Show Full Spec Comparison
| Takamine P3NY | Epiphone J-200 EC Studio Parlor | |
|---|---|---|
| General | ||
| Brand: | Takamine | Epiphone |
| Year: | 2014 | 2020 |
| Strings: | 6 | 6 |
| Made in: | Japan | China |
| Series: | Pro Series 3 | Modern Acoustic |
| Colors: | Natural | Natural |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Hollowbody | Hollowbody |
| Body Material: | Solid Cedar | Solid Spruce |
| Sides Material: | Sapele | Ovangkol |
| Back Material: | Sapele | Ovangkol |
| Bridge: | Fixed | Pau Ferro |
| Neck | ||
| Neck Joint: | Set | Set |
| Tuners: | Takamine Gold | Grover Mini Rotomatic; 18:1 ratio |
| Fretboard: | Rosewood | Pau Ferro |
| Neck Material: | Mahogany | Mahogany |
| Decoration: | Dots | Dot inlays with a Crown on 12th fret |
| Scale Size: | 24.8" | 24.75" |
| Shape: | Acoustic Asymmetrical C | Acoustic Rounded |
| Frets: | 20 Medium Nickel Silver | 20 Medium Nickel Silver |
| Fretboard Radius: | 12" | 12" |
| Nut: | Bone | Bone |
| Nut Width: | 42.5mm (1.673'') | 43mm (1.693'') |
| Electronics | ||
| Pickups: | CT4B II (Preamp / Active) | Fishman Sonicore (Preamp / Active) |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Gold | Nickel |
Reasons to Get
Takamine P3NY over Epiphone J-200 EC Studio Parlor
Reasons to Get
Epiphone J-200 EC Studio Parlor over Takamine P3NY
Other Key Differences
Takamine P3NY vs Epiphone J-200 EC Studio Parlor
Shared Features
Takamine P3NY vs Epiphone J-200 EC Studio Parlor
Common Strengths
- Solid Top Wood
- High-Quality Nut
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Solid Side Wood
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
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Hand Size Comfortability
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Epiphone J-200 EC Studio Parlor favors large hands more than the Takamine P3NY. But it's still more comfortable for people with small hands, as you can see in the score meter below.
Takamine P3NY:
Epiphone J-200 EC Studio Parlor:
Beginner Friendliness
The Takamine P3NY meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone J-200 EC Studio Parlor meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Takamine P3NY- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Soft Strings
- Comfortable fretboard
- Short scale
- Locking tuners
New Player Friendliness
Epiphone J-200 EC Studio Parlor- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Woods Used in the Takamine P3NY
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.
It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.
Woods Used in the Epiphone J-200 EC Studio Parlor
Pau Ferro has a dark, chocolate-like color with straight dark grains that is being used as a replacement to Rosewood due to the regulations. It produces a warm tone that is somewhere between Mahogany and Rosewood. Find out more about Pau Ferro.
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.
Winner: Takamine P3NY.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine P3NY compares to the Epiphone J-200 EC Studio Parlor.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Takamine P3NY is built in Japan while the Epiphone J-200 EC Studio Parlor is made in China.
Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Winner: Takamine P3NY
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Takamine P3NY's are Takamine Gold while the Epiphone J-200 EC Studio Parlor's are Grover Mini Rotomatic; 18:1 ratio
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Takamine P3NY
- Made in Japan
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Laminated Side Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Epiphone J-200 EC Studio Parlor
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone J-200 EC Studio Parlor has the wider nut with 43mm (1.693'') vs 42.5mm (1.673''). This is a 0.5mm (0.02'') difference
This means that it will be more difficult to do bar chords on the Epiphone J-200 EC Studio Parlor, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Takamine P3NY has the longest scale: 24.8". The Epiphone J-200 EC Studio Parlor is only 24.75" long. This is a 0.050000000000001'' (1.3mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Takamine P3NY has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.
The Epiphone J-200 EC Studio Parlor, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Takamine P3NY and the Epiphone J-200 EC Studio Parlor have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
