Show Full Spec Comparison
| Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone | Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard | |
|---|---|---|
| General | ||
| Brand: | Jackson | Epiphone |
| Year: | 2024 | 2023 |
| Configuration: | HH | HH |
| Strings: | 6 | 6 |
| Made in: | South Korea | China |
| Series: | Artist | Artist |
| Colors: | Green | Yellow |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Solid Body | Solid Body |
| Body Material: | Ash | Mahogany |
| Bridge: | Gotoh 510FX-6 | LockTone Stop Bar |
| Neck | ||
| Neck Joint: | Bolt-On | Set |
| Tuners: | Jackson Die-Cast Locking | Grover Rotomatic with Spade Button |
| Fretboard: | Ebony | Indian Laurel |
| Neck Material: | 3-Piece Maple/Wenge/Maple | Mahogany |
| Decoration: | Mother of Pearl Trapezoid | |
| Scale Size: | 27" | 24.75" |
| Shape: | Speed | Custom Greeny Profile |
| Thickness: | 1st Fret: 0.775'' (19.7mm) - 12th Fret: 0.835'' (21.2mm) | 1st Fret: - 12th Fret: |
| Frets: | 24 Jumbo Stainless Steel | 22 Medium Jumbo Nickel Silver |
| Fretboard Radius: | 12" to 16" | 12" |
| Nut: | Ivory Tusq | Ivory Tusq |
| Nut Width: | 42.9mm (1.688'') | 43mm (1.693'') |
| Electronics | ||
| Bridge Pickups: | Jackson RI1 (Humbucker / Passive) | Gibson USA Greenybucker (Humbucker / Passive) |
| Middle Pickup: | ||
| Neck Pickup: | Jackson RI1 (Humbucker / Passive) | Gibson USA Greenybucker with Reversed Magnetic Polarity; Reverse Mounted (Humbucker / Passive) |
| Switch: | 3 Way | 3 Way |
| Knobs: | Speed | Bell |
| Pickup Mods: | None | None |
| Volume Controls: | 1 | 2 |
| Tone Controls: | 0 | 2 |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Black | Nickel |
Show Diagrams Comparison
Reasons to Get
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone over Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard
Reasons to Get
Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard over Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone
Other Key Differences
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone vs Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard
Shared Features
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone vs Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard
Common Strengths
- High-Quality Nut
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Weight Relief
- Stays in Tune (Evertune)
- Compound Radius Fretboard
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
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Hand Size Comfortability
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone:
Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard:
Beginner Friendliness
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Comfortable fretboard
- Tall frets
- Comfortable neck
- Narrow nut
- Short scale
New Player Friendliness
Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in the Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.
Woods Used in the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone.
Pickup Configuration
Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
Pickups Quality
The Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard pickups from a more specialized brand than the Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
Both are equal when it comes to the pickup switching option.
Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone compares to the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone is built in South Korea while the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard is made in China.
South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Ivory Tusq nuts. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
In this comparison, the Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.
On the other hand, the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.
Winner: Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone
- Stainless Steel Frets
- Locking Tuners
- Expensive Wood
- Ivory Tusq Nut
- Luminescent Inlay
- Compound Radius Fretboard
- Made in South Korea
- No Top Brand Pickups
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Tremolo
- No 21:1 Tuner Ratio
- No Strap Lock
Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference
This means that it will be more difficult to do bar chords on the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone has the longest scale: 27". The Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard is only 24.75" long. This is a 2.25'' (57.2mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.
The Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.
Fret Size
The Jackson Pro Series Signature Roman Ibramkhalilov MDK HT6 Baritone has Jumbo frets, which should be taller than the Epiphone Kirk Hammett "Greeny" 1959 Les Paul Standard's Medium Jumbo frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
