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Yamaha GC82C
Martin GPC-16E
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Playability
73
Sound
84
Build
82
Value
65
Score
80
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Playability
73
Sound
88
Build
86
Value
77
Score
82
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Side to side spec comparison >

Yamaha GC82C vs Martin GPC-16E

Reasons to Get
Yamaha GC82C over Martin GPC-16E

Nut Width
2.062'' (52.4mm) vs 1.75'' (44.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Classical vs Grand Auditorium
Compact body with soft nylon strings
Scale Length
25.6'' (650.2mm) vs 25.4'' (645.2mm)
Lower action and brighter natural tone
Fretboard Radius
Flat vs 16'' (406.4mm)
Flatter fretboard makes it easier to play single notes and bend

Reasons to Get
Martin GPC-16E over Yamaha GC82C

Release Year
2017 vs 2014
From a more recent year
Pickups Brand
Fishman vs None
Pickups from a renown brand
Nut Width
1.75'' (44.5mm) vs 2.062'' (52.4mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Grand Auditorium vs Classical
Wide and narrow body with a balanced tone
Scale Length
25.4'' (645.2mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
16'' (406.4mm) vs Flat
More curved fretboard helpful to play chords without muting strings
Value Score
77 vs 65
Better price/quality relationship

Other Key Differences
Yamaha GC82C vs Martin GPC-16E

Saddle Material
Bone vs Ivory Tusq
Different Saddle Material
Bridge Material
Madagascar Rosewood vs Ebony
Different Bridge Material
Body Wood
Cedar vs Spruce
Different Body Wood
Neck Wood
Cedar vs Hardwood
Different Neck Wood

Shared Features
Yamaha GC82C vs Martin GPC-16E

Back Material
Rosewood
Same Back Material
Sides Material
Rosewood
Same Sides Material
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
3-3
Same Headstock
Nut Material
Bone
Same Nut Material
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Martin GPC-16E is probably the better product overall with its final score of 82 compared to the Yamaha GC82C's 80 score, although not by a lot.

The Martin GPC-16E wins when it comes to sound, build quality, value for the money. On the other hand, the Yamaha GC82C has the upper hand when it comes to.

If you got small hands, you'll probably feel more comfortable playing the Martin GPC-16E.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Yamaha GC82C is the better choice.

The Yamaha GC82C meets 5 out of our 8 criteria items for beginner friendliness, while the Martin GPC-16E meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Yamaha GC82C
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Martin GPC-16E
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Yamaha GC82C Overview

  • From Yamaha's 2014 GC / GCX series
  • Made in Japan
  • 6 strings
  • 25.6"'' scale
  • Flat Fretboard Radius
  • Solid American Redcedar top
  • Solid Madagascar Rosewood back
  • Solid Madagascar Rosewood sides
  • Cedro neck
  • Ebony fretboard
  • Bridge pickup: (/)
  • Madagascar Rosewood bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Gold (35G510QC-M) tuners
  • Compare Specs >

Martin GPC-16E Overview

  • From Martin's 2017 16-17 series
  • Made in United States
  • 6 strings
  • 25.4"'' scale
  • 16" Fretboard Radius
  • Solid Spruce top
  • Solid East Indian Rosewood back
  • Solid East Indian Rosewood sides
  • Select Hardwood neck
  • Ebony fretboard
  • Bridge pickup: Fishman Matrix VT Enhance NT2 (Preamp/Active)
  • Ebony bridge
  • Acoustic Modified Low Oval Set neck
  • 20 Medium frets
  • Nickel Open Gear tuners
  • Weight between 3.85lbs (1.7kgs) and 4.45lbs (2kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Ebony wood pattern used for guitar building
Ebony
Rosewood wood pattern used for guitar building
Rosewood

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Yamaha GC82C

Cedar wood pattern used for guitar building
Cedar

This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.

Woods Used in the Martin GPC-16E

Hardwood wood pattern used for guitar building
Hardwood
Spruce wood pattern used for guitar building
Spruce

Hardwood is just a generic wood that can come from many species. This type of wood is used to build guitars because it provides a rich, warm sound. The wood also has good structural properties, making it durable and long-lasting.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Winner: Tie.

Electronics

The Martin GPC-16E comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.

Winner:Martin GPC-16E.

Final Sound Quality Scores

Yamaha GC82C
Sustain 85
Versatility 80
Tuning Stability 70
Sound 84
Martin GPC-16E
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Yamaha GC82C compares to the Martin GPC-16E.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Yamaha GC82C is built in Japan while the Martin GPC-16E is made in United States.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Yamaha GC82C's are Gold (35G510QC-M) while the Martin GPC-16E's are Nickel Open Gear

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Yamaha GC82C
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Top Brand Pickups
  • No Electronics
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Martin GPC-16E
  • Made in United States
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Ivory Tusq Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Yamaha GC82C
Quality of materials 81
Features 65
Quality Control 100
Build Quality 82
Martin GPC-16E
Quality of materials 84
Features 85
Quality Control 90
Build Quality 86

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Yamaha GC82C Nut Width
Yamaha GC82C Nut Width
Martin GPC-16E Nut Width
Martin GPC-16E Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha GC82C has the wider nut with 52.4mm (2.062'') vs 44.5mm (1.75''). This is a 7.9mm (0.312'') difference

This means that it will be more difficult to do bar chords on the Yamaha GC82C, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Yamaha GC82C's Scale Length
Yamaha GC82C's Scale Length
Martin GPC-16E's Scale Length
Martin GPC-16E's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha GC82C has the longest scale: 25.6". The Martin GPC-16E is only 25.4" long. This is a 0.2'' (5.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Yamaha GC82C Neck Profile
Yamaha GC82C's neck profile
Martin GPC-16E Neck Profile
Martin GPC-16E's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Yamaha GC82C and the Martin GPC-16E have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Yamaha GC82C Fingerboard Radius
Yamaha GC82C's Fingerboard radius
Martin GPC-16E Fingerboard Radius
Martin GPC-16E's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Martin GPC-16E's fingerboard radius is smaller, which means it's more curved than the Yamaha GC82C's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha GC82C.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Yamaha GC82C favors large hands more than the Martin GPC-16E.

Yamaha GC82C:
Big Hands
Small Hands
Martin GPC-16E:
Big Hands
Small Hands

Fret Size

Yamaha GC82C and Martin GPC-16E Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Yamaha GC82C
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Martin GPC-16E
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Yamaha GC82C vs Martin GPC-16E
General Yamaha GC82C Martin GPC-16E
Brand: Yamaha Martin
Year: 2014 2017
Strings: 6 6
Made in: Japan United States
Series: GC / GCX 16-17
Colors: Natural Natural
Left-Handed Version: No Yes
Body
Type: Hollowbody Hollowbody
Body Material: Solid American Redcedar Solid Spruce
Sides Material: Rosewood Rosewood
Back Material: Rosewood Rosewood
Bridge: Madagascar Rosewood Ebony
Neck
Neck Joint: Set Set
Tuners: Gold (35G510QC-M) Nickel Open Gear
Fretboard: Ebony Ebony
Neck Material: Cedro Select Hardwood
Decoration: Mother-of-Pearl Style 28
Scale Size: 25.6" 25.4"
Shape: Acoustic C Acoustic Modified Low Oval
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: Flat 16"
Nut: Bone Bone
Nut Width: 52.4mm (2.062'') 44.5mm (1.75'')
Electronics
Bridge Pickup: Fishman Matrix VT Enhance NT2 (Preamp / Active)