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Taylor 314ce-N
Takamine TC135SC
VS
Playability
73
Sound
88
Build
84
Value
72
Score
82
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Playability
70
Sound
88
Build
85
Value
71
Score
81
FIND IT ON:
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Taylor 314ce-N vs Takamine TC135SC

Reasons to Get
Taylor 314ce-N over Takamine TC135SC

Release Year
2012 vs 2011
From a more recent year
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Body Shape
Grand Auditorium vs Classical
Wide and narrow body with a balanced tone
Scale Length
25.5'' (647.7mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15'' (381mm) vs Flat
More curved fretboard helpful to play chords without muting strings
Value Score
72 vs 71
Better price/quality relationship

Reasons to Get
Takamine TC135SC over Taylor 314ce-N

Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Number of Frets
24 vs 20
Allows to reach higher notes
Body Shape
Classical vs Grand Auditorium
Compact body with soft nylon strings
Scale Length
25.6'' (650.2mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Fretboard Radius
Flat vs 15'' (381mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Taylor 314ce-N vs Takamine TC135SC

Back Material
Sapele vs Rosewood
Different Back Material
Sides Material
Sapele vs Rosewood
Different Sides Material
Saddle Material
Synthetic Bone vs Bone
Different Saddle Material
Bridge Material
West African Crelicam Ebony vs Fixed
Different Bridge Material
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood
Nut Material
Ivory Tusq vs Bone
Different Nut Material

Shared Features
Taylor 314ce-N vs Takamine TC135SC

Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Nut Width
1.875'' (47.6mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Back Wood
  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Taylor 314ce-N Prices

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Taylor 314ce-N is probably the better product overall with its final score of 82 compared to the Takamine TC135SC's 81 score, although not by a lot.

The Taylor 314ce-N wins when it comes to playability, value for the money. On the other hand, the Takamine TC135SC has the upper hand when it comes to build quality.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Takamine TC135SC is the better choice.

The Takamine TC135SC meets 5 out of our 8 criteria items for beginner friendliness, while the Taylor 314ce-N meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Taylor 314ce-N
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Takamine TC135SC
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Taylor 314ce-N Overview

  • From Taylor's 2012 300 series
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Sitka Spruce top
  • Solid Sapele back
  • Solid Sapele sides
  • Tropical Mahogany neck
  • West African Crelicam Ebony fretboard
  • Bridge pickup: ES-N Electronics (Preamp/Active)
  • West African Crelicam Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 20 Medium frets
  • Classical Nickel tuners
  • Weight around 4lbs (1.8kgs)
  • Compare Specs >

Takamine TC135SC Overview

  • From Takamine's 2011 Hirade & Classical series
  • Made in Japan
  • 6 strings
  • 25.6"'' scale
  • Flat Fretboard Radius
  • Solid Spruce top
  • Solid Rosewood back
  • Rosewood sides
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: CTP-3 CoolTube (Preamp/Active)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 24 Medium frets
  • Takamine tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Taylor 314ce-N

Ebony wood pattern used for guitar building
Ebony
Sapele wood pattern used for guitar building
Sapele

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Takamine TC135SC

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Taylor 314ce-N
Sustain 95
Versatility 85
Tuning Stability 70
Sound 88
Takamine TC135SC
Sustain 85
Versatility 95
Tuning Stability 70
Sound 88

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Taylor 314ce-N compares to the Takamine TC135SC.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Taylor 314ce-N is built in United States while the Takamine TC135SC is made in Japan.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Taylor 314ce-N has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Takamine TC135SC comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Taylor 314ce-N's are Classical Nickel while the Takamine TC135SC's are Takamine

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Taylor 314ce-N
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Electronics
  • Synthetic Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Takamine TC135SC
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Laminated Side Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Taylor 314ce-N
Quality of materials 81
Features 75
Quality Control 95
Build Quality 84
Takamine TC135SC
Quality of materials 76
Features 85
Quality Control 95
Build Quality 85

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Taylor 314ce-N Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 47.6mm (1.875'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Taylor 314ce-N's Scale Length
Taylor 314ce-N's Scale Length
Takamine TC135SC's Scale Length
Takamine TC135SC's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Takamine TC135SC has the longest scale: 25.6". The Taylor 314ce-N is only 25.5" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Taylor 314ce-N Neck Profile
Taylor 314ce-N's neck profile
Takamine TC135SC Neck Profile
Takamine TC135SC's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Taylor 314ce-N has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Takamine TC135SC, on the other hand, has a Asymmetrical neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

Fretboard Radius

Taylor 314ce-N Fingerboard Radius
Taylor 314ce-N's Fingerboard radius
Takamine TC135SC Fingerboard Radius
Takamine TC135SC's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Taylor 314ce-N's fingerboard radius is smaller, which means it's more curved than the Takamine TC135SC's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Takamine TC135SC.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Taylor 314ce-N:
Big Hands
Small Hands
Takamine TC135SC:
Big Hands
Small Hands

Fret Size

Taylor 314ce-N and Takamine TC135SC Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Taylor 314ce-N
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Takamine TC135SC
Bending & Vibrato Ease 75
Chord Playability 75
Solo Playability 60
Playability 70

Specs Side-by-Side

Taylor 314ce-N vs Takamine TC135SC
General Taylor 314ce-N Takamine TC135SC
Brand: Taylor Takamine
Year: 2012 2011
Strings: 6 6
Made in: United States Japan
Series: 300 Hirade & Classical
Colors: Natural Natural
Left-Handed Version: Yes No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Sitka Spruce Solid Spruce
Sides Material: Sapele Rosewood
Back Material: Sapele Rosewood
Bridge: West African Crelicam Ebony Fixed
Neck
Neck Joint: Set Set
Tuners: Classical Nickel Takamine
Fretboard: West African Crelicam Ebony Rosewood
Neck Material: Tropical Mahogany Mahogany
Decoration: Gemstone, Italian Acrylic
Scale Size: 25.5" 25.6"
Shape: Acoustic Taylor Standard Acoustic Asymmetrical C
Frets: 20 Medium Nickel Silver 24 Medium Nickel Silver
Fretboard Radius: 15" Flat
Nut: Ivory Tusq Bone
Nut Width: 47.6mm (1.875'') 47.6mm (1.875'')
Electronics
Bridge Pickup: ES-N Electronics (Preamp / Active) CTP-3 CoolTube (Preamp / Active)