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Reverend Roundhouse RA
Yamaha PAC1611MS
VS
Playability
77
Sound
77
Build
63
Value
72
Score
72
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Playability
72
Sound
72
Build
69
Value
66
Score
71
FIND IT ON:
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Side to side spec comparison >

Reverend Roundhouse RA vs Yamaha PAC1611MS

Reasons to Get
Reverend Roundhouse RA over Yamaha PAC1611MS

Decorative Top
Flame Maple vs None
Finished with beautiful natural wood patterns
Release Year
2022 vs 2014
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Tone Knobs
2 vs 1
More tone control
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.85'' (21.6mm) vs 0.839'' (21.3mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.9'' (22.9mm) vs 0.906'' (23mm)
More comfortable at higher frets for small hands
Nut Width
1.693'' (43mm) vs 1.594'' (40.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 7.25'' (184.2mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
72 vs 66
Better price/quality relationship

Reasons to Get
Yamaha PAC1611MS over Reverend Roundhouse RA

Country of Manufacturing
Japan vs South Korea
Built with higher quality standards
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Neck Thickness at 1st Fret
0.839'' (21.3mm) vs 0.85'' (21.6mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.906'' (23mm) vs 0.9'' (22.9mm)
More comfortable at higher frets for big hands
Nut Width
1.594'' (40.5mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
7.25'' (184.2mm) vs 12'' (304.8mm)
More curved fretboard helpful to play chords without muting strings

Other Key Differences
Reverend Roundhouse RA vs Yamaha PAC1611MS

Bridge Pickup
Hyper Vintage Bridge vs Seymour Duncan STHR-1b
Different Bridge Pickup
Neck Pickup
Hyper Vintage Neck vs Seymour Duncan '59 SH-1N
Different Neck Pickup
Body Wood
Limba vs Ash
Different Body Wood
Neck Wood
Limba vs Maple
Different Neck Wood
Fretboard Wood
Rosewood vs Maple
Different Fretboard Wood
Headstock
3-3 vs 6
Different Headstock
Nut Material
Boneite vs Bone
Different Nut Material

Shared Features
Reverend Roundhouse RA vs Yamaha PAC1611MS

Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
1
Same volume control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people

Common Strengths

  • High-Quality Nut
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Reverend Roundhouse RA is probably the better product overall with its final score of 72 compared to the Yamaha PAC1611MS's 71 score, although not by a lot.

The Reverend Roundhouse RA wins when it comes to sound, playability, value for the money. On the other hand, the Yamaha PAC1611MS has the upper hand when it comes to build quality.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 5 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Reverend Roundhouse RA
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale

New Player Friendliness

Yamaha PAC1611MS
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Reverend Roundhouse RA Overview

  • From Reverend's 2022 Set-Neck series
  • Made in South Korea
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Flame Maple top
  • Korina body
  • Three-Piece Korina neck
  • Rosewood fretboard
  • Bridge pickup: Hyper Vintage Bridge (Humbucker/Passive)
  • Neck pickup: Hyper Vintage Neck (Humbucker/Passive)
  • 1 volume and 2 tone Dome knobs
  • 3-way Switch
  • TOM with Stop Tail bridge
  • Medium Oval Set neck
  • 22 Jumbo frets
  • Reverend Pin-Lock tuners
  • Weight around 7.6lbs (3.4kgs)
  • Compare Specs >

Yamaha PAC1611MS Overview

  • From Yamaha's 2014 Signature series
  • Mike Stern Signature
  • Made in Japan
  • 6 strings
  • 25.5"'' scale
  • 7.25" Fretboard Radius
  • Light Ash body
  • Maple neck
  • One-Piece Maple fretboard
  • Bridge pickup: Seymour Duncan STHR-1b (Humbucker/Passive)
  • Neck pickup: Seymour Duncan '59 SH-1N (Humbucker/Passive)
  • 1 volume and 1 tone Dome knobs
  • 3-way Switch
  • 6-Saddle Hardtail bridge
  • PAC1611MS Bolt-On neck
  • 22 Medium Jumbo frets
  • Gotoh SD91-05M-L tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Reverend Roundhouse RA

Limba wood pattern used for guitar building
Limba
Rosewood wood pattern used for guitar building
Rosewood

Limba is a relatively rare wood that shows exotic tight dark grain stripes. It comes in white or black. As a tonewood, it is comparable to Mahogany but with richer mids. Find out more about Limba.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Yamaha PAC1611MS

Maple wood pattern used for guitar building
Maple
Ash wood pattern used for guitar building
Ash

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.

Winner: Reverend Roundhouse RA.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

We found the same or similar pickups to the Yamaha PAC1611MS's online:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

They both share the following switching options:

Reverend Roundhouse RA and Yamaha PAC1611MS pickups switch and push knobs diagram
Reverend Roundhouse RA and Yamaha PAC1611MS's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Yamaha PAC1611MS.

Final Sound Quality Scores

Reverend Roundhouse RA
Pickups 90
Sustain 85
Versatility 51
Tuning Stability 80
Sound 77
Yamaha PAC1611MS
Pickups 90
Sustain 75
Versatility 54
Tuning Stability 70
Sound 72

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Reverend Roundhouse RA compares to the Yamaha PAC1611MS.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Reverend Roundhouse RA is built in South Korea while the Yamaha PAC1611MS is made in Japan.

South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Yamaha PAC1611MS

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Reverend Roundhouse RA has a Boneite nut. This is an artificial material made to imitate the favored type of nut: bone. This allows it to sound and feel pretty much like bone, but without the inconsistency of natural materials.

On the other hand, the Yamaha PAC1611MS comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Reverend Roundhouse RA has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Reverend Roundhouse RA.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Reverend Roundhouse RA has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Yamaha PAC1611MS comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Yamaha PAC1611MS.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Reverend Roundhouse RA
  • Locking Tuners
  • Expensive Wood
  • Boneite Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • Made in South Korea
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha PAC1611MS
  • Made in Japan
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Reverend Roundhouse RA
Quality of materials 55
Features 60
Quality Control 75
Build Quality 63
Yamaha PAC1611MS
Quality of materials 66
Features 50
Quality Control 90
Build Quality 69

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Reverend Roundhouse RA Nut Width
Reverend Roundhouse RA Nut Width
Yamaha PAC1611MS Nut Width
Yamaha PAC1611MS Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Reverend Roundhouse RA has the wider nut with 43mm (1.693'') vs 40.5mm (1.594''). This is a 2.5mm (0.099'') difference

This means that it will be more difficult to do bar chords on the Reverend Roundhouse RA, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Reverend Roundhouse RA's Scale Length
Reverend Roundhouse RA's Scale Length
Yamaha PAC1611MS's Scale Length
Yamaha PAC1611MS's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha PAC1611MS has the longest scale: 25.5". The Reverend Roundhouse RA is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Reverend Roundhouse RA Neck Profile
Reverend Roundhouse RA's neck profile
Yamaha PAC1611MS Neck Profile
Yamaha PAC1611MS's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Reverend Roundhouse RA and the Yamaha PAC1611MS have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Reverend Roundhouse RA Fingerboard Radius
Reverend Roundhouse RA's Fingerboard radius
Yamaha PAC1611MS Fingerboard Radius
Yamaha PAC1611MS's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Yamaha PAC1611MS's fingerboard radius is smaller, which means it's more curved than the Reverend Roundhouse RA's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Reverend Roundhouse RA.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison are balanced for most hand sizes.

Reverend Roundhouse RA:
Big Hands
Small Hands
Yamaha PAC1611MS:
Big Hands
Small Hands

Fret Size

Reverend Roundhouse RA Frets Size
Reverend Roundhouse RA's Frets Size
Yamaha PAC1611MS Frets Size
Yamaha PAC1611MS's Frets Size

The Reverend Roundhouse RA has Jumbo frets, which should be taller than the Yamaha PAC1611MS's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Reverend Roundhouse RA
Bending & Vibrato Ease 95
Chord Playability 55
Solo Playability 80
Playability 77
Yamaha PAC1611MS
Bending & Vibrato Ease 65
Chord Playability 90
Solo Playability 60
Playability 72

Specs Side-by-Side

Reverend Roundhouse RA vs Yamaha PAC1611MS
General Reverend Roundhouse RA Yamaha PAC1611MS
Brand: Reverend Yamaha
Year: 2022 2014
Configuration: HH HH
Strings: 6 6
Made in: South Korea Japan
Series: Set-Neck Signature
Colors: Blue, Purple Natural
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Korina Light Ash
Bridge: TOM with Stop Tail 6-Saddle Hardtail
Neck
Neck Joint: Set Bolt-On
Tuners: Reverend Pin-Lock Gotoh SD91-05M-L
Fretboard: Rosewood One-Piece Maple
Neck Material: Three-Piece Korina Maple
Decoration: Pearloid Blocks Dots
Scale Size: 24.75" 25.5"
Shape: Medium Oval PAC1611MS
Thickness: 1st Fret: 0.85'' (21.6mm) - 12th Fret: 0.9'' (22.9mm) 1st Fret: 0.839'' (21.3mm) - 12th Fret: 0.906'' (23mm)
Frets: 22 Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 7.25"
Nut: Boneite Bone
Nut Width: 43mm (1.693'') 40.5mm (1.594'')
Electronics
Bridge Pickup: Hyper Vintage Bridge (Humbucker / Passive) Seymour Duncan STHR-1b (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Hyper Vintage Neck (Humbucker / Passive) Seymour Duncan '59 SH-1N (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Dome Dome
Pickup Mods: None None
Volume Controls: 1 1
Tone Controls: 2 1