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Takamine CRN-TS1
Epiphone PR-5E
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Playability
80
Sound
86
Build
84
Value
83
Score
83
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Playability
77
Sound
79
Build
64
Value
83
Score
73
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Takamine CRN-TS1 vs Epiphone PR-5E

Reasons to Get
Takamine CRN-TS1 over Epiphone PR-5E

Country of Manufacturing
Japan vs China
Built with higher quality standards
Release Year
2019 vs 2012
From a more recent year
Neck Profile
Acoustic Asymmetrical C vs Acoustic C
Adapts to the natural shape of your hand
Nut Material
Bone vs Plastic
Good quality nut with rich tone
Top Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.673'' (42.5mm) vs 1.68'' (42.7mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Dreadnought vs Thinline
Prominent low-end tones in a large body
Scale Length
24.8'' (629.9mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone

Reasons to Get
Epiphone PR-5E over Takamine CRN-TS1

Neck Profile
Acoustic C vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Nut Width
1.68'' (42.7mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Thinline vs Dreadnought
Very thin and lightweight body
Scale Length
25.5'' (647.7mm) vs 24.8'' (629.9mm)
Lower action and brighter natural tone

Other Key Differences
Takamine CRN-TS1 vs Epiphone PR-5E

Back Material
Sapele vs Mahogany
Different Back Material
Sides Material
Sapele vs Mahogany
Different Sides Material
Saddle Material
Bone vs Plastic
Different Saddle Material
Bridge Material
Fixed vs Pau Ferro
Different Bridge Material
Fretboard Wood
Ovangkol vs Rosewood
Different Fretboard Wood
Nut Material
Bone vs Plastic
Different Nut Material

Shared Features
Takamine CRN-TS1 vs Epiphone PR-5E

Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Takamine CRN-TS1 Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Takamine CRN-TS1 is probably the better product overall with its final score of 83 compared to the Epiphone PR-5E's 73 score, which is a significant difference.

The Takamine CRN-TS1 wins when it comes to sound, playability, build quality. On the other hand, the Epiphone PR-5E has the upper hand when it comes to.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Epiphone PR-5E is the better choice.

The Epiphone PR-5E meets 5 out of our 8 criteria items for beginner friendliness, while the Takamine CRN-TS1 meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Takamine CRN-TS1
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Epiphone PR-5E
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine CRN-TS1 Overview

  • From Takamine's 2019 TT series
  • Made in Japan
  • 6 strings
  • 24.8"'' scale
  • 12" Fretboard Radius
  • Solid Thermal Spruce top
  • Solid Sapele back
  • Sapele sides
  • Mahogany neck
  • Ovangkol fretboard
  • Bridge pickup: CT4B II (Preamp/Active)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine tuners
  • Compare Specs >

Epiphone PR-5E Overview

  • From Epiphone's 2012 Modern Acoustic series
  • Made in China
  • 6 strings
  • 25.5"'' scale
  • 12" Fretboard Radius
  • Select Spruce top
  • Select Mahogany back
  • Select Mahogany sides
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: Fishman Sonicore (Preamp/Active)
  • Pau Ferro bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Epiphone Premium Die cast tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Takamine CRN-TS1

Ovangkol wood pattern used for guitar building
Ovangkol
Sapele wood pattern used for guitar building
Sapele

Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Epiphone PR-5E

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Epiphone PR-5E.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Takamine CRN-TS1
Sustain 90
Versatility 85
Tuning Stability 70
Sound 86
Epiphone PR-5E
Sustain 65
Versatility 85
Tuning Stability 65
Sound 79

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine CRN-TS1 compares to the Epiphone PR-5E.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Takamine CRN-TS1 is built in Japan while the Epiphone PR-5E is made in China.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Takamine CRN-TS1

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine CRN-TS1 has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

On the other hand, the Epiphone PR-5E comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Winner: Takamine CRN-TS1.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine CRN-TS1's are Takamine while the Epiphone PR-5E's are Epiphone Premium Die cast

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine CRN-TS1
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Laminated Side Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Epiphone PR-5E
  • Expensive Wood
  • Top Brand Pickups
  • Electronics
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • Low-Quality Material Saddle
  • Laminated Top Wood
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine CRN-TS1
Quality of materials 81
Features 85
Quality Control 85
Build Quality 84
Epiphone PR-5E
Quality of materials 51
Features 85
Quality Control 55
Build Quality 64

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine CRN-TS1 Nut Width
Takamine CRN-TS1 Nut Width
Epiphone PR-5E Nut Width
Epiphone PR-5E Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone PR-5E has the wider nut with 42.7mm (1.68'') vs 42.5mm (1.673''). This is a 0.2mm (0.0069999999999999'') difference

This means that it will be more difficult to do bar chords on the Epiphone PR-5E, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine CRN-TS1's Scale Length
Takamine CRN-TS1's Scale Length
Epiphone PR-5E's Scale Length
Epiphone PR-5E's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Epiphone PR-5E has the longest scale: 25.5". The Takamine CRN-TS1 is only 24.8" long. This is a 0.7'' (17.8mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine CRN-TS1 Neck Profile
Takamine CRN-TS1's neck profile
Epiphone PR-5E Neck Profile
Epiphone PR-5E's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine CRN-TS1 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Epiphone PR-5E, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine CRN-TS1 Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Takamine CRN-TS1 and the Epiphone PR-5E have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Takamine CRN-TS1:
Big Hands
Small Hands
Epiphone PR-5E:
Big Hands
Small Hands

Fret Size

Takamine CRN-TS1 and Epiphone PR-5E Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine CRN-TS1
Bending & Vibrato Ease 80
Chord Playability 90
Solo Playability 70
Playability 80
Epiphone PR-5E
Bending & Vibrato Ease 75
Chord Playability 75
Solo Playability 80
Playability 77

Specs Side-by-Side

Takamine CRN-TS1 vs Epiphone PR-5E
General Takamine CRN-TS1 Epiphone PR-5E
Brand: Takamine Epiphone
Year: 2019 2012
Strings: 6 6
Made in: Japan China
Series: TT Modern Acoustic
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Thermal Spruce Select Spruce
Sides Material: Sapele Mahogany
Back Material: Sapele Mahogany
Bridge: Fixed Pau Ferro
Neck
Neck Joint: Set Set
Tuners: Takamine Epiphone Premium Die cast
Fretboard: Ovangkol Rosewood
Neck Material: Mahogany Mahogany
Decoration: Abalone Dots Dot
Scale Size: 24.8" 25.5"
Shape: Acoustic Asymmetrical C Acoustic C
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 12"
Nut: Bone Plastic
Nut Width: 42.5mm (1.673'') 42.7mm (1.68'')
Electronics
Bridge Pickup: CT4B II (Preamp / Active) Fishman Sonicore (Preamp / Active)