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Yamaha LL16D ARE
Epiphone J-200 EC Studio Parlor
VS
Playability
73
Sound
85
Build
74
Value
77
Score
77
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Playability
78
Sound
85
Build
77
Value
85
Score
80
FIND IT ON:
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Yamaha LL16D ARE vs Epiphone J-200 EC Studio Parlor

Reasons to Get
Yamaha LL16D ARE over Epiphone J-200 EC Studio Parlor

Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.732'' (44mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
25.6'' (650.2mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
15.75'' (400.1mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Reasons to Get
Epiphone J-200 EC Studio Parlor over Yamaha LL16D ARE

Release Year
2020 vs 2014
From a more recent year
Pickups Brand
Fishman vs None
Pickups from a renown brand
Nut Material
Bone vs Plastic
Good quality nut with rich tone
Nut Width
1.693'' (43mm) vs 1.732'' (44mm)
Favors small hands, easier bar chords and other shapes
Scale Length
24.75'' (628.7mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings
Value Score
85 vs 77
Better price/quality relationship

Other Key Differences
Yamaha LL16D ARE vs Epiphone J-200 EC Studio Parlor

Back Material
Rosewood vs Ovangkol
Different Back Material
Sides Material
Rosewood vs Ovangkol
Different Sides Material
Saddle Material
Plastic vs Bone
Different Saddle Material
Bridge Material
Ebony vs Pau Ferro
Different Bridge Material
Fretboard Wood
Ebony vs Pau Ferro
Different Fretboard Wood
Nut Material
Plastic vs Bone
Different Nut Material

Shared Features
Yamaha LL16D ARE vs Epiphone J-200 EC Studio Parlor

Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Epiphone J-200 EC Studio Parlor is probably the better product overall with its final score of 80 compared to the Yamaha LL16D ARE's 77 score, although not by a lot.

The Epiphone J-200 EC Studio Parlor wins when it comes to playability, build quality, value for the money. On the other hand, the Yamaha LL16D ARE has the upper hand when it comes to.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Yamaha LL16D ARE
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Epiphone J-200 EC Studio Parlor
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Yamaha LL16D ARE Overview

  • From Yamaha's 2014 L series
  • Made in China
  • 6 strings
  • 25.6"'' scale
  • 15.75" Fretboard Radius
  • Solid Engelmann Spruce with A.R.E. top
  • Solid Rosewood back
  • Solid Rosewood sides
  • Mahogany + Rosewood (5-Ply) neck
  • Ebony fretboard
  • Bridge pickup: Passive System + SRT Piezo Pickup (Preamp/Passive)
  • Ebony bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Die-Cast Gold (TM29G) tuners
  • Weight between 4.85lbs (2.2kgs) and 5.1lbs (2.3kgs)
  • Compare Specs >

Epiphone J-200 EC Studio Parlor Overview

  • From Epiphone's 2020 Modern Acoustic series
  • Made in China
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Solid Spruce top
  • Ovangkol back
  • Ovangkol sides
  • Mahogany neck
  • Pau Ferro fretboard
  • Bridge pickup: Fishman Sonicore (Preamp/Active)
  • Pau Ferro bridge
  • Acoustic Rounded Set neck
  • 20 Medium frets
  • Grover Mini Rotomatic; 18:1 ratio tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Yamaha LL16D ARE

Ebony wood pattern used for guitar building
Ebony
Rosewood wood pattern used for guitar building
Rosewood

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Epiphone J-200 EC Studio Parlor

Pau Ferro wood pattern used for guitar building
Pau Ferro
Ovangkol wood pattern used for guitar building
Ovangkol

Pau Ferro has a dark, chocolate-like color with straight dark grains that is being used as a replacement to Rosewood due to the regulations. It produces a warm tone that is somewhere between Mahogany and Rosewood. Find out more about Pau Ferro.

Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.

Winner: Yamaha LL16D ARE.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Yamaha LL16D ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85
Epiphone J-200 EC Studio Parlor
Sustain 85
Versatility 85
Tuning Stability 70
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha LL16D ARE compares to the Epiphone J-200 EC Studio Parlor.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in China.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Yamaha LL16D ARE has a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

On the other hand, the Epiphone J-200 EC Studio Parlor comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Epiphone J-200 EC Studio Parlor.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Yamaha LL16D ARE's are Die-Cast Gold (TM29G) while the Epiphone J-200 EC Studio Parlor's are Grover Mini Rotomatic; 18:1 ratio

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha LL16D ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Epiphone J-200 EC Studio Parlor
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha LL16D ARE
Quality of materials 76
Features 80
Quality Control 65
Build Quality 74
Epiphone J-200 EC Studio Parlor
Quality of materials 86
Features 85
Quality Control 60
Build Quality 77

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha LL16D ARE Nut Width
Yamaha LL16D ARE Nut Width
Epiphone J-200 EC Studio Parlor Nut Width
Epiphone J-200 EC Studio Parlor Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha LL16D ARE has the wider nut with 44mm (1.732'') vs 43mm (1.693''). This is a 1mm (0.039'') difference

This means that it will be more difficult to do bar chords on the Yamaha LL16D ARE, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Yamaha LL16D ARE's Scale Length
Yamaha LL16D ARE's Scale Length
Epiphone J-200 EC Studio Parlor's Scale Length
Epiphone J-200 EC Studio Parlor's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha LL16D ARE has the longest scale: 25.6". The Epiphone J-200 EC Studio Parlor is only 24.75" long. This is a 0.85'' (21.6mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha LL16D ARE Neck Profile
Yamaha LL16D ARE's neck profile
Epiphone J-200 EC Studio Parlor Neck Profile
Epiphone J-200 EC Studio Parlor's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Yamaha LL16D ARE and the Epiphone J-200 EC Studio Parlor have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Yamaha LL16D ARE Fingerboard Radius
Yamaha LL16D ARE's Fingerboard radius
Epiphone J-200 EC Studio Parlor Fingerboard Radius
Epiphone J-200 EC Studio Parlor's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Epiphone J-200 EC Studio Parlor's fingerboard radius is smaller, which means it's more curved than the Yamaha LL16D ARE's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha LL16D ARE.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Yamaha LL16D ARE:
Big Hands
Small Hands
Epiphone J-200 EC Studio Parlor:
Big Hands
Small Hands

Fret Size

Yamaha LL16D ARE and Epiphone J-200 EC Studio Parlor Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Yamaha LL16D ARE
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Epiphone J-200 EC Studio Parlor
Bending & Vibrato Ease 85
Chord Playability 70
Solo Playability 80
Playability 78

Specs Side-by-Side

Yamaha LL16D ARE vs Epiphone J-200 EC Studio Parlor
General Yamaha LL16D ARE Epiphone J-200 EC Studio Parlor
Brand: Yamaha Epiphone
Year: 2014 2020
Strings: 6 6
Made in: China China
Series: L Modern Acoustic
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Engelmann Spruce with A.R.E. Solid Spruce
Sides Material: Rosewood Ovangkol
Back Material: Rosewood Ovangkol
Bridge: Ebony Pau Ferro
Neck
Neck Joint: Set Set
Tuners: Die-Cast Gold (TM29G) Grover Mini Rotomatic; 18:1 ratio
Fretboard: Ebony Pau Ferro
Neck Material: Mahogany + Rosewood (5-Ply) Mahogany
Decoration: Dots Dot inlays with a Crown on 12th fret
Scale Size: 25.6" 24.75"
Shape: Acoustic C Acoustic Rounded
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 15.75" 12"
Nut: Plastic Bone
Nut Width: 44mm (1.732'') 43mm (1.693'')
Electronics
Bridge Pickup: Passive System + SRT Piezo Pickup (Preamp / Passive) Fishman Sonicore (Preamp / Active)