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Takamine GY11ME
Fender PS-220E Parlor
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Playability
77
Sound
81
Build
67
Value
85
Score
75
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Playability
73
Sound
86
Build
77
Value
84
Score
79
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Side to side spec comparison >

Takamine GY11ME vs Fender PS-220E Parlor

Reasons to Get
Takamine GY11ME over Fender PS-220E Parlor

Neck Profile
Acoustic Asymmetrical C vs Acoustic C Shape
Adapts to the natural shape of your hand
Nut Width
1.673'' (42.5mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Scale Length
25.4'' (645.2mm) vs 25.3'' (642.6mm)
Lower action and brighter natural tone
Fretboard Radius
12'' (304.8mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings
Value Score
85 vs 84
Better price/quality relationship

Reasons to Get
Fender PS-220E Parlor over Takamine GY11ME

Release Year
2022 vs 2019
From a more recent year
Neck Profile
Acoustic C Shape vs Acoustic Asymmetrical C
Comfortable neck that works for most people
Top Wood
Solid vs Laminated
Helps with richer tones and louder volume
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.693'' (43mm) vs 1.673'' (42.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
25.3'' (642.6mm) vs 25.4'' (645.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15.75'' (400.1mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Takamine GY11ME vs Fender PS-220E Parlor

Back Material
Sapele vs Mahogany
Different Back Material
Sides Material
Sapele vs Mahogany
Different Sides Material
Saddle Material
Synthetic Bone vs Bone
Different Saddle Material
Bridge Material
Fixed vs Ovangkol
Different Bridge Material
Body Wood
Sapele vs Mahogany
Different Body Wood
Fretboard Wood
Laurel vs Ovangkol
Different Fretboard Wood
Nut Material
Synthetic Bone vs Bone
Different Nut Material

Shared Features
Takamine GY11ME vs Fender PS-220E Parlor

Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Takamine GY11ME Prices

SET PRICE ALERT
SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Fender PS-220E Parlor is probably the better product overall with its final score of 79 compared to the Takamine GY11ME's 75 score, although not by a lot.

The Fender PS-220E Parlor wins when it comes to sound, build quality. On the other hand, the Takamine GY11ME has the upper hand when it comes to playability, value for the money.

If you got small hands, you'll probably feel that the Takamine GY11ME is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Takamine GY11ME is the better choice.

The Takamine GY11ME meets 5 out of our 8 criteria items for beginner friendliness, while the Fender PS-220E Parlor meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Takamine GY11ME
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Fender PS-220E Parlor
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Takamine GY11ME Overview

  • From Takamine's 2019 G11 series
  • Made in China
  • 6 strings
  • 25.4"'' scale
  • 12" Fretboard Radius
  • Sapele top
  • Sapele back
  • Sapele sides
  • Mahogany neck
  • Laurel fretboard
  • Bridge pickup: TP-4T (Preamp/Active)
  • Fixed bridge
  • Acoustic Asymmetrical C Set neck
  • 20 Medium frets
  • Takamine tuners
  • Compare Specs >

Fender PS-220E Parlor Overview

  • From Fender's 2022 Classic Design series
  • Made in China
  • 6 strings
  • 25.3"'' scale
  • 15.75" Fretboard Radius
  • Solid Mahogany top
  • Solid Mahogany back
  • Solid Mahogany sides
  • Mahogany neck
  • Ovangkol fretboard
  • Bridge pickup: Fender/Fishman Sonitone Plus Soundhole Pickup System (Preamp/Active)
  • Ovangkol bridge
  • Acoustic C Shape Set neck
  • 20 Medium frets
  • Nickel Open-Back tuners
  • Weight between 3.65lbs (1.7kgs) and 3.75lbs (1.7kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Takamine GY11ME

Laurel wood pattern used for guitar building
Laurel
Sapele wood pattern used for guitar building
Sapele

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

It's similar to Mahogany in both color and tone. It can produce warm tones, and it's known for its beautiful figured grain patterns. Find out more about Sapele.

Woods Used in the Fender PS-220E Parlor

Ovangkol wood pattern used for guitar building
Ovangkol

Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.

Winner: Tie.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Takamine GY11ME
Sustain 70
Versatility 85
Tuning Stability 70
Sound 81
Fender PS-220E Parlor
Sustain 90
Versatility 85
Tuning Stability 70
Sound 86

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Takamine GY11ME compares to the Fender PS-220E Parlor.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in China.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Takamine GY11ME has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

On the other hand, the Fender PS-220E Parlor comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Takamine GY11ME's are Takamine while the Fender PS-220E Parlor's are Nickel Open-Back

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Takamine GY11ME
  • Expensive Wood
  • Synthetic Bone Nut
  • Top Brand Pickups
  • Electronics
  • Synthetic Bone Saddle
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • Laminated Top Wood
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Fender PS-220E Parlor
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Electronics
  • Bone Saddle
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Takamine GY11ME
Quality of materials 61
Features 85
Quality Control 55
Build Quality 67
Fender PS-220E Parlor
Quality of materials 86
Features 85
Quality Control 60
Build Quality 77

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Takamine GY11ME Nut Width
Takamine GY11ME Nut Width
Fender PS-220E Parlor Nut Width
Fender PS-220E Parlor Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Fender PS-220E Parlor has the wider nut with 43mm (1.693'') vs 42.5mm (1.673''). This is a 0.5mm (0.02'') difference

This means that it will be more difficult to do bar chords on the Fender PS-220E Parlor, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Takamine GY11ME's Scale Length
Takamine GY11ME's Scale Length
Fender PS-220E Parlor's Scale Length
Fender PS-220E Parlor's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Takamine GY11ME has the longest scale: 25.4". The Fender PS-220E Parlor is only 25.3" long. This is a 0.099999999999998'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Takamine GY11ME Neck Profile
Takamine GY11ME's neck profile
Fender PS-220E Parlor Neck Profile
Fender PS-220E Parlor's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Takamine GY11ME has a Asymmetrical type of neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

The Fender PS-220E Parlor, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Takamine GY11ME Fingerboard Radius
Takamine GY11ME's Fingerboard radius
Fender PS-220E Parlor Fingerboard Radius
Fender PS-220E Parlor's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Takamine GY11ME's fingerboard radius is smaller, which means it's more curved than the Fender PS-220E Parlor's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Fender PS-220E Parlor.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Fender PS-220E Parlor favors large hands more than the Takamine GY11ME. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Takamine GY11ME:
Big Hands
Small Hands
Fender PS-220E Parlor:
Big Hands
Small Hands

Fret Size

Takamine GY11ME and Fender PS-220E Parlor Frets Size
Both have a similar Medium fret size

Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.

Final Playability Scores

Takamine GY11ME
Bending & Vibrato Ease 75
Chord Playability 85
Solo Playability 70
Playability 77
Fender PS-220E Parlor
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Takamine GY11ME vs Fender PS-220E Parlor
General Takamine GY11ME Fender PS-220E Parlor
Brand: Takamine Fender
Year: 2019 2022
Strings: 6 6
Made in: China China
Series: G11 Classic Design
Colors: Natural Sunburst
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Sapele Solid Mahogany
Sides Material: Sapele Mahogany
Back Material: Sapele Mahogany
Bridge: Fixed Ovangkol
Neck
Neck Joint: Set Set
Tuners: Takamine Nickel Open-Back
Fretboard: Laurel Ovangkol
Neck Material: Mahogany Mahogany
Decoration: Dots Snowflake
Scale Size: 25.4" 25.3"
Shape: Acoustic Asymmetrical C Acoustic C Shape
Frets: 20 Medium Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15.75"
Nut: Synthetic Bone Bone
Nut Width: 42.5mm (1.673'') 43mm (1.693'')
Electronics
Bridge Pickup: TP-4T (Preamp / Active) Fender/Fishman Sonitone Plus Soundhole Pickup System (Preamp / Active)