Jackson USA Signature Misha Mansoor Juggernaut HT7 vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

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Reasons to Get
Jackson USA Signature Misha Mansoor Juggernaut HT7 over Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Neck Profile
Speed vs Authentic 64 Medium C-Shape
Thin and flat neck for playing fast
Strings
7 vs 6
For lower tunings
Body Type
Solid Body vs Semi-Hollow
Feedback free
Switch Positions
5 vs 3
More tone options
Number of Frets
24 vs 22
Allows to reach higher notes
Stainless Steel Frets
Yes vs None
Best fret material that will last forever
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.775'' (19.7mm) vs 0.87'' (22.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.835'' (21.2mm) vs 0.98'' (24.9mm)
More comfortable at higher frets for small hands
Nut Width
1.75'' (44.5mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Scale Length
26.5'' (673.1mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Fretboard Radius
20'' (508mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend
Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Value Score
67 vs 59
Better price/quality relationship

Reasons to Get
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged over Jackson USA Signature Misha Mansoor Juggernaut HT7

Release Year
2020 vs 2018
From a more recent year
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Authentic 64 Medium C-Shape vs Speed
Comfortable neck that works for most people
Strings
6 vs 7
For higher tunings
Body Type
Semi-Hollow vs Solid Body
Lighter and allows more gain than a hollowbody
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Neck Thickness at 1st Fret
0.87'' (22.1mm) vs 0.775'' (19.7mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.98'' (24.9mm) vs 0.835'' (21.2mm)
More comfortable at higher frets for big hands
Nut Width
1.693'' (43mm) vs 1.75'' (44.5mm)
Favors small hands, easier bar chords and other shapes
Scale Length
24.75'' (628.7mm) vs 26.5'' (673.1mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 20'' (508mm)
More curved fretboard helpful to play chords without muting strings

Other Key Differences
Jackson USA Signature Misha Mansoor Juggernaut HT7 vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Bridge Pickup
Bare Knuckle Ragnarok vs Gibson Custombucker Alnico 3 (Unpotted)
Different Bridge Pickup
Neck Pickup
Bare Knuckle Ragnarok vs Gibson Custombucker Alnico 3 (Unpotted)
Different Neck Pickup
Body Wood
Basswood vs Maple
Different Body Wood
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Flame Maple vs Rosewood
Different Fretboard Wood
Headstock
4-3 vs 6
Different Headstock
Nut Material
Black Tusq XL vs Nylon
Different Nut Material

Shared Features
Jackson USA Signature Misha Mansoor Juggernaut HT7 vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Pickups
HH
High output without hum
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Pickups Power
Passive
Cleaner sound and no battery needed

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Stays in Tune (Evertune)
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio

Jackson USA Signature Misha Mansoor Juggernaut HT7 Prices

Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Prices

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Jackson USA Signature Misha Mansoor Juggernaut HT7 vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged: Which One is Better?

After going through our comparison algorithm, the results show that the Jackson USA Signature Misha Mansoor Juggernaut HT7 is probably the better product overall with its final score of 82 compared to the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's 74 score, although not by a lot.

The Jackson USA Signature Misha Mansoor Juggernaut HT7 wins when it comes to sound, playability, build quality, value for the money. This means that it wins over the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged in every aspect.

However, there's still a reason to choose the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged instead. If you got small hands, you'll probably feel that the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged is easier to play.

Which Guitar is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged is the better choice.

The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged meets 6 out of our 8 criteria items for beginner friendliness, while the Jackson USA Signature Misha Mansoor Juggernaut HT7 meets only 5. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

Jackson USA Signature Misha Mansoor Juggernaut HT7
New Player Friendliness
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Wide nut
  • Short scale
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
New Player Friendliness
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Wide nut
  • Short scale
  • Comfortable neck
  • Locking tuners
  • Comfortable fretboard

Nevertheless, when it comes to choosing a guitar, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Jackson USA Signature Misha Mansoor Juggernaut HT7 Overview

  • From Jackson's 2018 Artist Signature series
  • Misha Mansoor Signature
  • Made in United States
  • 7 strings
  • 26.5"'' scale
  • 20" Fretboard Radius
  • Caramelized Basswood body
  • Caramelized Quartersawn Maple neck
  • Caramelized Flame Maple fretboard
  • Bridge pickup: Bare Knuckle Ragnarok (Humbucker/Passive)
  • Neck pickup: Bare Knuckle Ragnarok (Humbucker/Passive)
  • Hipshot 7 Fixed .175 bridge
  • 1 volume and 1 tone Dome knobs
  • 5-way Switch
  • Speed Bolt-On neck
  • 24 Jumbo Stainless Steel frets
  • Hipshot Open-Gear Locking tuners
  • Compare Specs >

Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Overview

  • From Gibson's 2020 Gibson Murphy Lab Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 3-Ply Maple/Poplar/Maple body
  • Solid Mahogany neck
  • Indian Rosewood, Hide Glue Fit fretboard
  • Bridge pickup: Gibson Custombucker Alnico 3 (Unpotted) (Humbucker/Passive)
  • Neck pickup: Gibson Custombucker Alnico 3 (Unpotted) (Humbucker/Passive)
  • ABR-1 bridge
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • Authentic 64 Medium C-Shape Set neck
  • 22 Medium Jumbo frets
  • Kluson Single Line Strip with Metal Buttons tuners
  • Compare Specs >

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the guitar. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson USA Signature Misha Mansoor Juggernaut HT7 compares to the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Country of Origin Comparison

The manufacturing country can tell a lot about the build quality of an instrument. Both guitars in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Woods Used in Both Guitars

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America.

Woods Used in the Jackson USA Signature Misha Mansoor Juggernaut HT7

Flame Maple wood pattern used for guitar building
Flame Maple
Basswood wood pattern used for guitar building
Basswood

This wood has beautiful patterns only found in specific types of maple.

Basswood is a lightweight type of wood that isn't as expensive as other popular choices for guitar building. It gives more power to the mid-range frequencies. Its color can vary from pale white to light brown.

Woods Used in the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones.

Winner: Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same guitar model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged comes with a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

Winner: Tie.

Fret Material

Most guitar fret wire is made of nickel silver. This material eventually wears down after a lot of use and most guitars end up needing a complete fret replacement. However, some expensive guitars come with stainless steel frets. This is what you should aim for if you can afford it.

In this comparison, the Jackson USA Signature Misha Mansoor Juggernaut HT7 is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Jackson USA Signature Misha Mansoor Juggernaut HT7.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both guitars come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune the guitar without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Jackson USA Signature Misha Mansoor Juggernaut HT7.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to an electric guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Jackson USA Signature Misha Mansoor Juggernaut HT7.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Jackson USA Signature Misha Mansoor Juggernaut HT7
  • Stainless Steel Frets
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Black Tusq XL Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Strap Lock
  • Neck-Through Build
  • Compound Radius Fretboard
  • Weight Relief
  • Tremolo
  • 21:1 Tuner Ratio
  • Luminescent Inlay
Strengths & Weaknesses
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
  • Made in United States
  • Expensive Wood
  • Top Brand Pickups
  • Stainless Steel Frets
  • Locking Tuners
  • High-Quality Nut
  • Neck-Through Build
  • Compound Radius Fretboard
  • Push Knob or Extra Switch Option
  • Tremolo
  • 21:1 Tuner Ratio
  • Strap Lock
  • Luminescent Inlay

Final Build Quality Scores

Jackson USA Signature Misha Mansoor Juggernaut HT7
Quality of materials 92
Features 70
Quality Control 100
Build Quality 87
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Quality of materials 74
Features 55
Quality Control 100
Build Quality 76

Sound Quality Comparison

Determining which guitar sounds better objectively is a difficult task since not everybody will love the same pickups. However, we still can take a look at the instrument specifications to determine how versatile, how much sustain, and the tuning stability it might have. Let's see now how both these guitars compare to each other when it comes to sound quality.

Pickup Configuration

Both guitars have an HH pickup configuration. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both guitars come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

However, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

You can purchase similar pickups to the Jackson USA Signature Misha Mansoor Juggernaut HT7's and use them on any guitar:

Both guitars use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Versatility Comparison

Some guitars offer you more ways to explore your creativity than others. Below you'll find how both guitars compare when it comes to versatility.

Switch Options

The Jackson USA Signature Misha Mansoor Juggernaut HT7 gives you 5 switch options while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged gives you 3. This means that the Jackson USA Signature Misha Mansoor Juggernaut HT7 gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Jackson USA Signature Misha Mansoor Juggernaut HT7 comes with some kind of pickup modification: Multi-Voicing.

Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Sometimes it might be going from an Active pickup sound to a Passive without hearing a volume difference, or simply a change in the dynamic range.

Here's the diagram comparing all the pickup combinations you can get with both guitars:

Jackson USA Signature Misha Mansoor Juggernaut HT7 pickups switch selector and push knobs diagram
Jackson USA Signature Misha Mansoor Juggernaut HT7's switch options
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged pickups switch and push knobs diagram
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Jackson USA Signature Misha Mansoor Juggernaut HT7.

Final Sound Quality Scores

Jackson USA Signature Misha Mansoor Juggernaut HT7
Pickups 85
Sustain 85
Versatility 73
Tuning Stability 80
Sound 81
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Pickups 90
Sustain 75
Versatility 54
Tuning Stability 70
Sound 72

Playability Comparison

Let's now compare the playability of both guitars. Bear in mind that the guitar will feel different depending on your hand size and play style. That's why you should always test a guitar before buying it. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the guitar for you. This way, we can predict how easy a guitar is to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when we're comparing guitars. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT7 Nut Width
Jackson USA Signature Misha Mansoor Juggernaut HT7 Nut Width
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Nut Width
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Jackson USA Signature Misha Mansoor Juggernaut HT7 has the wider nut with 44.5mm (1.75'') vs 43mm (1.693''). This is a 1.5mm (0.057'') difference

This means that it will be more difficult to do bar chords on the Jackson USA Signature Misha Mansoor Juggernaut HT7, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT7's Scale Length
Jackson USA Signature Misha Mansoor Juggernaut HT7's Scale Length
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Scale Length
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has the longest scale: 26.5". The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged is only 24.75" long. This is a 1.75'' (44.4mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT7 Neck Profile
Jackson USA Signature Misha Mansoor Juggernaut HT7's neck profile
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Neck Profile
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both guitars have different neck shapes:

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT7 Fingerboard Radius
Jackson USA Signature Misha Mansoor Juggernaut HT7's Fingerboard radius
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Fingerboard Radius
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Fingerboard radius

Most electric guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's fingerboard radius is smaller by a 8'' difference, which means it's more curved than the Jackson USA Signature Misha Mansoor Juggernaut HT7's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Jackson USA Signature Misha Mansoor Juggernaut HT7.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Jackson USA Signature Misha Mansoor Juggernaut HT7 favors large hands more than the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Jackson USA Signature Misha Mansoor Juggernaut HT7:
Big Hands
Balance
Small hands
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged:
Big Hands
Balance
Small hands

Fret Size Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT7 Frets Size
Jackson USA Signature Misha Mansoor Juggernaut HT7's Frets Size
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Frets Size
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Frets Size

The Jackson USA Signature Misha Mansoor Juggernaut HT7 has Jumbo frets, which should be taller than the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Jackson USA Signature Misha Mansoor Juggernaut HT7
Bending & Vibrato Ease 85
Chord Playability 60
Solo Playability 90
Playability 78
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Bending & Vibrato Ease 85
Chord Playability 70
Solo Playability 70
Playability 75

Jackson USA Signature Misha Mansoor Juggernaut HT7 vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Specs Comparison

General Jackson USA Signature Misha Mansoor Juggernaut HT7 Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Brand: Jackson Gibson
Year: 2018 2020
Configuration: HH HH
Strings: 7 6
Made in: United States United States
Series: Artist Signature Gibson Murphy Lab Collection
Colors: Blue, Red, Gray Black
Left-Handed Version: No No
Body
Type: Solid Body Semi-Hollow
Body Material: Caramelized Basswood 3-Ply Maple/Poplar/Maple
Bridge: Hipshot 7 Fixed .175 ABR-1
Neck
Neck Joint: Bolt-On Set
Tuners: Hipshot Open-Gear Locking Kluson Single Line Strip with Metal Buttons
Fretboard: Caramelized Flame Maple Indian Rosewood, Hide Glue Fit
Neck Material: Caramelized Quartersawn Maple Solid Mahogany
Decoration: Offset Maple Dot Split Diamond Cellulose Nitrate
Scale Size: 26.5" 24.75"
Shape: Speed Authentic 64 Medium C-Shape
Thickness: 1st Fret: 0.775'' (19.7mm) - 12th Fret: 0.835'' (21.2mm) 1st Fret: 0.87'' (22.1mm) - 12th Fret: 0.98'' (24.9mm)
Frets: 24 Jumbo Stainless Steel 22 Medium Jumbo
Fretboard Radius: 20" 12"
Nut: Black Tusq XL Nylon
Nut Width: 44.5mm (1.75'') 43mm (1.693'')
Electronics
Switch: 5 Way 3 Way
Knobs: Dome Bell
Pickup Mods: Multi-Voicing None
Volume Controls: 1 2
Tone Controls: 1 2
Bridge Pickup: Bare Knuckle Ragnarok (Humbucker / Passive) Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Bare Knuckle Ragnarok (Humbucker / Passive) Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive)