Schecter C-8 Multiscale Rob Scallon vs Reverend Greg Koch Gristle 90
Reasons to Get
Schecter C-8 Multiscale Rob Scallon over Reverend Greg Koch Gristle 90
Reasons to Get
Reverend Greg Koch Gristle 90 over Schecter C-8 Multiscale Rob Scallon
Other Key Differences
Schecter C-8 Multiscale Rob Scallon vs Reverend Greg Koch Gristle 90
Shared Features
Schecter C-8 Multiscale Rob Scallon vs Reverend Greg Koch Gristle 90
Common Strengths
- Locking Tuners
- High-Quality Nut
- Expensive Wood
Common Weaknesses
- Weight Relief
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- From a High-Quality-Standards Country
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Schecter C-8 Multiscale Rob Scallon is probably the better product overall with its final score of 76 compared to the Reverend Greg Koch Gristle 90's 74 score, although not by a lot.
The Schecter C-8 Multiscale Rob Scallon wins when it comes to playability, build quality, value for the money. On the other hand, the Reverend Greg Koch Gristle 90 has the upper hand when it comes to sound.
If you got small hands, you'll probably feel that the Reverend Greg Koch Gristle 90 is easier to play.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Schecter C-8 Multiscale Rob Scallon is the better choice.
The Schecter C-8 Multiscale Rob Scallon meets 5 out of our 8 criteria items for beginner friendliness, while the Reverend Greg Koch Gristle 90 meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Schecter C-8 Multiscale Rob Scallon- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
New Player Friendliness
Reverend Greg Koch Gristle 90- Comfortable shape
- Locking tuners
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Easy-to-use bridge
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Schecter C-8 Multiscale Rob Scallon Overview
- From Schecter's 2022 Artist series
- Rob Scallon Signature
- Made in Indonesia
- 8 strings
- 27" to 25.5"'' scale
- 20" Fretboard Radius
- Swamp Ash body
- Mahogany 3-pc w/ Carbon Fiber Reinforcement Rods neck
- Ebony fretboard
- Bridge pickup: Schecter Diamond 78 Special Rob Scallon (Humbucker/Passive)
- Neck pickup: Schecter Diamond 78 Rob Scallon (Humbucker/Passive)
- 1 volume and 1 tone Dome knobs
- 3-way Switch
- Hipshot Hardtail (.125) w/ String Thru Body bridge
- Rob Scallon C Neck-Through neck
- 24 Jumbo frets
- Hipshot Grip-Lock tuners
- Compare Specs >
Reverend Greg Koch Gristle 90 Overview
- From Reverend's 2021 Signature series
- Greg Koch Signature
- Made in South Korea
- 6 strings
- 24.75"'' scale
- 12" Fretboard Radius
- Korina body
- Three-Piece Korina neck
- Ebony fretboard
- Bridge pickup: Fishman Gristle 90's (Single Coil/Passive)
- 1 volume and 1 tone Dome knobs
- 3-way Switch
- Bigsby B-50 with Roller Bridge bridge
- Medium Oval Set neck
- 22 XL Jumbo frets
- Reverend Pin-Lock tuners
- Weight between 7.85lbs (3.6kgs) and 8.25lbs (3.7kgs)
- Compare Specs >
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Woods Used in the Schecter C-8 Multiscale Rob Scallon
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.
Woods Used in the Reverend Greg Koch Gristle 90
Limba is a relatively rare wood that shows exotic tight dark grain stripes. It comes in white or black. As a tonewood, it is comparable to Mahogany but with richer mids. Find out more about Limba.
Winner: Schecter C-8 Multiscale Rob Scallon.
Pickup Configuration
The Schecter C-8 Multiscale Rob Scallon has an HH configuration while the Reverend Greg Koch Gristle 90 has P90P90 pickups.
Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
On the other hand, P90P90 gives you two P90s for a crunchy vintage tone. The tone sits somewhere in the middle between typical single-coils and humbuckers. They also produce less hum than single-coils, but they don't cancel it completely like humbuckers.
Pickups Quality
The Reverend Greg Koch Gristle 90 pickups from a more specialized brand than the Schecter C-8 Multiscale Rob Scallon. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Reverend Greg Koch Gristle 90.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
Both are equal when it comes to the pickup switching option.
Both give you different pickup mod options.
The Schecter C-8 Multiscale Rob Scallon offers Coil Split.
Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.
On the other hand, the Reverend Greg Koch Gristle 90 comes with the following: Boost.
A Boost will give your pickups more output, similar to an active pickup. It's great if you like to use a lot of output for heavy genres, but also like to use a cleaner tone often.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Schecter C-8 Multiscale Rob Scallon compares to the Reverend Greg Koch Gristle 90.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Schecter C-8 Multiscale Rob Scallon is built in Indonesia while the Reverend Greg Koch Gristle 90 is made in South Korea.
Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.
South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Schecter C-8 Multiscale Rob Scallon has a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).
On the other hand, the Reverend Greg Koch Gristle 90 comes with a Boneite nut. This is an artificial material made to imitate the favored type of nut: bone. This allows it to sound and feel pretty much like bone, but without the inconsistency of natural materials.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
The Schecter C-8 Multiscale Rob Scallon's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
On the other hand, the Reverend Greg Koch Gristle 90's is a Bigsby Tremolo. Bigsby tremolos are built differently than regular tremolos. They have a stiffer arm, which is something a lot of people like because the arm won't wiggle around a lot. On the other hand, this type of tremolo is more complicated to restring and it might not be as newbie-friendly as other simpler tremolos.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Reverend Greg Koch Gristle 90.
Tuners
They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: Tie.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
The Schecter C-8 Multiscale Rob Scallon has a Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.
On the other hand, the Reverend Greg Koch Gristle 90 comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.
Winner: Schecter C-8 Multiscale Rob Scallon.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Schecter C-8 Multiscale Rob Scallon
- Locking Tuners
- Expensive Wood
- Black Tusq XL Nut
- Neck-Through Build
- Coil Split Pickups
- Cheap Fret Wire (NS)
- Made in Indonesia
- No Top Brand Pickups
- No Weight Relief
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Reverend Greg Koch Gristle 90
- Locking Tuners
- Expensive Wood
- Boneite Nut
- Top Brand Pickups
- Boost Pickups
- Tremolo
- Cheap Fret Wire (NS)
- Made in South Korea
- No Neck-Through Build
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Schecter C-8 Multiscale Rob Scallon has the wider nut with 54mm (2.126'') vs 43mm (1.693''). This is a 11mm (0.433'') difference
This means that it will be more difficult to do bar chords on the Schecter C-8 Multiscale Rob Scallon, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, the Schecter C-8 Multiscale Rob Scallon features a multi-scale of 27" to 25.5" while the Reverend Greg Koch Gristle 90 has a regular scale of 24.75".
A multi-scale fingerboard incorporates two scale lengths at the same time. This is present in some instruments with long scale to give a different tension to the lower strings than the higher strings. The thickest strings need more tension to avoid fret buzz (especially when tuned low), so the scale is longer for these strings, while the thinnest strings will need less tension (because they have a lower gauge), so they have a shorter scale to reduce stiffness for bends.
It can feel awkward if you've never played a multi-scale because the frets will have more separation for the higher strings, but a lot of people love their versatility.
On the other hand, the Reverend Greg Koch Gristle 90's 24.75" regular scale means it has a fixed scale for all the strings.This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.
On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Schecter C-8 Multiscale Rob Scallon and the Reverend Greg Koch Gristle 90 have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Reverend Greg Koch Gristle 90's fingerboard radius is smaller, which means it's more curved than the Schecter C-8 Multiscale Rob Scallon's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Schecter C-8 Multiscale Rob Scallon.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Schecter C-8 Multiscale Rob Scallon favors large hands more than the Reverend Greg Koch Gristle 90.
Schecter C-8 Multiscale Rob Scallon:
Reverend Greg Koch Gristle 90:
Fret Size
The Reverend Greg Koch Gristle 90 has XL Jumbo frets, which should be taller than the Schecter C-8 Multiscale Rob Scallon's Jumbo frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.