
  • Takamine Chrome tuners
  • Compare Specs >

Taylor 314ce-N Overview

  • From Taylor's 2012 300 series
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Sitka Spruce top
  • Solid Sapele back
  • Solid Sapele sides
  • Tropical Mahogany neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: ES-N Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Classical Nickel tuners
  • Weight around 4lbs (1.8kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce
Sapele wood pattern used for guitar building
Sapele

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Takamine GC1

Laurel wood pattern used for guitar building
Laurel

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Woods Used in the Taylor 314ce-N

Ebony wood pattern used for guitar building
Ebony

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Taylor 314ce-N.

Electronics

The Taylor 314ce-N comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.

Winner:Taylor 314ce-N.

Final Sound Quality Scores

Takamine GC1
Sustain 65
Versatility 70
Tuning Stability 70
Sound 76
Taylor 314ce-N
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GC1 compares to the Taylor 314ce-N.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine GC1 is built in China while the Taylor 314ce-N is made in United States.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Taylor 314ce-N

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine GC1 has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

On the other hand, the Taylor 314ce-N comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine GC1's are Takamine Chrome while the Taylor 314ce-N's are Classical Nickel

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine GC1
  • Expensive Wood
  • Synthetic Bone Nut
  • Synthetic Bone Saddle
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Top Brand Pickups
  • No Electronics
  • Laminated Top Wood
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Taylor 314ce-N
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine GC1
Quality of materials 61
Features 65
Quality Control 55
Build Quality 60
Taylor 314ce-N
Quality of materials 81
Features 75
Quality Control 95
Build Quality 84

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine GC1 Nut Width
Takamine GC1 Nut Width
Taylor 314ce-N Nut Width
Taylor 314ce-N Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Takamine GC1 has the wider nut with 50.8mm (2'') vs 47.6mm (1.875''). This is a 3.2mm (0.125'') difference

This means that it will be more difficult to do bar chords on the Takamine GC1, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine GC1's Scale Length
Takamine GC1's Scale Length
Taylor 314ce-N's Scale Length
Taylor 314ce-N's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Takamine GC1 has the longest scale: 25.6". The Taylor 314ce-N is only 25.5" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine GC1 Neck Profile
Takamine GC1's neck profile
Taylor 314ce-N Neck Profile
Taylor 314ce-N's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine GC1 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Taylor 314ce-N, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine GC1 Fingerboard Radius
Takamine GC1's Fingerboard radius
Taylor 314ce-N Fingerboard Radius
Taylor 314ce-N's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Taylor 314ce-N's fingerboard radius is smaller, which means it's more curved than the Takamine GC1's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Takamine GC1.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Takamine GC1 favors large hands more than the Taylor 314ce-N.

Takamine GC1:
Big Hands
Small Hands
Taylor 314ce-N:
Big Hands
Small Hands

Fret Size

Takamine GC1 and Taylor 314ce-N Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine GC1
Bending & Vibrato Ease 75
Chord Playability 75
Solo Playability 60
Playability 70
Taylor 314ce-N
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine GC1 vs Taylor 314ce-N
General Takamine GC1 Taylor 314ce-N
Brand: Takamine Taylor
Year: 2014 2012
Strings: 6 6
Made in: China United States
Series: G 300
Colors: Natural Natural
Left-Handed Version: No Yes
Body
Type: Hollowbody Hollowbody
Body Material: Spruce Solid Sitka Spruce
Sides Material: Sapele Sapele
Back Material: Sapele Sapele
Bridge: Fixed West African Crelicam Ebony
Neck
Neck Joint: Set Set
Tuners: Takamine Chrome Classical Nickel
Fretboard: Laurel West African Crelicam Ebony
Neck Material: Mahogany Tropical Mahogany
Decoration: Gemstone, Italian Acrylic
Scale Size: 25.6" 25.5"
Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
Frets: 19 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: Flat 15"
Nut: Synthetic Bone Ivory Tusq
Nut Width: 50.8mm (2'') 47.6mm (1.875'')
Electronics
Bridge Pickup: ES-N Electronics (Preamp / Active)