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Schecter Robert Smith UltraCure
Schecter Keith Merrow KM7 MK-III PRO
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Playability
77
Sound
78
Build
67
Value
74
Score
74
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Playability
75
Sound
78
Build
87
Value
65
Score
80
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Schecter Robert Smith UltraCure vs Keith Merrow KM7 MK-III PRO

Reasons to Get
Schecter Robert Smith UltraCure over Keith Merrow KM7 MK-III PRO

Pickup Mods
Coil Split vs Multi-Voicing
Splits humbuckers into single coil pickups
Strings
6 vs 7
Narrower neck and fewer strings to change
Volume Knobs
3 vs 1
More volume control
Neck Thickness at 1st Fret
0.79'' (20.1mm) vs 0.765'' (19.4mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.87'' (22.1mm) vs 0.825'' (21mm)
More comfortable at higher frets for big hands
Nut Width
1.654'' (42mm) vs 1.89'' (48mm)
Favors small hands, easier bar chords and other shapes
Bridge
Bigsby Tremolo vs Fixed
Intense vibrato with a solid arm
Scale Length
25.5'' (647.7mm) vs 26.5'' (673.1mm)
Easier bending, shorter fret separation and warmer natural tone
Pickups Power
Passive vs Active
Cleaner sound and no battery needed
Value Score
74 vs 65
Better price/quality relationship

Reasons to Get
Schecter Keith Merrow KM7 MK-III PRO over Robert Smith UltraCure

Country of Manufacturing
United States vs South Korea
Built with higher quality standards
Decorative Top
Flame Maple vs None
Finished with beautiful natural wood patterns
Fret Material
Stainless Steel vs Nickel Silver
Best fret material that will last forever
Compound Radius
12" to 16" vs 14"
Balanced playability for chords and single-notes
Pickup Mods
Multi-Voicing vs Coil Split
Changes the voice (tones or gain) of the pickups
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Strings
7 vs 6
Allows you to play lower notes
Neck Thickness at 1st Fret
0.765'' (19.4mm) vs 0.79'' (20.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.825'' (21mm) vs 0.87'' (22.1mm)
More comfortable at higher frets for small hands
Nut Width
1.89'' (48mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Bridge
Fixed vs Bigsby Tremolo
Good sustain and needs no set-up
Scale Length
26.5'' (673.1mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Pickups Power
Active vs Passive
More output

Other Key Differences
Schecter Robert Smith UltraCure vs Keith Merrow KM7 MK-III PRO

Bridge Pickup
Seymour Duncan '59 SH-1B vs Keith Merrow Custom Fishman Fluence
Different Bridge Pickup
Neck Pickup
Seymour Duncan '59 SH-1N vs Keith Merrow Custom Fishman Fluence
Different Neck Pickup
Body Wood
Mahogany vs Ash
Different Body Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Headstock
2-4 vs 4-3
Different Headstock
Nut Material
Black Tusq XL vs Compensated
Different Nut Material

Shared Features
Schecter Robert Smith UltraCure vs Keith Merrow KM7 MK-III PRO

Neck Wood
Maple
Same Neck Wood
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Tone Knobs
0
Same tone control
Pickups
HH
High output without hum
Number of Frets
24
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
XL Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Luminescent Sidedots
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Schecter Keith Merrow KM7 MK-III PRO is probably the better product overall with its final score of 80 compared to the Schecter Robert Smith UltraCure's 74 score, although not by a lot.

The Schecter Keith Merrow KM7 MK-III PRO wins when it comes to build quality. On the other hand, the Schecter Robert Smith UltraCure has the upper hand when it comes to playability, value for the money.

If you got small hands, you'll probably feel that the Schecter Robert Smith UltraCure is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Schecter Keith Merrow KM7 MK-III PRO is the better choice.

The Schecter Keith Merrow KM7 MK-III PRO meets 6 out of our 8 criteria items for beginner friendliness, while the Schecter Robert Smith UltraCure meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Schecter Robert Smith UltraCure
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Short scale
  • Easy-to-use bridge

New Player Friendliness

Schecter Keith Merrow KM7 MK-III PRO
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Comfortable neck
  • Narrow nut
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Schecter Robert Smith UltraCure Overview

  • From Schecter's 2020 Artist series
  • Robert Smith Signature
  • Made in South Korea
  • 6 strings
  • 25.5"'' scale
  • 14" Fretboard Radius
  • Chambered Mahogany body
  • Maple 3-pc neck
  • Rosewood fretboard
  • Bridge pickup: Seymour Duncan '59 SH-1B (Humbucker/Passive)
  • Neck pickup: Seymour Duncan '59 SH-1N (Humbucker/Passive)
  • 3 volume and 0 tone Dome knobs
  • 3-way Switch
  • Bigsby Flat Top B50 w/ Roller TonePros TOM TPFR – T3BT bridge
  • Thin C Set neck
  • 24 XL Jumbo frets
  • Schecter Locking tuners
  • Compare Specs >

Schecter Keith Merrow KM7 MK-III PRO Overview

  • From Schecter's 2020 Artist series
  • Keith Merrow Signature
  • Made in United States
  • 7 strings
  • 26.5"'' scale
  • 12" to 16" Fretboard Radius
  • Flame Maple top
  • Swamp Ash body
  • Wenge 3-piece with purple heart and maple laminates neck
  • Macassar Ebony fretboard
  • Bridge pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • Neck pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • 1 volume and 0 tone Dome knobs
  • 3-way Switch
  • Hipshot Low Profile contoured 7 string fixed bridge bridge
  • Thin fast C Bolt-On neck
  • 24 XL Jumbo Stainless Steel frets
  • Hipshot open gear locking with Knurled Barrel adjustment tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Woods Used in the Schecter Robert Smith UltraCure

Rosewood wood pattern used for guitar building
Rosewood
Mahogany wood pattern used for guitar building
Mahogany

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Schecter Keith Merrow KM7 MK-III PRO

Ebony wood pattern used for guitar building
Ebony
Ash wood pattern used for guitar building
Ash

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

You can purchase similar pickups to the Schecter Robert Smith UltraCure's and use them on any guitar:

We found the same or similar pickups to the Schecter Keith Merrow KM7 MK-III PRO's online:

The Schecter Robert Smith UltraCure's pickups are Passive while the Schecter Keith Merrow KM7 MK-III PRO's are Active.

Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Both give you different pickup mod options.

The Schecter Robert Smith UltraCure offers Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

On the other hand, the Schecter Keith Merrow KM7 MK-III PRO comes with the following: Multi-Voicing.

Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.

Schecter Robert Smith UltraCure pickups switch and push knobs diagram
Schecter Robert Smith UltraCure's switch options
Schecter Keith Merrow KM7 MK-III PRO pickups switch and push knobs diagram
Schecter Keith Merrow KM7 MK-III PRO's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Schecter Robert Smith UltraCure.

Final Sound Quality Scores

Schecter Robert Smith UltraCure
Pickups 85
Sustain 80
Versatility 71
Tuning Stability 75
Sound 78
Schecter Keith Merrow KM7 MK-III PRO
Pickups 85
Sustain 85
Versatility 62
Tuning Stability 80
Sound 78

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Schecter Robert Smith UltraCure compares to the Schecter Keith Merrow KM7 MK-III PRO.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Schecter Robert Smith UltraCure is built in South Korea while the Schecter Keith Merrow KM7 MK-III PRO is made in United States.

South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Schecter Keith Merrow KM7 MK-III PRO

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Schecter Robert Smith UltraCure has a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

On the other hand, the Schecter Keith Merrow KM7 MK-III PRO comes with a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

In this comparison, the Schecter Keith Merrow KM7 MK-III PRO is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Schecter Keith Merrow KM7 MK-III PRO.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Schecter Robert Smith UltraCure's brige is a Bigsby Tremolo. Bigsby tremolos are built differently than regular tremolos. They have a stiffer arm, which is something a lot of people like because the arm won't wiggle around a lot. On the other hand, this type of tremolo is more complicated to restring and it might not be as newbie-friendly as other simpler tremolos.

On the other hand, the Schecter Keith Merrow KM7 MK-III PRO's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Schecter Robert Smith UltraCure.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Schecter Robert Smith UltraCure has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Schecter Keith Merrow KM7 MK-III PRO comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Schecter Keith Merrow KM7 MK-III PRO.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Schecter Robert Smith UltraCure
  • Locking Tuners
  • Expensive Wood
  • Black Tusq XL Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Luminescent Inlay
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in South Korea
  • No Neck-Through Build
  • No Weight Relief
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Schecter Keith Merrow KM7 MK-III PRO
  • Stainless Steel Frets
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Compensated Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Luminescent Inlay
  • Compound Radius Fretboard
  • No Neck-Through Build
  • No Weight Relief
  • No Tremolo
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Schecter Robert Smith UltraCure
Quality of materials 51
Features 75
Quality Control 75
Build Quality 67
Schecter Keith Merrow KM7 MK-III PRO
Quality of materials 80
Features 80
Quality Control 100
Build Quality 87

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Schecter Robert Smith UltraCure Nut Width
Schecter Robert Smith UltraCure Nut Width
Schecter Keith Merrow KM7 MK-III PRO Nut Width
Schecter Keith Merrow KM7 MK-III PRO Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Schecter Keith Merrow KM7 MK-III PRO has the wider nut with 48mm (1.89'') vs 42mm (1.654''). This is a 6mm (0.236'') difference

This means that it will be more difficult to do bar chords on the Schecter Keith Merrow KM7 MK-III PRO, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Schecter Robert Smith UltraCure's Scale Length
Schecter Robert Smith UltraCure's Scale Length
Schecter Keith Merrow KM7 MK-III PRO's Scale Length
Schecter Keith Merrow KM7 MK-III PRO's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Schecter Keith Merrow KM7 MK-III PRO has the longest scale: 26.5". The Schecter Robert Smith UltraCure is only 25.5" long. This is a 1'' (25.4mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Schecter Robert Smith UltraCure Neck Profile
Schecter Robert Smith UltraCure's neck profile
Schecter Keith Merrow KM7 MK-III PRO Neck Profile
Schecter Keith Merrow KM7 MK-III PRO's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Schecter Robert Smith UltraCure and the Schecter Keith Merrow KM7 MK-III PRO have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Schecter Robert Smith UltraCure Fingerboard Radius
Schecter Robert Smith UltraCure's Fingerboard radius
Schecter Keith Merrow KM7 MK-III PRO Fretboard Compound Radius
Schecter Keith Merrow KM7 MK-III PRO's Compound Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Schecter Keith Merrow KM7 MK-III PRO is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Schecter Keith Merrow KM7 MK-III PRO favors large hands more than the Schecter Robert Smith UltraCure.

Schecter Robert Smith UltraCure:
Big Hands
Small Hands
Schecter Keith Merrow KM7 MK-III PRO:
Big Hands
Small Hands

Fret Size

Schecter Robert Smith UltraCure and Schecter Keith Merrow KM7 MK-III PRO Frets Size
Both have a similar XL Jumbo fret size

Both have a XL Jumbo fret size. These are really tall frets made like this so you don't meet any resistance when playing techniques like vibrato, bending, tapping, etc. They should make the guitar easier to play, but you have to be careful not to get the notes out of pitch by pressing down too hard, which might happen since the fretboard will be too low to stop your hand.

Final Playability Scores

Schecter Robert Smith UltraCure
Bending & Vibrato Ease 80
Chord Playability 60
Solo Playability 90
Playability 77
Schecter Keith Merrow KM7 MK-III PRO
Bending & Vibrato Ease 75
Chord Playability 60
Solo Playability 90
Playability 75

Specs Side-by-Side

Schecter Robert Smith UltraCure vs Keith Merrow KM7 MK-III PRO
General Schecter Robert Smith UltraCure Keith Merrow KM7 MK-III PRO
Brand: Schecter Schecter
Year: 2020 2020
Configuration: HH HH
Strings: 6 7
Made in: South Korea United States
Series: Artist Artist
Colors: Black, Red Black Patterns, Blue Patterns
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Chambered Mahogany Swamp Ash
Bridge: Bigsby Flat Top B50 w/ Roller TonePros TOM TPFR – T3BT Hipshot Low Profile contoured 7 string fixed bridge
Neck
Neck Joint: Set Bolt-On
Tuners: Schecter Locking Hipshot open gear locking with Knurled Barrel adjustment
Fretboard: Rosewood Macassar Ebony
Neck Material: Maple 3-pc Wenge 3-piece with purple heart and maple laminates
Decoration: Mother of Pearl Blocks Custom offset silver metal rings
Scale Size: 25.5" 26.5"
Shape: Thin C Thin fast C
Thickness: 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.87'' (22.1mm) 1st Fret: 0.765'' (19.4mm) - 12th Fret: 0.825'' (21mm)
Frets: 24 XL Jumbo Nickel Silver 24 XL Jumbo Stainless Steel
Fretboard Radius: 14" 12" to 16"
Nut: Black Tusq XL Compensated
Nut Width: 42mm (1.654'') 48mm (1.89'')
Electronics
Bridge Pickup: Seymour Duncan '59 SH-1B (Humbucker / Passive) Keith Merrow Custom Fishman Fluence (Humbucker / Active)
Middle Pickup:
Neck Pickup: Seymour Duncan '59 SH-1N (Humbucker / Passive) Keith Merrow Custom Fishman Fluence (Humbucker / Active)
Switch: 3 Way 3 Way
Knobs: Dome Dome
Pickup Mods: Coil Split Multi-Voicing
Volume Controls: 3 1
Tone Controls: 0 0