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Takamine P6JC-12
Gibson J-45 Standard 12-String
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Playability
73
Sound
86
Build
87
Value
72
Score
82
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Playability
78
Sound
88
Build
94
Value
72
Score
87
FIND IT ON:
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Takamine P6JC-12 vs Gibson J-45 Standard 12-String Specs Comparison
Takamine P6JC-12 Gibson J-45 Standard 12-String
General
Brand: Takamine Gibson
Year: 2015 2021
Strings: 12 12
Made in: Japan United States
Series: Pro Series 6 Modern Acoustic
Colors: Sunburst Sunburst
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Spruce Solid Sitka Spruce
Sides Material: Maple Mahogany
Back Material: Flame Maple Mahogany
Bridge: Fixed Reverse Belly, Rosewood
Neck
Neck Joint: Set Set
Tuners: Takamine Gold Grover Mini Rotomatic
Fretboard: Ebony Indian Rosewood
Neck Material: Maple Mahogany
Decoration: Mother-of-pearl Snowflake Mother of Pearl Dots
Scale Size: 25.4" 24.75"
Shape: Acoustic Asymmetrical C Acoustic Slim Taper
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 12"
Nut: Bone Bone
Nut Width: 47.6mm (1.875'') 47.6mm (1.875'')
Electronics
Pickups: CTP-3 CoolTube (Preamp / Active) LR Baggs VTC (Preamp / Active)
Hardware
Strap Lock: No No
Hardware Color: Gold Nickel

Reasons to Get
Takamine P6JC-12 over Gibson J-45 Standard 12-String

Neck Profile
Acoustic Asymmetrical C vs Acoustic Slim Taper
Adapts to the natural shape of your hand
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Scale Length
25.4'' (645.2mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone

Reasons to Get
Gibson J-45 Standard 12-String over Takamine P6JC-12

Release Year
2021 vs 2015
From a more recent year
Neck Profile
Acoustic Slim Taper vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster
Scale Length
24.75'' (628.7mm) vs 25.4'' (645.2mm)
Easier bending, shorter fret separation and warmer natural tone

Other Key Differences
Takamine P6JC-12 vs Gibson J-45 Standard 12-String

Back Material
Flame Maple vs Mahogany
Different Back Material
Sides Material
Maple vs Mahogany
Different Sides Material
Saddle Material
Bone vs Ivory Tusq
Different Saddle Material
Bridge Material
Fixed vs Reverse Belly, Rosewood
Different Bridge Material
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood

Shared Features
Takamine P6JC-12 vs Gibson J-45 Standard 12-String

Body Wood
Spruce
Same Body Wood
Headstock
6-6
Same Headstock
Nut Material
Bone
Same Nut Material
Strings
12
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Nut Width
1.875'' (47.6mm)
Same string separation at the nut
Bridge
Fixed
Good sustain and needs no set-up
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Solid Back Wood
  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Takamine P6JC-12 Prices

    SET PRICE ALERT

    Gibson J-45 Standard 12-String Prices

    SET PRICE ALERT

    These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

    Hand Size Comfortability

    After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .

    Takamine P6JC-12:
    Big Hands
    Small Hands
    Gibson J-45 Standard 12-String:
    Big Hands
    Small Hands

    Beginner Friendliness

    Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

    New Player Friendliness

    Takamine P6JC-12
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    New Player Friendliness

    Gibson J-45 Standard 12-String
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    Sound Quality Comparison

    The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

    Woods Used in Both

    Spruce wood pattern used for guitar building
    Spruce

    Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

    Woods Used in the Takamine P6JC-12

    Maple wood pattern used for guitar building
    Maple
    Ebony wood pattern used for guitar building
    Ebony
    Flame Maple wood pattern used for guitar building
    Flame Maple

    Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    This wood has beautiful patterns only found in specific types of maple.

    Woods Used in the Gibson J-45 Standard 12-String

    Mahogany wood pattern used for guitar building
    Mahogany
    Rosewood wood pattern used for guitar building
    Rosewood

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

    Winner: Tie.

    Electronics

    Both come with electronics that allow you connect them to an amplifier or interface for recording.

    Winner:Tie.

    Final Sound Quality Scores

    Takamine P6JC-12
    Sustain 90
    Versatility 85
    Tuning Stability 70
    Sound 86
    Gibson J-45 Standard 12-String
    Sustain 95
    Versatility 85
    Tuning Stability 70
    Sound 88

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine P6JC-12 compares to the Gibson J-45 Standard 12-String.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Takamine P6JC-12 is built in Japan while the Gibson J-45 Standard 12-String is made in United States.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

    Winner: Tie

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Takamine P6JC-12's are Takamine Gold while the Gibson J-45 Standard 12-String's are Grover Mini Rotomatic

    Winner: Tie.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Takamine P6JC-12
    • Made in Japan
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Electronics
    • Bone Saddle
    • Solid Top Wood
    • Solid Back Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Laminated Side Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Gibson J-45 Standard 12-String
    • Made in United States
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Electronics
    • Ivory Tusq Saddle
    • Solid Top Wood
    • Solid Side Wood
    • Solid Back Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Takamine P6JC-12
    Quality of materials 81
    Features 85
    Quality Control 95
    Build Quality 87
    Gibson J-45 Standard 12-String
    Quality of materials 96
    Features 85
    Quality Control 100
    Build Quality 94

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Takamine P6JC-12 Nut Width
    Both Guitars Have The Same Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 47.6mm (1.875'').

    This is within the most common range of nut widths for a 12-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

    Scale Length

    Takamine P6JC-12's Scale Length
    Takamine P6JC-12's Scale Length
    Gibson J-45 Standard 12-String's Scale Length
    Gibson J-45 Standard 12-String's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Takamine P6JC-12 has the longest scale: 25.4". The Gibson J-45 Standard 12-String is only 24.75" long. This is a 0.65'' (16.5mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Takamine P6JC-12 Neck Profile
    Takamine P6JC-12's neck profile
    Gibson J-45 Standard 12-String Neck Profile
    Gibson J-45 Standard 12-String's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The Takamine P6JC-12 has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

    The Gibson J-45 Standard 12-String, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Takamine P6JC-12 Fingerboard Radius
    Both Guitars Have The Same Fretboard Radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    Both the Takamine P6JC-12 and the Gibson J-45 Standard 12-String have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

    Fret Size

    Takamine P6JC-12 and Gibson J-45 Standard 12-String Frets Size
    Both have a similar Medium fret size

    Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

    Final Playability Scores

    Takamine P6JC-12
    Bending & Vibrato Ease 75
    Chord Playability 75
    Solo Playability 70
    Playability 73
    Gibson J-45 Standard 12-String
    Bending & Vibrato Ease 85
    Chord Playability 70
    Solo Playability 80
    Playability 78