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Taylor 312ce-N
Takamine P3NY
VS
Playability
70
Sound
84
Build
84
Value
69
Score
79
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Playability
80
Sound
85
Build
84
Value
78
Score
83
FIND IT ON:
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Side to side spec comparison >

Taylor 312ce-N vs Takamine P3NY

Reasons to Get
Taylor 312ce-N over Takamine P3NY

Release Year
2021 vs 2014
From a more recent year
Number of Frets
17 vs 20
Warmer neck pickup
Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.875'' (47.6mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Grand Concert vs Parlor
Slightly larger than the Concert body with a strong mid-range
Scale Length
25.5'' (647.7mm) vs 24.8'' (629.9mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Reasons to Get
Takamine P3NY over Taylor 312ce-N

Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Number of Frets
20 vs 17
Allows to reach higher notes
Nut Width
1.673'' (42.5mm) vs 1.875'' (47.6mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Parlor vs Grand Concert
Very small body with prominent mid tones
Scale Length
24.8'' (629.9mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
More curved fretboard helpful to play chords without muting strings
Value Score
78 vs 69
Better price/quality relationship

Other Key Differences
Taylor 312ce-N vs Takamine P3NY

Saddle Material
Ivory Tusq vs Bone
Different Saddle Material
Bridge Material
Ebony vs Fixed
Different Bridge Material
Body Wood
Spruce vs Cedar
Different Body Wood
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood
Nut Material
Ivory Tusq vs Bone
Different Nut Material

Shared Features
Taylor 312ce-N vs Takamine P3NY

Back Material
Sapele
Same Back Material
Sides Material
Sapele
Same Sides Material
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Back Wood
  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Takamine P3NY is probably the better product overall with its final score of 83 compared to the Taylor 312ce-N's 79 score, although not by a lot.

The Takamine P3NY wins when it comes to sound, playability, value for the money. On the other hand, the Taylor 312ce-N has the upper hand when it comes to.

If you got small hands, you'll probably feel more comfortable playing the Takamine P3NY.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Takamine P3NY is the better choice.

The Takamine P3NY meets 6 out of our 8 criteria items for beginner friendliness, while the Taylor 312ce-N meets only 5. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Taylor 312ce-N
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Takamine P3NY
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Soft Strings
  • Comfortable fretboard
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Taylor 312ce-N Overview

  • From Taylor's 2021 300 series
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 15" Fretboard Radius
  • Solid Sitka Spruce top
  • Solid Sapele back
  • Solid Sapele sides
  • Tropical Mahogany neck
  • Ebony fretboard
  • Bridge pickup: ES-N Electronics (Preamp/Active)
  • Ebony bridge
  • Acoustic Taylor Standard Set neck
  • 17 Medium frets
  • Classical Nickel tuners
  • Weight around 3.95lbs (1.8kgs)
  • Compare Specs >

Takamine P3NY Overview

  • From Takamine's 2014 Pro Series 3 series
  • Made in Japan
  • 6 strings
  • 24.8"'' scale
  • 12" Fretboard Radius
  • Solid Cedar top
  • Solid Sapele back
  • Sapele sides
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: CT4B II (Preamp/Active)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine Gold tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Sapele wood pattern used for guitar building
Sapele

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Taylor 312ce-N

Ebony wood pattern used for guitar building
Ebony
Spruce wood pattern used for guitar building
Spruce

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Takamine P3NY

Rosewood wood pattern used for guitar building
Rosewood
Cedar wood pattern used for guitar building
Cedar

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.

Winner: Tie.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Taylor 312ce-N
Sustain 90
Versatility 75
Tuning Stability 70
Sound 84
Takamine P3NY
Sustain 85
Versatility 85
Tuning Stability 70
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Taylor 312ce-N compares to the Takamine P3NY.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Taylor 312ce-N is built in United States while the Takamine P3NY is made in Japan.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Taylor 312ce-N has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Takamine P3NY comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Taylor 312ce-N's are Classical Nickel while the Takamine P3NY's are Takamine Gold

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Taylor 312ce-N
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Electronics
  • Ivory Tusq Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Top Brand Pickups
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Takamine P3NY
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Laminated Side Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Taylor 312ce-N
Quality of materials 81
Features 75
Quality Control 95
Build Quality 84
Takamine P3NY
Quality of materials 76
Features 85
Quality Control 90
Build Quality 84

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Taylor 312ce-N Nut Width
Taylor 312ce-N Nut Width
Takamine P3NY Nut Width
Takamine P3NY Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 312ce-N has the wider nut with 47.6mm (1.875'') vs 42.5mm (1.673''). This is a 5.1mm (0.202'') difference

This means that it will be more difficult to do bar chords on the Taylor 312ce-N, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Taylor 312ce-N's Scale Length
Taylor 312ce-N's Scale Length
Takamine P3NY's Scale Length
Takamine P3NY's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Taylor 312ce-N has the longest scale: 25.5". The Takamine P3NY is only 24.8" long. This is a 0.7'' (17.8mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Taylor 312ce-N Neck Profile
Taylor 312ce-N's neck profile
Takamine P3NY Neck Profile
Takamine P3NY's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Taylor 312ce-N has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Takamine P3NY, on the other hand, has a Asymmetrical neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

Fretboard Radius

Taylor 312ce-N Fingerboard Radius
Taylor 312ce-N's Fingerboard radius
Takamine P3NY Fingerboard Radius
Takamine P3NY's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine P3NY's fingerboard radius is smaller, which means it's more curved than the Taylor 312ce-N's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor 312ce-N.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor 312ce-N favors large hands more than the Takamine P3NY. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Taylor 312ce-N:
Big Hands
Small Hands
Takamine P3NY:
Big Hands
Small Hands

Fret Size

Taylor 312ce-N and Takamine P3NY Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Taylor 312ce-N
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 70
Playability 70
Takamine P3NY
Bending & Vibrato Ease 80
Chord Playability 90
Solo Playability 70
Playability 80

Specs Side-by-Side

Taylor 312ce-N vs Takamine P3NY
General Taylor 312ce-N Takamine P3NY
Brand: Taylor Takamine
Year: 2021 2014
Strings: 6 6
Made in: United States Japan
Series: 300 Pro Series 3
Colors: Natural Natural
Left-Handed Version: Yes No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Sitka Spruce Solid Cedar
Sides Material: Sapele Sapele
Back Material: Sapele Sapele
Bridge: Ebony Fixed
Neck
Neck Joint: Set Set
Tuners: Classical Nickel Takamine Gold
Fretboard: Ebony Rosewood
Neck Material: Tropical Mahogany Mahogany
Decoration: Small Diamonds Dots
Scale Size: 25.5" 24.8"
Shape: Acoustic Taylor Standard Acoustic Asymmetrical C
Frets: 17 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 15" 12"
Nut: Ivory Tusq Bone
Nut Width: 47.6mm (1.875'') 42.5mm (1.673'')
Electronics
Bridge Pickup: ES-N Electronics (Preamp / Active) CT4B II (Preamp / Active)