Show Full Spec Comparison
| Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT | Fender Albert Hammond Jr Stratocaster | |
|---|---|---|
| General | ||
| Brand: | Jackson | Fender |
| Year: | 2024 | 2018 |
| Configuration: | HH | SSS |
| Strings: | 7 | 6 |
| Made in: | South Korea | Mexico |
| Series: | Pro | Artist |
| Colors: | Black | White |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Solid Body | Solid Body |
| Body Material: | Basswood | Alder |
| Bridge: | Hipshot 7 Fixed .175 | 6-Saddle Vintage-Style Synchronized Tremolo Set Flat to Body |
| Neck | ||
| Neck Joint: | Neck-Through | Bolt-On |
| Tuners: | Jackson Sealed Die-Cast Locking | Fender Vintage F Stamped |
| Fretboard: | Ebony | Rosewood |
| Neck Material: | 3-piece Maple | Maple |
| Decoration: | Pearloid Sharkfin | White Dot |
| Scale Size: | 26.5" | 25.5" |
| Shape: | Jackson Standard | Modern C |
| Thickness: | 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.85'' (21.6mm) | 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.87'' (22.1mm) |
| Frets: | 24 Jumbo Nickel Silver | 21 Medium Jumbo Nickel Silver |
| Fretboard Radius: | 12" to 16" | 7.25" |
| Nut: | Ivory Tusq | Synthetic Bone |
| Nut Width: | 44.5mm (1.75'') | 42mm (1.654'') |
| Electronics | ||
| Bridge Pickups: | Seymour Duncan Jeff Loomis Signature Noumenon (Humbucker / Passive) | Fender Custom Ceramic Single-Coil (Single Coil / Passive) |
| Middle Pickup: | Fender Custom Ceramic Single-Coil (Single Coil / Passive) | |
| Neck Pickup: | Seymour Duncan Jeff Loomis Signature Noumenon (Humbucker / Passive) | Fender Custom Ceramic Single-Coil (Single Coil / Passive) |
| Switch: | 3 Way | 5 Way |
| Knobs: | Dome | Bell |
| Pickup Mods: | None | None |
| Volume Controls: | 1 | 1 |
| Tone Controls: | 0 | 2 |
| Hardware | ||
| Strap Lock: | Yes | No |
| Hardware Color: | Black | Chrome |
Show Diagrams Comparison
Reasons to Get
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT over Fender Albert Hammond Jr Stratocaster
Reasons to Get
Fender Albert Hammond Jr Stratocaster over Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT
Other Key Differences
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT vs Fender Albert Hammond Jr Stratocaster
Shared Features
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT vs Fender Albert Hammond Jr Stratocaster
Common Strengths
- High-Quality Nut
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Weight Relief
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- From a High-Quality-Standards Country
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.
Hand Size Comfortability
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Fender Albert Hammond Jr Stratocaster favors large hands more than the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT. But it's still more comfortable for people with small hands, as you can see in the score meter below.
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT:
Fender Albert Hammond Jr Stratocaster:
Beginner Friendliness
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT meets 7 out of our 8 criteria items for beginner friendliness, while the Fender Albert Hammond Jr Stratocaster meets only 5. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Comfortable fretboard
- Tall frets
- Narrow nut
- Comfortable neck
- Short scale
New Player Friendliness
Fender Albert Hammond Jr Stratocaster- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
- Locking tuners
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Woods Used in the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Basswood is a lightweight type of wood that isn't as expensive as other popular choices for guitar building. It gives more power to the mid-range frequencies. Its color can vary from pale white to light brown. Find out more about Basswood.
Woods Used in the Fender Albert Hammond Jr Stratocaster
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.
Winner: Tie.
Pickup Configuration
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has an HH configuration while the Fender Albert Hammond Jr Stratocaster has SSS pickups.
Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
On the other hand, SSS is perfect for players who like to play clean. The definition you get between notes and the crispiness is unmatched by most other configurations. You can still use it for distortion, but you won't get the same kind of output and power compared to a humbucker, and the hum they produce also makes them less adequate for high gain.
Pickups Quality
Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.
However, the Fender Albert Hammond Jr Stratocaster has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Fender Albert Hammond Jr Stratocaster.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
The Fender Albert Hammond Jr Stratocaster gives you 5 switch options while the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT gives you 3. This means that the Fender Albert Hammond Jr Stratocaster gives you more options to find the right pickup combination for the type of sound you want to achieve
Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Fender Albert Hammond Jr Stratocaster.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT compares to the Fender Albert Hammond Jr Stratocaster.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT is built in South Korea while the Fender Albert Hammond Jr Stratocaster is made in Mexico.
South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.
Mexico has been for a long time where Fender has built their semi-premium series. If you don't want to overpay for a wellp-built instrument, a guitar built in this country by a good brand always offers good value for the money.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
On the other hand, the Fender Albert Hammond Jr Stratocaster comes with a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
On the other hand, the Fender Albert Hammond Jr Stratocaster's is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has a Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.
On the other hand, the Fender Albert Hammond Jr Stratocaster comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.
Winner: Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT
- Locking Tuners
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Neck-Through Build
- Luminescent Inlay
- Compound Radius Fretboard
- Strap Lock
- Cheap Fret Wire (NS)
- Made in South Korea
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Tremolo
- No 21:1 Tuner Ratio
Fender Albert Hammond Jr Stratocaster
- Expensive Wood
- Synthetic Bone Nut
- Top Brand Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in Mexico
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has the wider nut with 44.5mm (1.75'') vs 42mm (1.654''). This is a 2.5mm (0.096'') difference
This means that it will be more difficult to do bar chords on the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has the longest scale: 26.5". The Fender Albert Hammond Jr Stratocaster is only 25.5" long. This is a 1'' (25.4mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.
The Fender Albert Hammond Jr Stratocaster, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
In this case, the Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.
Fret Size
The Jackson Pro Series Signature Jeff Loomis Soloist SL7 HT has Jumbo frets, which should be taller than the Fender Albert Hammond Jr Stratocaster's Medium Jumbo frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
