Swap
Swap
Yamaha LL16D ARE
Taylor 214ce
VS
Playability
73
Sound
85
Build
72
Value
82
Score
77
FIND IT ON:
Amazon logoSweetwater logo
Playability
73
Sound
85
Build
75
Value
78
Score
78
FIND IT ON:
Amazon logoMusician's Friend logoReverb logoSweetwater logo
Add to Compare
Add to Compare
Side to side spec comparison >

Yamaha LL16D ARE vs Taylor 214ce

Reasons to Get
Yamaha LL16D ARE over Taylor 214ce

Release Year
2014 vs 2013
From a more recent year
Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.732'' (44mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Jumbo vs Grand Auditorium
Large body with a tight waist for more top-end
Scale Length
25.6'' (650.2mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Fretboard Radius
15.75'' (400.1mm) vs 15'' (381mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
82 vs 78
Better price/quality relationship

Reasons to Get
Taylor 214ce over Yamaha LL16D ARE

Country of Manufacturing
Mexico vs China
Built with higher quality standards
Nut Material
NuBone vs Plastic
Hard and self-lubricating nut to keep it in tune
Nut Width
1.688'' (42.9mm) vs 1.732'' (44mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Grand Auditorium vs Jumbo
Wide and narrow body with a balanced tone
Scale Length
25.5'' (647.7mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15'' (381mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings

Other Key Differences
Yamaha LL16D ARE vs Taylor 214ce

Saddle Material
Plastic vs Synthetic Bone
Different Saddle Material
Bridge Material
Ebony vs West African Crelicam Ebony
Different Bridge Material
Nut Material
Plastic vs NuBone
Different Nut Material

Shared Features
Yamaha LL16D ARE vs Taylor 214ce

Back Material
Rosewood
Same Back Material
Sides Material
Rosewood
Same Sides Material
Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT
SET PRICE ALERT

These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

Which One is Better Overall?

After going through our comparison algorithm, the results show that the Taylor 214ce is probably the better product overall with its final score of 78 compared to the Yamaha LL16D ARE's 77 score, although not by a lot.

The Taylor 214ce wins when it comes to build quality. On the other hand, the Yamaha LL16D ARE has the upper hand when it comes to value for the money.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Yamaha LL16D ARE
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Taylor 214ce
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Yamaha LL16D ARE Overview

  • From Yamaha's 2014 L series
  • Made in China
  • 6 strings
  • 25.6"'' scale
  • 15.75" Fretboard Radius
  • Solid Engelmann Spruce with A.R.E. top
  • Solid Rosewood back
  • Solid Rosewood sides
  • Mahogany + Rosewood (5-Ply) neck
  • Ebony fretboard
  • Bridge pickup: Passive System + SRT Piezo Pickup (Preamp/Passive)
  • Ebony bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Die-Cast Gold (TM29G) tuners
  • Weight between 4.85lbs (2.2kgs) and 5.1lbs (2.3kgs)
  • Compare Specs >

Taylor 214ce Overview

  • From Taylor's 2013 200 series
  • Made in Mexico
  • 6 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Sitka Spruce top
  • Layered Rosewood back
  • Layered Rosewood sides
  • Tropical Mahogany neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: Expression System 2 Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Die-Cast Chrome tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Yamaha LL16D ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85
Taylor 214ce
Sustain 85
Versatility 85
Tuning Stability 70
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha LL16D ARE compares to the Taylor 214ce.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Yamaha LL16D ARE is built in China while the Taylor 214ce is made in Mexico.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

Winner: Taylor 214ce

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Yamaha LL16D ARE has a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

On the other hand, the Taylor 214ce comes with a NuBone nut. It's made by the same company that makes TUSQ nuts. It's slightly softer but hard enough to give you a brighter sound when playing open strings. It's also self-lubricating, so it's good for tuning stability.

Winner: Taylor 214ce.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Yamaha LL16D ARE's are Die-Cast Gold (TM29G) while the Taylor 214ce's are Die-Cast Chrome

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha LL16D ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Taylor 214ce
  • Expensive Wood
  • NuBone Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Mexico
  • No Top Brand Pickups
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha LL16D ARE
Quality of materials 76
Features 80
Quality Control 60
Build Quality 72
Taylor 214ce
Quality of materials 76
Features 75
Quality Control 75
Build Quality 75

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha LL16D ARE Nut Width
Yamaha LL16D ARE Nut Width
Taylor 214ce Nut Width
Taylor 214ce Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha LL16D ARE has the wider nut with 44mm (1.732'') vs 42.9mm (1.688''). This is a 1.1mm (0.044'') difference

This means that it will be more difficult to do bar chords on the Yamaha LL16D ARE, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Yamaha LL16D ARE's Scale Length
Yamaha LL16D ARE's Scale Length
Taylor 214ce's Scale Length
Taylor 214ce's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha LL16D ARE has the longest scale: 25.6". The Taylor 214ce is only 25.5" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha LL16D ARE Neck Profile
Yamaha LL16D ARE's neck profile
Taylor 214ce Neck Profile
Taylor 214ce's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Yamaha LL16D ARE and the Taylor 214ce have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Yamaha LL16D ARE Fingerboard Radius
Yamaha LL16D ARE's Fingerboard radius
Taylor 214ce Fingerboard Radius
Taylor 214ce's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Taylor 214ce's fingerboard radius is smaller, which means it's more curved than the Yamaha LL16D ARE's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha LL16D ARE.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Yamaha LL16D ARE:
Big Hands
Small Hands
Taylor 214ce:
Big Hands
Small Hands

Fret Size

Yamaha LL16D ARE and Taylor 214ce Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Yamaha LL16D ARE
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Taylor 214ce
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Yamaha LL16D ARE vs Taylor 214ce
General Yamaha LL16D ARE Taylor 214ce
Brand: Yamaha Taylor
Year: 2014 2013
Strings: 6 6
Made in: China Mexico
Series: L 200
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Engelmann Spruce with A.R.E. Solid Sitka Spruce
Sides Material: Rosewood Rosewood
Back Material: Rosewood Rosewood
Bridge: Ebony West African Crelicam Ebony
Neck
Neck Joint: Set Set
Tuners: Die-Cast Gold (TM29G) Die-Cast Chrome
Fretboard: Ebony West African Crelicam Ebony
Neck Material: Mahogany + Rosewood (5-Ply) Tropical Mahogany
Decoration: Dots 4mm Dot Italian Acrylic
Scale Size: 25.6" 25.5"
Shape: Acoustic C Acoustic Taylor Standard
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 15.75" 15"
Nut: Plastic NuBone
Nut Width: 44mm (1.732'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Passive System + SRT Piezo Pickup (Preamp / Passive) Expression System 2 Electronics (Preamp / Active)