Ibanez AEWC400 vs Epiphone J-45 EC Studio
Reasons to Get
Ibanez AEWC400 over Epiphone J-45 EC Studio
Reasons to Get
Epiphone J-45 EC Studio over Ibanez AEWC400
Other Key Differences
Ibanez AEWC400 vs Epiphone J-45 EC Studio
Shared Features
Ibanez AEWC400 vs Epiphone J-45 EC Studio
Common Strengths
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Solid Side Wood
- Solid Back Wood
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
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Which One is Better for Beginners?
The Ibanez AEWC400 meets 4 out of our 8 criteria items for beginner friendliness, while the Epiphone J-45 EC Studio meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Ibanez AEWC400- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Epiphone J-45 EC Studio- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in the Ibanez AEWC400
Nyatoh has been replacing Mahogany for guitar building. It's fairly hard, durable, more sustentable and common than Mahogany. Find out more about Nyatoh.
It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.
This wood has beautiful patterns only found in specific types of maple.
Woods Used in the Epiphone J-45 EC Studio
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Pau Ferro has a dark, chocolate-like color with straight dark grains that is being used as a replacement to Rosewood due to the regulations. It produces a warm tone that is somewhere between Mahogany and Rosewood. Find out more about Pau Ferro.
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Winner: Tie.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Ibanez AEWC400 compares to the Epiphone J-45 EC Studio.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Ibanez AEWC400 is built in Indonesia while the Epiphone J-45 EC Studio is made in China.
Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Winner: Ibanez AEWC400
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Ibanez AEWC400 has a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.
On the other hand, the Epiphone J-45 EC Studio comes with a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.
Winner: Epiphone J-45 EC Studio.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Ibanez AEWC400's are Ibanez while the Epiphone J-45 EC Studio's are Epiphone Premium Die Cast with Kidney Bean Metal Buttons
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Ibanez AEWC400
- Expensive Wood
- Top Brand Pickups
- Electronics
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in Indonesia
- No High-Quality Nut
- Low-Quality Material Saddle
- Laminated Top Wood
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Epiphone J-45 EC Studio
- Expensive Wood
- Synthetic Bone Nut
- Top Brand Pickups
- Electronics
- Compensated Saddle
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').
This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Ibanez AEWC400 has the longest scale: 25". The Epiphone J-45 EC Studio is only 24.75" long. This is a 0.25'' (6.4mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Ibanez AEWC400 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.
The Epiphone J-45 EC Studio, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Epiphone J-45 EC Studio's fingerboard radius is smaller, which means it's more curved than the Ibanez AEWC400's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Ibanez AEWC400.
Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .
Ibanez AEWC400:
Epiphone J-45 EC Studio:
Fret Size
The Epiphone J-45 EC Studio has Medium Jumbo frets, which should be taller than the Ibanez AEWC400's Medium frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
