Gibson Custom 1957 SJ-200 vs Fender FA-235E Concert
Reasons to Get
Gibson Custom 1957 SJ-200 over Fender FA-235E Concert
Reasons to Get
Fender FA-235E Concert over Gibson Custom 1957 SJ-200
Other Key Differences
Gibson Custom 1957 SJ-200 vs Fender FA-235E Concert
Shared Features
Gibson Custom 1957 SJ-200 vs Fender FA-235E Concert
Common Strengths
- High-Quality Nut
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Gibson Custom 1957 SJ-200 is probably the better product overall with its final score of 82 compared to the Fender FA-235E Concert's 74 score, although not by a lot.
The Gibson Custom 1957 SJ-200 wins when it comes to sound, playability, build quality. On the other hand, the Fender FA-235E Concert has the upper hand when it comes to value for the money.
If you got small hands, you'll probably feel that the Fender FA-235E Concert is easier to play.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Fender FA-235E Concert is the better choice.
The Fender FA-235E Concert meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson Custom 1957 SJ-200 meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Gibson Custom 1957 SJ-200- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Fender FA-235E Concert- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Gibson Custom 1957 SJ-200 Overview
- From Gibson Custom's 2016 Historic Collection series
- Made in United States
- 6 strings
- 25.5"'' scale
- 12" Fretboard Radius
- Solid Thermally Aged Sitka spruce top
- Solid Flame Maple back
- Solid Flame Maple sides
- Mahogany neck
- Rosewood fretboard
- Bridge pickup: (/)
- SJ-200 Four Bar Moustache bridge
- Acoustic Rounded Set neck
- 20 Medium frets
- Gotoh Keystone tuners
- Weight around 4.65lbs (2.1kgs)
- Compare Specs >
Fender FA-235E Concert Overview
- From Fender's 2018 Fender Alternative series
- Made in Indonesia
- 6 strings
- 25.3"'' scale
- 11.81" Fretboard Radius
- Flamed Maple top
- Laminated Flame Maple top
- Laminated Mahogany back
- Laminated Mahogany sides
- Nato neck
- Walnut fretboard
- Bridge pickup: Fishman CD-1 Preamp (Preamp/Passive)
- Walnut bridge
- Acoustic C Shape Set neck
- 20 Medium frets
- Open-Back Geared tuners
- Compare Specs >
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
This wood has beautiful patterns only found in specific types of maple.
Woods Used in the Gibson Custom 1957 SJ-200
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Woods Used in the Fender FA-235E Concert
Nato a hard and dense wood similar to Mahogany, but cheaper and not quite as hard. Tone-wise, it's also similar, but it doesn't have quite the same attack as Mahogany.
It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.
Winner: Gibson Custom 1957 SJ-200.
Electronics
The Fender FA-235E Concert comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.
Winner:Fender FA-235E Concert.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1957 SJ-200 compares to the Fender FA-235E Concert.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1957 SJ-200 is built in United States while the Fender FA-235E Concert is made in Indonesia.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.
Winner: Gibson Custom 1957 SJ-200
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Gibson Custom 1957 SJ-200 has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
On the other hand, the Fender FA-235E Concert comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Gibson Custom 1957 SJ-200's are Gotoh Keystone while the Fender FA-235E Concert's are Open-Back Geared
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Gibson Custom 1957 SJ-200
- Made in United States
- Expensive Wood
- Bone Nut
- Bone Saddle
- Solid Top Wood
- Solid Side Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Top Brand Pickups
- No Electronics
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Fender FA-235E Concert
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Electronics
- Ivory Tusq Saddle
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in Indonesia
- Laminated Top Wood
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Custom 1957 SJ-200 has the wider nut with 43.8mm (1.725'') vs 43mm (1.693''). This is a 0.8mm (0.032'') difference
This means that it will be more difficult to do bar chords on the Gibson Custom 1957 SJ-200, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Gibson Custom 1957 SJ-200 has the longest scale: 25.5". The Fender FA-235E Concert is only 25.3" long. This is a 0.2'' (5.1mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Gibson Custom 1957 SJ-200 has a U type of neck. This is also referred to as ''baseball neck'' because of its shape. It's usually thick, which is why some people with big hands like it. However, they can also be thin, similar to a C shape, but with more shoulders for a better grip.
The Fender FA-235E Concert, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Fender FA-235E Concert's fingerboard radius is smaller, which means it's more curved than the Gibson Custom 1957 SJ-200's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Gibson Custom 1957 SJ-200.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson Custom 1957 SJ-200 favors large hands more than the Fender FA-235E Concert.
Gibson Custom 1957 SJ-200:
Fender FA-235E Concert:
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
