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Takamine P3NY
Taylor 214ce
VS
Playability
80
Sound
85
Build
82
Value
82
Score
82
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Playability
73
Sound
85
Build
74
Value
82
Score
77
FIND IT ON:
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Takamine P3NY vs Taylor 214ce Specs Comparison
Takamine P3NY Taylor 214ce
General
Brand: Takamine Taylor
Year: 2014 2013
Strings: 6 6
Made in: Japan Mexico
Series: Pro Series 3 200
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Cedar Solid Sitka Spruce
Sides Material: Sapele Rosewood
Back Material: Sapele Rosewood
Bridge: Fixed West African Crelicam Ebony
Neck
Neck Joint: Set Set
Tuners: Takamine Gold Die-Cast Chrome
Fretboard: Rosewood West African Crelicam Ebony
Neck Material: Mahogany Tropical Mahogany
Decoration: Dots 4mm Dot Italian Acrylic
Scale Size: 24.8" 25.5"
Shape: Acoustic Asymmetrical C Acoustic Taylor Standard
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15"
Nut: Bone NuBone
Nut Width: 42.5mm (1.673'') 42.9mm (1.688'')
Electronics
Pickups: CT4B II (Preamp / Active) Expression System 2 Electronics (Preamp / Active)
Hardware
Strap Lock: No No
Hardware Color: Gold Chrome

Reasons to Get
Takamine P3NY over Taylor 214ce

Country of Manufacturing
Japan vs Mexico
Built with higher quality standards
Release Year
2014 vs 2013
From a more recent year
Neck Profile
Acoustic Asymmetrical C vs Acoustic Taylor Standard
Adapts to the natural shape of your hand
Pickups Brand
Takamine vs None
Pickups from a renown brand
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.673'' (42.5mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Parlor vs Grand Auditorium
Very small body with prominent mid tones
Scale Length
24.8'' (629.9mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15'' (381mm)
Easier to play chords without muting strings

Reasons to Get
Taylor 214ce over Takamine P3NY

Neck Profile
Acoustic Taylor Standard vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Nut Width
1.688'' (42.9mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Grand Auditorium vs Parlor
Wide and narrow body with a balanced tone
Scale Length
25.5'' (647.7mm) vs 24.8'' (629.9mm)
Lower action and brighter natural tone
Fretboard Radius
15'' (381mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Takamine P3NY vs Taylor 214ce

Back Material
Sapele vs Rosewood
Different Back Material
Sides Material
Sapele vs Rosewood
Different Sides Material
Saddle Material
Bone vs Synthetic Bone
Different Saddle Material
Bridge Material
Fixed vs West African Crelicam Ebony
Different Bridge Material
Body Wood
Cedar vs Spruce
Different Body Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Nut Material
Bone vs NuBone
Different Nut Material

Shared Features
Takamine P3NY vs Taylor 214ce

Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Takamine P3NY Prices

    SET PRICE ALERT

    Taylor 214ce Prices

    SET PRICE ALERT

    These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

    Hand Size Comfortability

    And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Taylor 214ce favors large hands more than the Takamine P3NY. But it's still more comfortable for people with small hands, as you can see in the score meter below.

    Takamine P3NY:
    Big Hands
    Small Hands
    Taylor 214ce:
    Big Hands
    Small Hands

    Beginner Friendliness

    The Takamine P3NY meets 6 out of our 8 criteria items for beginner friendliness, while the Taylor 214ce meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

    New Player Friendliness

    Takamine P3NY
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Soft Strings
    • Comfortable fretboard
    • Short scale
    • Locking tuners

    New Player Friendliness

    Taylor 214ce
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Soft Strings
    • Locking tuners

    Sound Quality Comparison

    The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

    Woods Used in Both

    Mahogany wood pattern used for guitar building
    Mahogany
    Rosewood wood pattern used for guitar building
    Rosewood

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

    Woods Used in the Takamine P3NY

    Cedar wood pattern used for guitar building
    Cedar
    Sapele wood pattern used for guitar building
    Sapele

    This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.

    It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

    Woods Used in the Taylor 214ce

    Ebony wood pattern used for guitar building
    Ebony
    Spruce wood pattern used for guitar building
    Spruce

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

    Winner: Taylor 214ce.

    Electronics

    Both come with electronics that allow you connect them to an amplifier or interface for recording.

    Winner:Tie.

    Final Sound Quality Scores

    Takamine P3NY
    Sustain 85
    Versatility 85
    Tuning Stability 70
    Sound 85
    Taylor 214ce
    Sustain 85
    Versatility 85
    Tuning Stability 70
    Sound 85

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine P3NY compares to the Taylor 214ce.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Takamine P3NY is built in Japan while the Taylor 214ce is made in Mexico.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.

    Winner: Takamine P3NY

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Takamine P3NY has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

    On the other hand, the Taylor 214ce comes with a NuBone nut. It's made by the same company that makes TUSQ nuts. It's slightly softer but hard enough to give you a brighter sound when playing open strings. It's also self-lubricating, so it's good for tuning stability.

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Takamine P3NY's are Takamine Gold while the Taylor 214ce's are Die-Cast Chrome

    Winner: Tie.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Takamine P3NY
    • Made in Japan
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Electronics
    • Bone Saddle
    • Solid Top Wood
    • Solid Back Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Laminated Side Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Taylor 214ce
    • Expensive Wood
    • NuBone Nut
    • Electronics
    • Synthetic Bone Saddle
    • Solid Top Wood
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in Mexico
    • No Top Brand Pickups
    • Laminated Side Wood
    • Laminated Back Wood
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Takamine P3NY
    Quality of materials 76
    Features 85
    Quality Control 85
    Build Quality 82
    Taylor 214ce
    Quality of materials 76
    Features 75
    Quality Control 70
    Build Quality 74

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Takamine P3NY Nut Width
    Takamine P3NY Nut Width
    Taylor 214ce Nut Width
    Taylor 214ce Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Taylor 214ce has the wider nut with 42.9mm (1.688'') vs 42.5mm (1.673''). This is a 0.4mm (0.015'') difference

    This means that it will be more difficult to do bar chords on the Taylor 214ce, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Takamine P3NY's Scale Length
    Takamine P3NY's Scale Length
    Taylor 214ce's Scale Length
    Taylor 214ce's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Taylor 214ce has the longest scale: 25.5". The Takamine P3NY is only 24.8" long. This is a 0.7'' (17.8mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Takamine P3NY Neck Profile
    Takamine P3NY's neck profile
    Taylor 214ce Neck Profile
    Taylor 214ce's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The Takamine P3NY has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

    The Taylor 214ce, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Takamine P3NY Fingerboard Radius
    Takamine P3NY's Fingerboard radius
    Taylor 214ce Fingerboard Radius
    Taylor 214ce's Fingerboard radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    In this case, the Takamine P3NY's fingerboard radius is smaller, which means it's more curved than the Taylor 214ce's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Taylor 214ce.

    Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

    Fret Size

    Takamine P3NY and Taylor 214ce Frets Size
    Both have a similar Medium fret size

    Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

    Final Playability Scores

    Takamine P3NY
    Bending & Vibrato Ease 80
    Chord Playability 90
    Solo Playability 70
    Playability 80
    Taylor 214ce
    Bending & Vibrato Ease 75
    Chord Playability 65
    Solo Playability 80
    Playability 73