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Jackson USA Signature Marty Friedman MF-1
Gibson Adam Jones 1979 Les Paul Custom VOS
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Playability
73
Sound
75
Build
77
Value
60
Score
75
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Playability
77
Sound
75
Build
72
Value
60
Score
75
FIND IT ON:
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Jackson USA Signature Marty Friedman MF-1 vs Gibson Adam Jones 1979 Les Paul Custom VOS

Reasons to Get
Jackson USA Signature Marty Friedman MF-1 over Gibson Adam Jones 1979 Les Paul Custom VOS

Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Speed vs Adam Jones Medium C
Thin and flat neck for playing fast
Locking Tuners
Yes vs None
Easier to change strings
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap

Reasons to Get
Gibson Adam Jones 1979 Les Paul Custom VOS over Jackson USA Signature Marty Friedman MF-1

Release Year
2020 vs 2017
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Profile
Adam Jones Medium C vs Speed
Comfortable neck that works for most people
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle

Other Key Differences
Jackson USA Signature Marty Friedman MF-1 vs Gibson Adam Jones 1979 Les Paul Custom VOS

Bridge Pickup
EMG MF Signature vs Custom-Wound Seymour Duncan DDJ
Different Bridge Pickup
Neck Pickup
EMG MF Signature vs Gibson Custombucker (Reverse-Mounted)
Different Neck Pickup
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood

Shared Features
Jackson USA Signature Marty Friedman MF-1 vs Gibson Adam Jones 1979 Les Paul Custom VOS

Body Wood
Mahogany
Same Body Wood
Headstock
3-3
Same Headstock
Nut Material
Bone
Same Nut Material
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Tone Knobs
2
Same tone control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Decorative Top
3/4 Plain Maple vs 3-piece Maple
Finished with beautiful natural wood patterns
Neck Joint
Set
Neck is glued to the body

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT

Gibson Adam Jones 1979 Les Paul Custom VOS Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that both instruments scored 75 out of 100, which makes them similar in terms of quality.

The Gibson Adam Jones 1979 Les Paul Custom VOS wins when it comes to playability. On the other hand, the Jackson USA Signature Marty Friedman MF-1 has the upper hand when it comes to build quality.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Jackson USA Signature Marty Friedman MF-1 is the better choice.

The Jackson USA Signature Marty Friedman MF-1 meets 5 out of our 8 criteria items for beginner friendliness, while the Gibson Adam Jones 1979 Les Paul Custom VOS meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Jackson USA Signature Marty Friedman MF-1
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale

New Player Friendliness

Gibson Adam Jones 1979 Les Paul Custom VOS
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Jackson USA Signature Marty Friedman MF-1 Overview

  • From Jackson's 2017 Artist Signature series
  • Marty Friedman Signature
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 3/4 Plain Maple top
  • Mahogany body
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: EMG MF Signature (Humbucker/Passive)
  • Neck pickup: EMG MF Signature (Humbucker/Passive)
  • 2 volume and 2 tone Speed knobs
  • 3-way Switch
  • TonePros Adjustable Tune-O-Matic Style with Gotoh Stop Tailpiece bridge
  • Speed Set neck
  • 22 Medium Jumbo frets
  • Schaller Locking tuners
  • Compare Specs >

Gibson Adam Jones 1979 Les Paul Custom VOS Overview

  • From Gibson's 2020 Custom Shop Collection series
  • Adam Jones Signature
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 3-piece Maple top
  • Solid Mahogany body
  • 3-piece Maple neck
  • Ebony, with 1-ply White Binding fretboard
  • Bridge pickup: Custom-Wound Seymour Duncan DDJ (Humbucker/Passive)
  • Neck pickup: Gibson Custombucker (Reverse-Mounted) (Humbucker/Passive)
  • 2 volume and 2 tone Speed knobs
  • 3-way Switch
  • Tune-O-Matic bridge
  • Adam Jones Medium C Set neck
  • 22 Jumbo frets
  • Schaller M6 with Large Buttons tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Jackson USA Signature Marty Friedman MF-1

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Gibson Adam Jones 1979 Les Paul Custom VOS

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

They both share the following switching options:

Jackson USA Signature Marty Friedman MF-1 and Gibson Adam Jones 1979 Les Paul Custom VOS pickups switch and push knobs diagram
Jackson USA Signature Marty Friedman MF-1 and Gibson Adam Jones 1979 Les Paul Custom VOS's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Tie.

Final Sound Quality Scores

Jackson USA Signature Marty Friedman MF-1
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 80
Sound 75
Gibson Adam Jones 1979 Les Paul Custom VOS
Pickups 90
Sustain 85
Versatility 53
Tuning Stability 70
Sound 75

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson USA Signature Marty Friedman MF-1 compares to the Gibson Adam Jones 1979 Les Paul Custom VOS.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Jackson USA Signature Marty Friedman MF-1 has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Jackson USA Signature Marty Friedman MF-1.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Jackson USA Signature Marty Friedman MF-1
  • Locking Tuners
  • Made in United States
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
Strengths & Weaknesses
Gibson Adam Jones 1979 Les Paul Custom VOS
  • Made in United States
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Jackson USA Signature Marty Friedman MF-1
Quality of materials 65
Features 65
Quality Control 100
Build Quality 77
Gibson Adam Jones 1979 Les Paul Custom VOS
Quality of materials 65
Features 50
Quality Control 100
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Jackson USA Signature Marty Friedman MF-1 Nut Width
Jackson USA Signature Marty Friedman MF-1 Nut Width
Gibson Adam Jones 1979 Les Paul Custom VOS Nut Width
Gibson Adam Jones 1979 Les Paul Custom VOS Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Adam Jones 1979 Les Paul Custom VOS has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Gibson Adam Jones 1979 Les Paul Custom VOS, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Jackson USA Signature Marty Friedman MF-1 and Gibson Adam Jones 1979 Les Paul Custom VOS's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 24.75".

This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Jackson USA Signature Marty Friedman MF-1 Neck Profile
Jackson USA Signature Marty Friedman MF-1's neck profile
Gibson Adam Jones 1979 Les Paul Custom VOS Neck Profile
Gibson Adam Jones 1979 Les Paul Custom VOS's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Jackson USA Signature Marty Friedman MF-1 has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Gibson Adam Jones 1979 Les Paul Custom VOS, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Jackson USA Signature Marty Friedman MF-1 Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Jackson USA Signature Marty Friedman MF-1 and the Gibson Adam Jones 1979 Les Paul Custom VOS have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Jackson USA Signature Marty Friedman MF-1:
Big Hands
Small Hands
Gibson Adam Jones 1979 Les Paul Custom VOS:
Big Hands
Small Hands

Fret Size

Jackson USA Signature Marty Friedman MF-1 Frets Size
Jackson USA Signature Marty Friedman MF-1's Frets Size
Gibson Adam Jones 1979 Les Paul Custom VOS Frets Size
Gibson Adam Jones 1979 Les Paul Custom VOS's Frets Size

The Gibson Adam Jones 1979 Les Paul Custom VOS has Jumbo frets, which should be taller than the Jackson USA Signature Marty Friedman MF-1's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Jackson USA Signature Marty Friedman MF-1
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
Gibson Adam Jones 1979 Les Paul Custom VOS
Bending & Vibrato Ease 95
Chord Playability 55
Solo Playability 80
Playability 77

Specs Side-by-Side

Jackson USA Signature Marty Friedman MF-1 vs Gibson Adam Jones 1979 Les Paul Custom VOS
General Jackson USA Signature Marty Friedman MF-1 Gibson Adam Jones 1979 Les Paul Custom VOS
Brand: Jackson Gibson
Year: 2017 2020
Configuration: HH HH
Strings: 6 6
Made in: United States United States
Series: Artist Signature Custom Shop Collection
Colors: Black Gray
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Solid Mahogany
Bridge: TonePros Adjustable Tune-O-Matic Style with Gotoh Stop Tailpiece Tune-O-Matic
Neck
Neck Joint: Set Set
Tuners: Schaller Locking Schaller M6 with Large Buttons
Fretboard: Rosewood Ebony, with 1-ply White Binding
Neck Material: Mahogany 3-piece Maple
Decoration: Mother of Pearl Block Mother of Pearl Block
Scale Size: 24.75" 24.75"
Shape: Speed Adam Jones Medium C
Thickness: 1st Fret: 0.775'' (19.7mm) - 12th Fret: 0.835'' (21.2mm) 1st Fret: - 12th Fret:
Frets: 22 Medium Jumbo Nickel Silver 22 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Bone Bone
Nut Width: 42.9mm (1.688'') 43mm (1.693'')
Electronics
Bridge Pickup: EMG MF Signature (Humbucker / Passive) Custom-Wound Seymour Duncan DDJ (Humbucker / Passive)
Middle Pickup:
Neck Pickup: EMG MF Signature (Humbucker / Passive) Gibson Custombucker (Reverse-Mounted) (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Speed Speed
Pickup Mods: None None
Volume Controls: 2 2
Tone Controls: 2 2