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Jackson USA Signature Misha Mansoor Juggernaut HT6FM
Schecter Keith Merrow KM-6 MK-III Pro
VS
Playability
75
Sound
81
Build
85
Value
65
Score
80
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Playability
78
Sound
78
Build
87
Value
66
Score
81
FIND IT ON:
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Jackson USA Signature Misha Mansoor Juggernaut HT6FM vs Schecter Keith Merrow KM-6 MK-III Pro

Reasons to Get
Jackson USA Signature Misha Mansoor Juggernaut HT6FM over Schecter Keith Merrow KM-6 MK-III Pro

Neck Profile
Speed vs Thin fast C
Thin and flat neck for playing fast
Switch Positions
5 vs 3
More tone options
Tone Knobs
1 vs 0
More tone control
Neck Thickness at 1st Fret
0.775'' (19.7mm) vs 0.765'' (19.4mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.835'' (21.2mm) vs 0.825'' (21mm)
More comfortable at higher frets for big hands
Nut Width
1.688'' (42.9mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Pickups Power
Passive vs Active
Cleaner sound and no battery needed

Reasons to Get
Schecter Keith Merrow KM-6 MK-III Pro over Jackson USA Signature Misha Mansoor Juggernaut HT6FM

Release Year
2021 vs 2018
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Compound Radius
12" to 16" vs 20"
Balanced playability for chords and single-notes
Neck Profile
Thin fast C vs Speed
Comfortable neck that works for most people
Neck Thickness at 1st Fret
0.765'' (19.4mm) vs 0.775'' (19.7mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.825'' (21mm) vs 0.835'' (21.2mm)
More comfortable at higher frets for small hands
Nut Width
1.654'' (42mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Pickups Power
Active vs Passive
More output
Value Score
66 vs 65
Better price/quality relationship

Other Key Differences
Jackson USA Signature Misha Mansoor Juggernaut HT6FM vs Schecter Keith Merrow KM-6 MK-III Pro

Bridge Pickup
Bare Knuckle Juggernaut vs Keith Merrow Custom Fishman Fluence
Different Bridge Pickup
Neck Pickup
Bare Knuckle Juggernaut vs Keith Merrow Custom Fishman Fluence
Different Neck Pickup
Body Wood
Mahogany vs Ash
Different Body Wood
Fretboard Wood
Flame Maple vs Ebony
Different Fretboard Wood
Nut Material
Black Tusq XL vs Compensated
Different Nut Material

Shared Features
Jackson USA Signature Misha Mansoor Juggernaut HT6FM vs Schecter Keith Merrow KM-6 MK-III Pro

Neck Wood
Maple
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Volume Knobs
1
Same volume control
Pickups
HH
High output without hum
Number of Frets
24
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
25.5'' (647.7mm)
Same string tension and fret separation
Decorative Top
Flame Maple
Finished with beautiful natural wood patterns
Neck Joint
Bolt-On
Allows you to detach and swap the neck
Type of Frets
Jumbo vs XL Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Weight Relief
  • Stays in Tune (Evertune)
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Prices

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Schecter Keith Merrow KM-6 MK-III Pro Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Schecter Keith Merrow KM-6 MK-III Pro is probably the better product overall with its final score of 81 compared to the Jackson USA Signature Misha Mansoor Juggernaut HT6FM's 80 score, although not by a lot.

The Schecter Keith Merrow KM-6 MK-III Pro wins when it comes to playability, build quality, value for the money. On the other hand, the Jackson USA Signature Misha Mansoor Juggernaut HT6FM has the upper hand when it comes to sound.

If you got small hands, you'll probably feel more comfortable playing the Schecter Keith Merrow KM-6 MK-III Pro.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Schecter Keith Merrow KM-6 MK-III Pro is the better choice.

The Schecter Keith Merrow KM-6 MK-III Pro meets 7 out of our 8 criteria items for beginner friendliness, while the Jackson USA Signature Misha Mansoor Juggernaut HT6FM meets only 5. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Jackson USA Signature Misha Mansoor Juggernaut HT6FM
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale

New Player Friendliness

Schecter Keith Merrow KM-6 MK-III Pro
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Overview

  • From Jackson's 2018 Artist Signature series
  • Misha Mansoor Signature
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 20" Fretboard Radius
  • Flame Maple top
  • Caramelized Mahogany body
  • Caramelized Quartersawn Maple neck
  • Caramelized Flame Maple fretboard
  • Bridge pickup: Bare Knuckle Juggernaut (Humbucker/Passive)
  • Neck pickup: Bare Knuckle Juggernaut (Humbucker/Passive)
  • 1 volume and 1 tone Dome knobs
  • 5-way Switch
  • Hipshot 6 Fixed .175 bridge
  • Speed Bolt-On neck
  • 24 Jumbo Stainless Steel frets
  • Hipshot Open-Gear Locking tuners
  • Compare Specs >

Schecter Keith Merrow KM-6 MK-III Pro Overview

  • From Schecter's 2021 Artist series
  • Keith Merrow Signature
  • Made in United States
  • 6 strings
  • 25.5"'' scale
  • 12" to 16" Fretboard Radius
  • Flame Maple top
  • Swamp Ash body
  • Wenge 3-piece with purple heart and maple laminates neck
  • Ebony fretboard
  • Bridge pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • Neck pickup: Keith Merrow Custom Fishman Fluence (Humbucker/Active)
  • 1 volume and 0 tone Dome knobs
  • 3-way Switch
  • Hipshot Low Profilefixed bridge bridge
  • Thin fast C Bolt-On neck
  • 24 XL Jumbo Stainless Steel frets
  • Hipshot open gear locking with Knurled Barrel adjustment tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Woods Used in the Jackson USA Signature Misha Mansoor Juggernaut HT6FM

Flame Maple wood pattern used for guitar building
Flame Maple
Mahogany wood pattern used for guitar building
Mahogany

This wood has beautiful patterns only found in specific types of maple.

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Schecter Keith Merrow KM-6 MK-III Pro

Ebony wood pattern used for guitar building
Ebony
Ash wood pattern used for guitar building
Ash

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

We found the same or similar pickups to the Schecter Keith Merrow KM-6 MK-III Pro's online:

The Jackson USA Signature Misha Mansoor Juggernaut HT6FM's pickups are Passive while the Schecter Keith Merrow KM-6 MK-III Pro's are Active.

Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Jackson USA Signature Misha Mansoor Juggernaut HT6FM gives you 5 switch options while the Schecter Keith Merrow KM-6 MK-III Pro gives you 3. This means that the Jackson USA Signature Misha Mansoor Juggernaut HT6FM gives you more options to find the right pickup combination for the type of sound you want to achieve

Both offer you the same type of pickup mod: Multi-Voicing.

Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.

Jackson USA Signature Misha Mansoor Juggernaut HT6FM pickups switch selector and push knobs diagram
Jackson USA Signature Misha Mansoor Juggernaut HT6FM's switch options
Schecter Keith Merrow KM-6 MK-III Pro pickups switch and push knobs diagram
Schecter Keith Merrow KM-6 MK-III Pro's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Jackson USA Signature Misha Mansoor Juggernaut HT6FM.

Final Sound Quality Scores

Jackson USA Signature Misha Mansoor Juggernaut HT6FM
Pickups 85
Sustain 85
Versatility 72
Tuning Stability 80
Sound 81
Schecter Keith Merrow KM-6 MK-III Pro
Pickups 85
Sustain 85
Versatility 62
Tuning Stability 80
Sound 78

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson USA Signature Misha Mansoor Juggernaut HT6FM compares to the Schecter Keith Merrow KM-6 MK-III Pro.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Jackson USA Signature Misha Mansoor Juggernaut HT6FM has a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

On the other hand, the Schecter Keith Merrow KM-6 MK-III Pro comes with a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Both in this comparison come with stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Jackson USA Signature Misha Mansoor Juggernaut HT6FM
  • Stainless Steel Frets
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Black Tusq XL Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Strap Lock
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
Strengths & Weaknesses
Schecter Keith Merrow KM-6 MK-III Pro
  • Stainless Steel Frets
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Compensated Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Luminescent Inlay
  • Compound Radius Fretboard
  • No Neck-Through Build
  • No Weight Relief
  • No Tremolo
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Jackson USA Signature Misha Mansoor Juggernaut HT6FM
Quality of materials 85
Features 70
Quality Control 100
Build Quality 85
Schecter Keith Merrow KM-6 MK-III Pro
Quality of materials 80
Features 80
Quality Control 100
Build Quality 87

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Nut Width
Jackson USA Signature Misha Mansoor Juggernaut HT6FM Nut Width
Schecter Keith Merrow KM-6 MK-III Pro Nut Width
Schecter Keith Merrow KM-6 MK-III Pro Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Jackson USA Signature Misha Mansoor Juggernaut HT6FM has the wider nut with 42.9mm (1.688'') vs 42mm (1.654''). This is a 0.9mm (0.034'') difference

This means that it will be more difficult to do bar chords on the Jackson USA Signature Misha Mansoor Juggernaut HT6FM, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Jackson USA Signature Misha Mansoor Juggernaut HT6FM and Schecter Keith Merrow KM-6 MK-III Pro's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 25.5".

This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.

However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Neck Profile
Jackson USA Signature Misha Mansoor Juggernaut HT6FM's neck profile
Schecter Keith Merrow KM-6 MK-III Pro Neck Profile
Schecter Keith Merrow KM-6 MK-III Pro's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Jackson USA Signature Misha Mansoor Juggernaut HT6FM has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Schecter Keith Merrow KM-6 MK-III Pro, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Fingerboard Radius
Jackson USA Signature Misha Mansoor Juggernaut HT6FM's Fingerboard radius
Schecter Keith Merrow KM-6 MK-III Pro Fretboard Compound Radius
Schecter Keith Merrow KM-6 MK-III Pro's Compound Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Schecter Keith Merrow KM-6 MK-III Pro is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Jackson USA Signature Misha Mansoor Juggernaut HT6FM favors large hands more than the Schecter Keith Merrow KM-6 MK-III Pro. But it's still more comfortable for people with small hands, as you can see in the score meter below.

Jackson USA Signature Misha Mansoor Juggernaut HT6FM:
Big Hands
Small Hands
Schecter Keith Merrow KM-6 MK-III Pro:
Big Hands
Small Hands

Fret Size

Jackson USA Signature Misha Mansoor Juggernaut HT6FM Frets Size
Jackson USA Signature Misha Mansoor Juggernaut HT6FM's Frets Size
Schecter Keith Merrow KM-6 MK-III Pro Frets Size
Schecter Keith Merrow KM-6 MK-III Pro's Frets Size

The Schecter Keith Merrow KM-6 MK-III Pro has XL Jumbo frets, which should be taller than the Jackson USA Signature Misha Mansoor Juggernaut HT6FM's Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Jackson USA Signature Misha Mansoor Juggernaut HT6FM
Bending & Vibrato Ease 85
Chord Playability 50
Solo Playability 90
Playability 75
Schecter Keith Merrow KM-6 MK-III Pro
Bending & Vibrato Ease 75
Chord Playability 70
Solo Playability 90
Playability 78

Specs Side-by-Side

Jackson USA Signature Misha Mansoor Juggernaut HT6FM vs Schecter Keith Merrow KM-6 MK-III Pro
General Jackson USA Signature Misha Mansoor Juggernaut HT6FM Schecter Keith Merrow KM-6 MK-III Pro
Brand: Jackson Schecter
Year: 2018 2021
Configuration: HH HH
Strings: 6 6
Made in: United States United States
Series: Artist Signature Artist
Colors: Brown, Blue Burst Black Patterns, Red Patterns
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Caramelized Mahogany Swamp Ash
Bridge: Hipshot 6 Fixed .175 Hipshot Low Profilefixed bridge
Neck
Neck Joint: Bolt-On Bolt-On
Tuners: Hipshot Open-Gear Locking Hipshot open gear locking with Knurled Barrel adjustment
Fretboard: Caramelized Flame Maple Ebony
Neck Material: Caramelized Quartersawn Maple Wenge 3-piece with purple heart and maple laminates
Decoration: Offset Maple Dot Custom offset silver metal rings
Scale Size: 25.5" 25.5"
Shape: Speed Thin fast C
Thickness: 1st Fret: 0.775'' (19.7mm) - 12th Fret: 0.835'' (21.2mm) 1st Fret: 0.765'' (19.4mm) - 12th Fret: 0.825'' (21mm)
Frets: 24 Jumbo Stainless Steel 24 XL Jumbo Stainless Steel
Fretboard Radius: 20" 12" to 16"
Nut: Black Tusq XL Compensated
Nut Width: 42.9mm (1.688'') 42mm (1.654'')
Electronics
Bridge Pickup: Bare Knuckle Juggernaut (Humbucker / Passive) Keith Merrow Custom Fishman Fluence (Humbucker / Active)
Middle Pickup:
Neck Pickup: Bare Knuckle Juggernaut (Humbucker / Passive) Keith Merrow Custom Fishman Fluence (Humbucker / Active)
Switch: 5 Way 3 Way
Knobs: Dome Dome
Pickup Mods: Multi-Voicing Multi-Voicing
Volume Controls: 1 1
Tone Controls: 1 0