Show Full Spec Comparison
| Takamine JJ325SRC-12 | P3DC-12 | |
|---|---|---|
| General | ||
| Brand: | Takamine | Takamine |
| Year: | 2019 | 2017 |
| Strings: | 12 | 12 |
| Made in: | Japan | Japan |
| Series: | Signature | Pro Series 3 |
| Colors: | Red | Natural |
| Left-Handed Version: | Yes | No |
| Body | ||
| Type: | Hollowbody | Hollowbody |
| Body Material: | Solid Spruce | Solid Cedar |
| Sides Material: | Ovangkol | Sapele |
| Back Material: | Ovangkol | Sapele |
| Bridge: | Fixed | Fixed |
| Neck | ||
| Neck Joint: | Set | Set |
| Tuners: | Takamine Gold | Takamine Gold |
| Fretboard: | Rosewood | Rosewood |
| Neck Material: | Mahogany | Mahogany |
| Decoration: | Dots with custom 12th | Dots |
| Scale Size: | 25.4" | 25.4" |
| Shape: | Acoustic Asymmetrical C | Acoustic Asymmetrical C |
| Frets: | 20 Medium Nickel Silver | 20 Medium Nickel Silver |
| Fretboard Radius: | 12" | 12" |
| Nut: | Bone | Bone |
| Nut Width: | 47.6mm (1.875'') | 46.4mm (1.827'') |
| Electronics | ||
| Pickups: | CT4B II (Preamp / Active) | CT4B II (Preamp / Active) |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Gold | Gold |
Reasons to Get
Takamine JJ325SRC-12 over P3DC-12
Reasons to Get
Takamine P3DC-12 over JJ325SRC-12
Other Key Differences
Takamine JJ325SRC-12 vs P3DC-12
Shared Features
Takamine JJ325SRC-12 vs P3DC-12
Common Strengths
- Solid Top Wood
- High-Quality Nut
- From a High-Quality-Standards Country
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Solid Side Wood
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
Takamine JJ325SRC-12 Prices
Takamine P3DC-12 Prices
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Hand Size Comfortability
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Takamine JJ325SRC-12 favors large hands more than the Takamine P3DC-12. But it's still more comfortable for people with small hands, as you can see in the score meter below.
Takamine JJ325SRC-12:
Takamine P3DC-12:
Beginner Friendliness
The Takamine P3DC-12 meets 4 out of our 8 criteria items for beginner friendliness, while the Takamine JJ325SRC-12 meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Takamine JJ325SRC-12- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Takamine P3DC-12- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Short scale
- Soft Strings
- Locking tuners
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Woods Used in the Takamine JJ325SRC-12
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.
Woods Used in the Takamine P3DC-12
This is a softwood that is commonly used for acoustic guitars. It's known for its warm tone with strong overtones. However, there are many species so the tone and look can vary a lot.
It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.
Winner: Tie.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine JJ325SRC-12 compares to the Takamine P3DC-12.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Japan.
Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. Both come with Takamine Gold.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Takamine JJ325SRC-12
- Made in Japan
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Takamine P3DC-12
- Made in Japan
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Laminated Side Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Takamine JJ325SRC-12 has the wider nut with 47.6mm (1.875'') vs 46.4mm (1.827''). This is a 1.2mm (0.048'') difference
This means that it will be more difficult to do bar chords on the Takamine JJ325SRC-12, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 25.4".
This is considered a long scale, but slightly shorter than what's commonly found in acoustic guitars.
Since the distance between bridge and nut is relatively long, strings will feel stiff and more difficult to bend, but the tone will feel brighter. It will also be less likely to produce fret buzzing and rattling when strumming hard.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Takamine JJ325SRC-12 and the Takamine P3DC-12 have a Asymmetrical-shaped neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Takamine JJ325SRC-12 and the Takamine P3DC-12 have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
