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Epiphone J-45 EC
Martin GPC-11E
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Playability
82
Sound
88
Build
77
Value
87
Score
82
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Playability
73
Sound
86
Build
77
Value
79
Score
79
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Epiphone J-45 EC vs Martin GPC-11E

Reasons to Get
Epiphone J-45 EC over Martin GPC-11E

Release Year
2020 vs 2019
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Nut Material
Bone vs Corian
Good quality nut with rich tone
Nut Width
1.693'' (43mm) vs 1.75'' (44.5mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Dreadnought vs Grand Auditorium
Prominent low-end tones in a large body
Scale Length
24.72'' (627.9mm) vs 25.4'' (645.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 16'' (406.4mm)
More curved fretboard helpful to play chords without muting strings
Value Score
87 vs 79
Better price/quality relationship

Reasons to Get
Martin GPC-11E over Epiphone J-45 EC

Country of Manufacturing
Mexico vs China
Built with higher quality standards
Nut Width
1.75'' (44.5mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Grand Auditorium vs Dreadnought
Wide and narrow body with a balanced tone
Scale Length
25.4'' (645.2mm) vs 24.72'' (627.9mm)
Lower action and brighter natural tone
Fretboard Radius
16'' (406.4mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Epiphone J-45 EC vs Martin GPC-11E

Back Material
Mahogany vs Sapele
Different Back Material
Sides Material
Mahogany vs Sapele
Different Sides Material
Saddle Material
Bone vs Ivory Tusq
Different Saddle Material
Bridge Material
Reverse Belly, Indian Laurel vs FSC Certified Richlite
Different Bridge Material
Neck Wood
Mahogany vs Hardwood
Different Neck Wood
Fretboard Wood
Laurel vs Richlite
Different Fretboard Wood
Nut Material
Bone vs Corian
Different Nut Material

Shared Features
Epiphone J-45 EC vs Martin GPC-11E

Body Wood
Spruce
Same Body Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium Jumbo vs Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Top Pickup Brand

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Epiphone J-45 EC is probably the better product overall with its final score of 82 compared to the Martin GPC-11E's 79 score, although not by a lot.

The Epiphone J-45 EC wins when it comes to sound, playability, value for the money. On the other hand, the Martin GPC-11E has the upper hand when it comes to.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Epiphone J-45 EC is the better choice.

The Epiphone J-45 EC meets 4 out of our 8 criteria items for beginner friendliness, while the Martin GPC-11E meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Epiphone J-45 EC
  • Easy-to-use bridge
  • Tall frets
  • Short scale
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Soft Strings
  • Locking tuners

New Player Friendliness

Martin GPC-11E
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Epiphone J-45 EC Overview

  • From Epiphone's 2020 Inspired by Gibson Acoustic series
  • Made in China
  • 6 strings
  • 24.72"'' scale
  • 12" Fretboard Radius
  • Solid Sitka Spruce top
  • Solid Mahogany back
  • Solid Mahogany sides
  • Mahogany neck
  • Indian Laurel fretboard
  • Bridge pickup: Fishman Sonicore (Preamp/Active)
  • Reverse Belly, Indian Laurel bridge
  • Acoustic Rounded C Set neck
  • 20 Medium Jumbo frets
  • 3 on a plate: Ivory buttons, press in bushings tuners
  • Compare Specs >

Martin GPC-11E Overview

  • From Martin's 2019 Road series
  • Made in Mexico
  • 6 strings
  • 25.4"'' scale
  • 16" Fretboard Radius
  • Solid Spruce top
  • Solid Sapele back
  • Solid Sapele sides
  • Select Hardwood neck
  • FSC Certified Richlite fretboard
  • Bridge pickup: Fishman MX-T (Preamp/Active)
  • FSC Certified Richlite bridge
  • Acoustic Performing Artist Set neck
  • 20 Medium frets
  • Chrome Enclosed Gear tuners
  • Weight between 4.6lbs (2.1kgs) and 4.65lbs (2.1kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Spruce wood pattern used for guitar building
Spruce

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Epiphone J-45 EC

Mahogany wood pattern used for guitar building
Mahogany
Laurel wood pattern used for guitar building
Laurel

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Woods Used in the Martin GPC-11E

Hardwood wood pattern used for guitar building
Hardwood
Richlite wood pattern used for guitar building
Richlite
Sapele wood pattern used for guitar building
Sapele

Hardwood is just a generic wood that can come from many species. This type of wood is used to build guitars because it provides a rich, warm sound. The wood also has good structural properties, making it durable and long-lasting.

It's very similar to Ebony, but it is much cheaper to make. The main reason is that it is made from resin-infused paper. It is very durable and soft, so it's often used for fretboards and tops.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Winner: Epiphone J-45 EC.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Epiphone J-45 EC
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88
Martin GPC-11E
Sustain 90
Versatility 85
Tuning Stability 70
Sound 86

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone J-45 EC compares to the Martin GPC-11E.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone J-45 EC is built in China while the Martin GPC-11E is made in Mexico.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

Winner: Martin GPC-11E

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Epiphone J-45 EC has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

On the other hand, the Martin GPC-11E comes with a Corian nut. It used to be the go-to nut for Gibson, but it's slowly being replaced by Graph Tech (Tusq). It's a synthetic material made to be similar to Bone, but it doesn't have the same self-lubricating properties, and it's less resistant.

Winner: Epiphone J-45 EC.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Epiphone J-45 EC's are 3 on a plate: Ivory buttons, press in bushings while the Martin GPC-11E's are Chrome Enclosed Gear

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Epiphone J-45 EC
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Martin GPC-11E
  • Top Brand Pickups
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Expensive Woods
  • No High-Quality Nut
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Epiphone J-45 EC
Quality of materials 86
Features 85
Quality Control 60
Build Quality 77
Martin GPC-11E
Quality of materials 72
Features 85
Quality Control 75
Build Quality 77

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Epiphone J-45 EC Nut Width
Epiphone J-45 EC Nut Width
Martin GPC-11E Nut Width
Martin GPC-11E Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Martin GPC-11E has the wider nut with 44.5mm (1.75'') vs 43mm (1.693''). This is a 1.5mm (0.057'') difference

This means that it will be more difficult to do bar chords on the Martin GPC-11E, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Epiphone J-45 EC's Scale Length
Epiphone J-45 EC's Scale Length
Martin GPC-11E's Scale Length
Martin GPC-11E's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Martin GPC-11E has the longest scale: 25.4". The Epiphone J-45 EC is only 24.72" long. This is a 0.68'' (17.3mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Epiphone J-45 EC Neck Profile
Epiphone J-45 EC's neck profile
Martin GPC-11E Neck Profile
Martin GPC-11E's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Epiphone J-45 EC and the Martin GPC-11E have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Epiphone J-45 EC Fingerboard Radius
Epiphone J-45 EC's Fingerboard radius
Martin GPC-11E Fingerboard Radius
Martin GPC-11E's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Epiphone J-45 EC's fingerboard radius is smaller, which means it's more curved than the Martin GPC-11E's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Martin GPC-11E.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Epiphone J-45 EC:
Big Hands
Small Hands
Martin GPC-11E:
Big Hands
Small Hands

Fret Size

Epiphone J-45 EC Frets Size
Epiphone J-45 EC's Frets Size
Martin GPC-11E Frets Size
Martin GPC-11E's Frets Size

The Epiphone J-45 EC has Medium Jumbo frets, which should be taller than the Martin GPC-11E's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Epiphone J-45 EC
Bending & Vibrato Ease 90
Chord Playability 75
Solo Playability 80
Playability 82
Martin GPC-11E
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Epiphone J-45 EC vs Martin GPC-11E
General Epiphone J-45 EC Martin GPC-11E
Brand: Epiphone Martin
Year: 2020 2019
Strings: 6 6
Made in: China Mexico
Series: Inspired by Gibson Acoustic Road
Colors: Sunburst Natural
Left-Handed Version: No Yes
Body
Type: Hollowbody Hollowbody
Body Material: Solid Sitka Spruce Solid Spruce
Sides Material: Mahogany Sapele
Back Material: Mahogany Sapele
Bridge: Reverse Belly, Indian Laurel FSC Certified Richlite
Neck
Neck Joint: Set Set
Tuners: 3 on a plate: Ivory buttons, press in bushings Chrome Enclosed Gear
Fretboard: Indian Laurel FSC Certified Richlite
Neck Material: Mahogany Select Hardwood
Decoration: Mother of Pearl Dots Mother-of-Pearl Pattern MOP Pattern Dots- 28 Style Pattern
Scale Size: 24.72" 25.4"
Shape: Acoustic Rounded C Acoustic Performing Artist
Frets: 20 Medium Jumbo Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 16"
Nut: Bone Corian
Nut Width: 43mm (1.693'') 44.5mm (1.75'')
Electronics
Bridge Pickup: Fishman Sonicore (Preamp / Active) Fishman MX-T (Preamp / Active)