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Jackson Pro Plus XT Soloist SLAT HT6 Baritone
Ibanez RGRTB621 Iron Label
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Playability
78
Sound
78
Build
74
Value
77
Score
77
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Playability
78
Sound
77
Build
69
Value
75
Score
75
FIND IT ON:
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Jackson Pro Plus XT Soloist SLAT HT6 Baritone vs Ibanez RGRTB621 Iron Label Specs Comparison
Jackson Pro Plus XT Soloist SLAT HT6 Baritone Ibanez RGRTB621 Iron Label
General
Brand: Jackson Ibanez
Year: 2024 2022
Configuration: HH HH
Strings: 6 6
Made in: Indonesia Indonesia
Series: Pro Plus RG
Colors: Black Black
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Nyatoh Nyatoh
Bridge: Jackson HT6 String-Through-Body Hardtail Mono-rail
Neck
Neck Joint: Neck-Through Neck-Through
Tuners: Jackson Sealed Die-Cast Locking Gotoh MG-T locking machine heads
Fretboard: Ebony Ebony
Neck Material: 3-piece Maple Maple/Walnut
Decoration: Black Sharkfin
Scale Size: 27" 25.5"
Shape: Jackson Standard Nitro Wizard
Thickness: 1st Fret: 0.79'' (20.1mm) - 12th Fret: 0.85'' (21.6mm) 1st Fret: 0.75'' (19.1mm) - 12th Fret: 0.83'' (21.1mm)
Frets: 24 Jumbo Nickel Silver 24 Jumbo Nickel Silver
Fretboard Radius: 12" to 16" 15.75"
Nut: Ivory Tusq Plastic
Nut Width: 42.9mm (1.688'') 43mm (1.693'')
Electronics
Bridge Pickups: Seymour Duncan Nazgul (Humbucker / Passive) DiMarzio Fusion Edge (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Seymour Duncan Sentient (Humbucker / Passive) DiMarzio Fusion Edge (Humbucker / Passive)
Switch: 3 Way 5 Way
Knobs: Speed Dome
Pickup Mods: Killswitch Coil Tap
Volume Controls: 1 1
Tone Controls: 0 1
Hardware
Strap Lock: Yes No
Hardware Color: Black Black
Show Diagrams Comparison
Jackson Pro Plus XT Soloist SLAT HT6 Baritone pickups switch and push knobs diagram
Jackson Pro Plus XT Soloist SLAT HT6 Baritone's switch options
Ibanez RGRTB621 Iron Label pickups switch selector and push knobs diagram
Ibanez RGRTB621 Iron Label's switch options

Reasons to Get
Jackson Pro Plus XT Soloist SLAT HT6 Baritone over Ibanez RGRTB621 Iron Label

Release Year
2024 vs 2022
From a more recent year
Compound Radius
12" to 16" vs 15.75"
Balanced playability for chords and single-notes
Neck Profile
Jackson Standard vs Nitro Wizard
Thin and flat neck for playing fast
Nut Material
Ivory Tusq vs Plastic
Resistant, good tuning stability and rich tone
Pickup Mods
Killswitch vs Coil Tap
Cuts out the pickups instantly
Neck Thickness at 1st Fret
0.79'' (20.1mm) vs 0.75'' (19.1mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.85'' (21.6mm) vs 0.83'' (21.1mm)
More comfortable at higher frets for big hands
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Scale Length
27'' (685.8mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Value Score
77 vs 75
Better price/quality relationship

Reasons to Get
Ibanez RGRTB621 Iron Label over Jackson Pro Plus XT Soloist SLAT HT6 Baritone

Neck Profile
Nitro Wizard vs Jackson Standard
Thin neck for playing fast
Pickup Mods
Coil Tap vs Killswitch
Lowers output of humbucker coil to create a single coil sound
Switch Positions
5 vs 3
More tone options
Tone Knobs
1 vs 0
More tone control
Neck Thickness at 1st Fret
0.75'' (19.1mm) vs 0.79'' (20.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.83'' (21.1mm) vs 0.85'' (21.6mm)
More comfortable at higher frets for small hands
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
25.5'' (647.7mm) vs 27'' (685.8mm)
Easier bending, shorter fret separation and warmer natural tone

Other Key Differences
Jackson Pro Plus XT Soloist SLAT HT6 Baritone vs Ibanez RGRTB621 Iron Label

Bridge Pickup
Seymour Duncan Nazgul vs DiMarzio Fusion Edge
Different Bridge Pickup
Neck Pickup
Seymour Duncan Sentient vs DiMarzio Fusion Edge
Different Neck Pickup
Nut Material
Ivory Tusq vs Plastic
Different Nut Material

Shared Features
Jackson Pro Plus XT Soloist SLAT HT6 Baritone vs Ibanez RGRTB621 Iron Label

Body Wood
Nyatoh
Same Body Wood
Neck Wood
Maple
Same Neck Wood
Fretboard Wood
Ebony
Same Fretboard Wood
Headstock
R6
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Volume Knobs
1
Same volume control
Pickups
HH
High output without hum
Number of Frets
24
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Neck-Through
Stronger neck and easier access to upper frets
Type of Frets
Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • Neck-Through Build
  • Locking Tuners
  • Luminescent Sidedots
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Jackson Pro Plus XT Soloist SLAT HT6 Baritone Prices

SET PRICE ALERT

Ibanez RGRTB621 Iron Label Prices

SET PRICE ALERT

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Hand Size Comfortability

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .

Jackson Pro Plus XT Soloist SLAT HT6 Baritone:
Big Hands
Small Hands
Ibanez RGRTB621 Iron Label:
Big Hands
Small Hands

Beginner Friendliness

The Jackson Pro Plus XT Soloist SLAT HT6 Baritone meets 6 out of our 8 criteria items for beginner friendliness, while the Ibanez RGRTB621 Iron Label meets only 5. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Jackson Pro Plus XT Soloist SLAT HT6 Baritone
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Comfortable neck
  • Narrow nut
  • Short scale

New Player Friendliness

Ibanez RGRTB621 Iron Label
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple
Ebony wood pattern used for guitar building
Ebony
Nyatoh wood pattern used for guitar building
Nyatoh

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Nyatoh has been replacing Mahogany for guitar building. It's fairly hard, durable, more sustentable and common than Mahogany. Find out more about Nyatoh.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

You can purchase similar pickups to the Jackson Pro Plus XT Soloist SLAT HT6 Baritone's and use them on any guitar:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Ibanez RGRTB621 Iron Label gives you 5 switch options while the Jackson Pro Plus XT Soloist SLAT HT6 Baritone gives you 3. This means that the Ibanez RGRTB621 Iron Label gives you more options to find the right pickup combination for the type of sound you want to achieve

Both give you different pickup mod options.

The Jackson Pro Plus XT Soloist SLAT HT6 Baritone offers Killswitch.

A Killswitch lets you disengage the pickups instantly. It can be useful when playing live, and it allows you to create some cool sound effects by using the switch rapidly.

On the other hand, the Ibanez RGRTB621 Iron Label comes with the following: Coil Tap.

Coil Tap is similar to Coil Split but it works a bit differently. Instead of completely cancelling one of the coils of the humbucker, it only cuts part of the output once activated. Some people believe this gives the split pickups a more real single-coil sound.

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Ibanez RGRTB621 Iron Label.

Final Sound Quality Scores

Jackson Pro Plus XT Soloist SLAT HT6 Baritone
Pickups 85
Sustain 85
Versatility 62
Tuning Stability 80
Sound 78
Ibanez RGRTB621 Iron Label
Pickups 85
Sustain 80
Versatility 67
Tuning Stability 75
Sound 77

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Jackson Pro Plus XT Soloist SLAT HT6 Baritone compares to the Ibanez RGRTB621 Iron Label.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in Indonesia.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Jackson Pro Plus XT Soloist SLAT HT6 Baritone has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the Ibanez RGRTB621 Iron Label comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Winner: Jackson Pro Plus XT Soloist SLAT HT6 Baritone.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Jackson Pro Plus XT Soloist SLAT HT6 Baritone
  • Locking Tuners
  • Expensive Wood
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Neck-Through Build
  • Killswitch Pickups
  • Luminescent Inlay
  • Compound Radius Fretboard
  • Strap Lock
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Weight Relief
  • No Tremolo
  • No 21:1 Tuner Ratio
Strengths & Weaknesses
Ibanez RGRTB621 Iron Label
  • Locking Tuners
  • Expensive Wood
  • Top Brand Pickups
  • Neck-Through Build
  • Coil Tap Pickups
  • Luminescent Inlay
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No High-Quality Nut
  • No Weight Relief
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Jackson Pro Plus XT Soloist SLAT HT6 Baritone
Quality of materials 51
Features 95
Quality Control 75
Build Quality 74
Ibanez RGRTB621 Iron Label
Quality of materials 51
Features 80
Quality Control 75
Build Quality 69

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Jackson Pro Plus XT Soloist SLAT HT6 Baritone Nut Width
Jackson Pro Plus XT Soloist SLAT HT6 Baritone Nut Width
Ibanez RGRTB621 Iron Label Nut Width
Ibanez RGRTB621 Iron Label Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Ibanez RGRTB621 Iron Label has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Ibanez RGRTB621 Iron Label, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Jackson Pro Plus XT Soloist SLAT HT6 Baritone's Scale Length
Jackson Pro Plus XT Soloist SLAT HT6 Baritone's Scale Length
Ibanez RGRTB621 Iron Label's Scale Length
Ibanez RGRTB621 Iron Label's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Jackson Pro Plus XT Soloist SLAT HT6 Baritone has the longest scale: 27". The Ibanez RGRTB621 Iron Label is only 25.5" long. This is a 1.5'' (38.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Jackson Pro Plus XT Soloist SLAT HT6 Baritone Neck Profile
Jackson Pro Plus XT Soloist SLAT HT6 Baritone's neck profile
Ibanez RGRTB621 Iron Label Neck Profile
Ibanez RGRTB621 Iron Label's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Jackson Pro Plus XT Soloist SLAT HT6 Baritone has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Ibanez RGRTB621 Iron Label, on the other hand, has a Wizard neck. This is thinner than most C-type necks. It won't get in your way if you want to play fast solos. It's not as slim as 'Super Wizard' necks, so it might fit you better if you don't like ultra-thin necks.

Fretboard Radius

Jackson Pro Plus XT Soloist SLAT HT6 Baritone Fretboard Compound Radius
Jackson Pro Plus XT Soloist SLAT HT6 Baritone's Compound Fretboard Radius
Ibanez RGRTB621 Iron Label Fingerboard Radius
Ibanez RGRTB621 Iron Label's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Jackson Pro Plus XT Soloist SLAT HT6 Baritone is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Fret Size

Jackson Pro Plus XT Soloist SLAT HT6 Baritone and Ibanez RGRTB621 Iron Label Frets Size
Both have a similar Jumbo fret size

Both have a Jumbo fret size. This is one of the tallest frets you can get. You won't feel the fretboard when pressing down the strings. It will give you the best sustain and all types of chords will be easier to play. However, you can end up changing the pitch of your notes if you press too hard, which is something people used to feeling the fretboard do when trying Jumbo frets for the first time.

Final Playability Scores

Jackson Pro Plus XT Soloist SLAT HT6 Baritone
Bending & Vibrato Ease 75
Chord Playability 60
Solo Playability 100
Playability 78
Ibanez RGRTB621 Iron Label
Bending & Vibrato Ease 85
Chord Playability 50
Solo Playability 100
Playability 78