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Ibanez AT100CL
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
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Playability
73
Sound
79
Build
75
Value
66
Score
76
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Playability
73
Sound
72
Build
74
Value
58
Score
73
FIND IT ON:
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Ibanez AT100CL vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Specs Comparison
Ibanez AT100CL Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
General
Brand: Ibanez Gibson
Year: 2009 2020
Configuration: HHH HH
Strings: 6 6
Made in: Japan United States
Series: AT Gibson Murphy Lab Collection
Colors: Sunburst Black
Left-Handed Version: Yes No
Body
Type: Solid Body Semi-Hollow
Body Material: Alder 3-Ply Maple/Poplar/Maple
Bridge: Wilkinson-Gotoh VSVG tremolo ABR-1
Neck
Neck Joint: Bolt-On Set
Tuners: Gotoh Magnum Lock machine heads w/H.A.P. Kluson Single Line Strip with Metal Buttons
Fretboard: Maple Indian Rosewood, Hide Glue Fit
Neck Material: Maple Solid Mahogany
Decoration: Black Dot Split Diamond Cellulose Nitrate
Scale Size: 25.5" 24.75"
Shape: AT Authentic 64 Medium C-Shape
Thickness: 1st Fret: 0.83'' (21.1mm) - 12th Fret: 0.91'' (23.1mm) 1st Fret: 0.87'' (22.1mm) - 12th Fret: 0.98'' (24.9mm)
Frets: 22 Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Bone Nylon
Nut Width: 40.5mm (1.594'') 43mm (1.693'')
Electronics
Bridge Pickups: DiMarzio AT-1 (Humbucker / Passive) Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive)
Middle Pickup: DiMarzio The Cruiser (Humbucker / Passive)
Neck Pickup: DiMarzio The Cruiser (Humbucker / Passive) Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive)
Switch: 5 Way 3 Way
Knobs: Bell Bell
Pickup Mods: None None
Volume Controls: 1 2
Tone Controls: 2 2
Hardware
Strap Lock: No No
Hardware Color: Chrome Nickel
Show Diagrams Comparison
Ibanez AT100CL pickups switch selector and push knobs diagram
Ibanez AT100CL's switch options
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged pickups switch and push knobs diagram
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's switch options

Reasons to Get
Ibanez AT100CL over Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Body Type
Solid Body vs Semi-Hollow
Feedback free
Switch Positions
5 vs 3
More tone options
Pickups
HHH vs HH
High output without hum and tons of tone versatility
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.83'' (21.1mm) vs 0.87'' (22.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.91'' (23.1mm) vs 0.98'' (24.9mm)
More comfortable at higher frets for small hands
Nut Width
1.594'' (40.5mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Value Score
66 vs 58
Better price/quality relationship

Reasons to Get
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged over Ibanez AT100CL

Release Year
2020 vs 2009
From a more recent year
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Body Type
Semi-Hollow vs Solid Body
Lighter and allows more gain than a hollowbody
Volume Knobs
2 vs 1
More volume control
Pickups
HH vs HHH
High output without hum
Neck Thickness at 1st Fret
0.87'' (22.1mm) vs 0.83'' (21.1mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.98'' (24.9mm) vs 0.91'' (23.1mm)
More comfortable at higher frets for big hands
Nut Width
1.693'' (43mm) vs 1.594'' (40.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone

Other Key Differences
Ibanez AT100CL vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Bridge Pickup
DiMarzio AT-1 vs Gibson Custombucker Alnico 3 (Unpotted)
Different Bridge Pickup
Neck Pickup
DiMarzio The Cruiser vs Gibson Custombucker Alnico 3 (Unpotted)
Different Neck Pickup
Body Wood
Alder vs Maple
Different Body Wood
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Maple vs Rosewood
Different Fretboard Wood
Nut Material
Bone vs Nylon
Different Nut Material

Shared Features
Ibanez AT100CL vs Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Headstock
6
Same Headstock
Strings
6
Same playing style
Tone Knobs
2
Same tone control
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT

Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Prices

SET PRICE ALERT

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Hand Size Comfortability

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged favors large hands more than the Ibanez AT100CL.

Ibanez AT100CL:
Big Hands
Small Hands
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged:
Big Hands
Small Hands

Beginner Friendliness

The Ibanez AT100CL meets 6 out of our 8 criteria items for beginner friendliness, while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Ibanez AT100CL
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

New Player Friendliness

Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Woods Used in the Ibanez AT100CL

Alder wood pattern used for guitar building
Alder

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Woods Used in the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Pickup Configuration

The Ibanez AT100CL has an HHH configuration while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged has HH pickups.

A triple Humbucker (HHH) can be intimidating at first, but it's one of the combinations that offer the most tone versatility. You'll be able to have from a lot of output for Hard Rock genres, to warm and clean sounds that are more common in Jazz.

On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

You can purchase similar pickups to the Ibanez AT100CL's and use them on any guitar:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Ibanez AT100CL gives you 5 switch options while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged gives you 3. This means that the Ibanez AT100CL gives you more options to find the right pickup combination for the type of sound you want to achieve

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Ibanez AT100CL.

Final Sound Quality Scores

Ibanez AT100CL
Pickups 90
Sustain 80
Versatility 72
Tuning Stability 75
Sound 79
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 70
Sound 72

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Ibanez AT100CL compares to the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Ibanez AT100CL is built in Japan while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged is made in United States.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Ibanez AT100CL has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged comes with a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Ibanez AT100CL's brige is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Ibanez AT100CL has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Ibanez AT100CL.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Ibanez AT100CL has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Ibanez AT100CL.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Ibanez AT100CL
  • Locking Tuners
  • Made in Japan
  • Bone Nut
  • Top Brand Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Expensive Woods
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Ibanez AT100CL
Quality of materials 66
Features 65
Quality Control 95
Build Quality 75
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Quality of materials 66
Features 55
Quality Control 100
Build Quality 74

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Ibanez AT100CL Nut Width
Ibanez AT100CL Nut Width
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Nut Width
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged has the wider nut with 43mm (1.693'') vs 40.5mm (1.594''). This is a 2.5mm (0.099'') difference

This means that it will be more difficult to do bar chords on the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Ibanez AT100CL's Scale Length
Ibanez AT100CL's Scale Length
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Scale Length
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Ibanez AT100CL has the longest scale: 25.5". The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Ibanez AT100CL Neck Profile
Ibanez AT100CL's neck profile
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Neck Profile
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Ibanez AT100CL and the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Ibanez AT100CL Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Ibanez AT100CL and the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Fret Size

Ibanez AT100CL Frets Size
Ibanez AT100CL's Frets Size
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged Frets Size
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Frets Size

The Ibanez AT100CL has Jumbo frets, which should be taller than the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Ibanez AT100CL
Bending & Vibrato Ease 80
Chord Playability 60
Solo Playability 80
Playability 73
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73